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Arise, O God, and Shine
Author: William Hurn Meter: 6.6.6.6.8.8.8 Appears in 51 hymnals Lyrics: 1 Arise, O God, and shine
In all Thy saving might,
And prosper each design
To spread Thy glorious light:
Let healing streams of mercy flow,
That all the earth Thy truth may know,
That all the earth Thy truth may know.
2 Bring distant nations near
To sing Thy glorious praise;
Let ev'ry people hear
And learn Thy holy ways:
Reign, mighty God, assert Thy cause,
And govern by Thy righteous laws,
And govern by Thy righteous laws.
3 Send forth Thy glorious power,
That Gentiles all may see,
And earth present her store
In converts born to Thee:
God, our own God, His Church will bless,
And fill the world with righteousness,
And fill the world with righteousness.
4 To God, the only wise,
The one immortal King,
Let hallelujahs rise
From every living thing:
Let all that breathe, on every coast,
Praise Father, Son, and Holy Ghost,
Praise Father, Son, and Holy Ghost.
Amen.
Topics: Church Year Epiphany; Epiphany; A Missionary Service; Doxologies; Names and Office of Christ Light; Missions Foreign Used With Tune: LENOX
Arise, O God, and Shine
RHOSYMEDRE
Appears in 95 hymnals Composer and/or Arranger: J. D. Edwards (1805-1885) Incipit: 51122 31443 21511 Used With Text: Arise, O Lord, and shine
RHOSYMEDRE
DARWALL'S 148TH
Meter: 6.6.6.6.8.8 Appears in 511 hymnals Composer and/or Arranger: John Darwall Tune Key: C Major Incipit: 13153 17654 32231 Used With Text: Arise, O God, and Shine
DARWALL'S 148TH
Arise, O God, and Shine
Author: William Hurn Hymnal: Hymns of the Church of Jesus Christ of Latter-day Saints #265 (1985) Topics: Mercy; Missionary Work; Praise; Special Topics Languages: English Tune Title: [Arise, O God, and shine]
Arise, O God, and Shine
Arise, O God, and Shine
Author: William Hurn Hymnal: The Hymnal and Order of Service #70 (1937) Lyrics: 1 Arise, O God, and shine
In all Thy saving might,
And prosper each design
To spread Thy glorious light:
Let healing streams of mercy flow,
That all the earth Thy truth may know,
That all the earth Thy truth may know.
2 Bring distant nations near
To sing Thy glorious praise;
Let ev'ry people hear
And learn Thy holy ways:
Reign, mighty God, assert Thy cause,
And govern by Thy righteous laws,
And govern by Thy righteous laws.
3 Send forth Thy glorious power,
That Gentiles all may see,
And earth present her store
In converts born to Thee:
God, our own God, His Church will bless,
And fill the world with righteousness,
And fill the world with righteousness.
4 To God, the only wise,
The one immortal King,
Let hallelujahs rise
From every living thing:
Let all that breathe, on every coast,
Praise Father, Son, and Holy Ghost,
Praise Father, Son, and Holy Ghost.
Amen.
Arise, O God, and Shine
Arise, O God, and Shine
Author: William Hurn Hymnal: The Hymnal and Order of Service #70 (1926) Meter: 6.6.6.6.8.8.8 Lyrics: 1 Arise, O God, and shine
In all Thy saving might,
And prosper each design
To spread Thy glorious light:
Let healing streams of mercy flow,
That all the earth Thy truth may know,
That all the earth Thy truth may know.
2 Bring distant nations near
To sing Thy glorious praise;
Let ev'ry people hear
And learn Thy holy ways:
Reign, mighty God, assert Thy cause,
And govern by Thy righteous laws,
And govern by Thy righteous laws.
3 Send forth Thy glorious power,
That Gentiles all may see,
And earth present her store
In converts born to Thee:
God, our own God, His Church will bless,
And fill the world with righteousness,
And fill the world with righteousness.
4 To God, the only wise,
The one immortal King,
Let hallelujahs rise
From every living thing:
Let all that breathe, on every coast,
Praise Father, Son, and Holy Ghost,
Praise Father, Son, and Holy Ghost.
Amen.
Topics: Church Year Epiphany; Epiphany; A Missionary Service; Doxologies; Names and Office of Christ Light; Missions Foreign Languages: English Tune Title: LENOX
Arise, O God, and Shine
Lowell Mason
1792 - 1872 Arranger of "LISCHER" in The New Christian Hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Arthur Sullivan
1842 - 1900 Person Name: A. S. Sullivan Composer of "SAMUEL" in Missionary Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
John Darwall
1732 - 1789 Composer of "[Arise, O God, and shine]" in Hymns of the Church of Jesus Christ of Latter-day Saints John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are."
Bert Polman
John Darwall
