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As shadows cast by cloud and sun
Author: Bryant Appears in 61 hymnals Used With Tune: AVON
As shadows cast by cloud and sun
ST. AGNES, DURHAM
Appears in 1,162 hymnals Composer and/or Arranger: J. B. Dykes, Mus. Doc. Incipit: 33323 47155 53225 Used With Text: As shadows cast by cloud and sun
ST. AGNES, DURHAM
As Shadows Cast by Cloud and Sun
Author: William Bryant Hymnal: The Cyber Hymnal #250 Meter: 8.6.8.6 D Lyrics: 1. As shadows cast by cloud and sun
Flit o’er the summer grass,
So, in Thy sight, Almighty One,
Earth’s generations pass.
And as the years, an endless host,
Come swiftly pressing on,
The brightest names that earth can boast
Just glisten and are gone.
2. Yet doth the star of Bethlehem shed
A luster pure and sweet;
And still it leads, as once it led,
To the Messiah’s feet.
O Father, may that holy star
Grow every year more bright,
And send its glorious beams afar
To fill the world with light. Languages: English Tune Title: GOSHEN
As Shadows Cast by Cloud and Sun
Flitting Shadows
Author: W. C. Bryant Hymnal: Popular Hymns Number 2 #207 (1901) First Line: As shadows cast by cloud and sun Refrain First Line: Flitting, flitting Languages: English Tune Title: [As shadows cast by cloud and sun]
Flitting Shadows
Flitting Away
Author: William Cullen Bryant Hymnal: Royal Praise for the Sunday School #150 (1888) First Line: As shadows, cast by cloud and sun Refrain First Line: Flitting, flitting, Flitting like shadows away Languages: English Tune Title: [As shadows, cast by cloud and sun]
Flitting Away
William Gardiner
1770 - 1853 Composer of "BELMONT" in The Hymnal of Praise William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music.
Bert Polman
William Gardiner
Joseph Barnby
1838 - 1896 Composer of "HOLY TRINITY" in The Students' Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes, Mus. Doc. Composer of "ST. AGNES, DURHAM" in Worship Song As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
