Please give today to support Hymnary.org during one of only two fund drives we run each year. Each month, Hymnary serves more than 1 million users from around the globe, thanks to the generous support of people like you, and we are so grateful.

Tax-deductible donations can be made securely online using this link.

Alternatively, you may write a check to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton SE, Grand Rapids, MI 49546

Search Results

Text Identifier:"^at_the_cross_her_station_keeping_stood$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

At The Cross Her Vigil Keeping

Author: Edward Caswall, 1814-1878; Jacopone da Todi, d. 1306 Meter: 8.8.7 Appears in 141 hymnals Used With Tune: STABAT MATER Text Sources: Other translators also

Tunes

tune icon
Tune authorities
Page scansAudio

STABAT MATER

Meter: 8.8.7.8.8.7 Appears in 68 hymnals Tune Sources: Mayence, 1661 Tune Key: G Major Incipit: 12323 54332 17676 Used With Text: At the cross her station keeping
Page scansAudio

STABAT MATER

Meter: 8.8.7.8.8.7 Appears in 10 hymnals Tune Sources: Mechlin Plainsong, Mode IV Tune Key: G Major Incipit: 21234 31214 43216 Used With Text: At the cross her station keeping
Audio

STABAT MATER

Meter: 8.8.7 Appears in 9 hymnals Incipit: 12323 54332 17621 Used With Text: At the Cross her station keeping

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

At the cross her station keeping

Author: Caswall; Jacobus de Benedictis Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #103 (1894) Meter: 8.8.7.8.8.7 Lyrics: 1 At the cross her station keeping Stood the mournful mother weeping, Where He hung, the dying Lord; For her soul of joy bereavèd, Bowed with anguish deeply grievèd, Felt the sharp and piercing sword. 2 Oh, how sad and sore distressèd, Now was she, that mother blessèd Of the sole-begotten One; Deep the woe of her affliction, When she saw the crucifixion Of her ever-glorious Son. 3 Who, on Christ's dear mother gazing, Pierced by anguish so amazing, Born of woman, would not weep? Who, on Christ's dear mother thinking, Such a cup of sorrow drinking, Would not share her sorrows deep? 4 For His people's sins chastisèd, She beheld her Son despisèd, Scourged and crowned with thorns entwined; Saw Him then from judgment taken, And in death by all forsaken, Till His spirit He resigned. 5 Jesu, may her deep devotion Stir in me the same emotion, Fount of love, Redeemer kind; That my heart fresh ardor gaining, And a purer love attaining, May with Thee acceptance find. Amen. Languages: English Tune Title: [At the cross her station keeping]
TextAudio

At the Cross, Her Station Keeping

Author: Edward Caswall Hymnal: The Cyber Hymnal #26 Meter: 8.8.7.8.8.7 Lyrics: 1. At the cross, her station keeping, Stood the mournful mother weeping, Where He hung, the dying Lord; For her soul of joy bereavèd, Bowed with anguish, deeply grievèd, Felt the sharp and piercing sword. 2. Oh, how sad and sore distressèd Now was she, that mother blessèd Of the sole begotten One; Deep the woe of her affliction, When she saw the crucifixion Of her ever glorious Son. 3. Who, on Christ’s dear mother gazing Pierced by anguish so amazing Born of woman, would not weep? Who, on Christ’s dear mother thinking Such a cup of sorrow drinking Would not share her sorrows deep? 4. For His people’s sins chastisèd, She beheld her Son despisèd, Scourged, and crowned with thorns entwined; Saw Him then from judgment taken, And in death by all forsaken, Till His Spirit He resigned. 5. Jesu, may her deep devotion Stir in me the same emotion, Fount of love, Redeemer kind, That my heart fresh ardor gaining, And a purer love attaining, May with Thee acceptance find. Languages: English Tune Title: STABAT MATER (Dykes)
TextPage scan

At the cross her station keeping

Author: Jacopone da Todi, d. 1306; Edward Caswall, 1814-1878 Hymnal: Complete Anglican Hymns Old and New #51 (2000) Meter: 8.8.7 First Line: At her cross her station keeping Lyrics: 1 At the cross her station keeping, stood the mournful mother weeping, close to Jesus to the last. 2 Through her heart, his sorrow sharing, all his bitter anguish bearing, now at length the sword has passed. 3 O, how sad and sore distressed was that mother highly blest, of the sole-begotten One. 4 Christ above in torment hangs; she beneath beholds the pangs of her dying glorious Son. 5 Is there one who would not weep, whelmed in miseries so deep, Christ's dear mother to behold? 6 Can the human heart refrain from partaking in her pain, in that mother's pain untold? 7 Bruised, derided, cursed, defiled, she behold her tender child, all with bloody scourges rent. 8 For the sins of his own nation, saw him hang in desolation, till his spirit forth he sent. 9 O thou mother! Fount of love! Touch my spirit from above, make my heart with thine accord. 10 Make me feel as thou hast felt; make my soul to glow and melt with the love of Christ my Lord. 11 Holy Mother, pierce me through, in my heart each wound renew of my Saviour crucified. 12 Let me share with thee his pain who for all my sins was slain, who for me in torments died. 13 Let me mingle tears with thee, mourning him who mourned for me, all the days that I may live. 14 By the cross with thee to stay, there with thee to weep and pray, this I ask of thee to give. Topics: Passiontide; The Suffering Community; Year B Palm Sunday: Liturgy of the Passion; Year C Epiphany 4; Years A, B, and C Good Friday; Years A, B, and C Mothering Sunday Scripture: Isaiah 53:8 Languages: English Tune Title: STABAT MATER

People

person icon
Authors, composers, editors, etc.

Richard Mant

1776 - 1848 Translator of "At the cross her station keeping" in The Hymnal Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:— (1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847. Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:— "Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect." His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:— i. From his Metrical Version of the Psalms, 1824. 1. God, my King, Thy might confessing. Ps. cxlv. 2. Lord, to Thee I make my vows. Ps. xxvii. 3. Blessed be the Lord most High. Ps. xxviii. Pt. ii. 4. My trust is in the highest Name. Ps. xi. 5. Reign, Jehovah, King supreme. Ps. xcix. 6. Thy listening ear, O Lord, incline. Ps. Ixxxvi. 7. To God my earnest voice I raise. Ps. cxlii. 8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x. ii. From his Holydays of the Church, &c, 1828-31. 9. Lo, the day the Lord hath made. Easter. 10. There is a dwelling place above. All Saints. iii. From his Ancient Hymns, &c, 1837. 11. Before Thy mercy's throne. Lent. 12. Father of all, from Whom we trace. Unity. 13. For these who first proclaimed Thy word. Apostles. 14. No! when He bids me seek His face. Holy Communion. 15. Oft as in God's own house we sit. Divine Worship. 16. Put off thy shoes, 'tis holy ground. The House of God . 17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals. 18. Thy House each day of hallowed rest. Holy Communion. 19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church. 26. We deem and own it, Lord, a proof. Divine Grace. When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody. -- John Julian, Dictionary of Hymnology (1907) ==================== http://en.wikipedia.org/wiki/Richard_Mant

Jacopone, da Todi

1230 - 1306 Person Name: Jacopone da Todi, 1225-1306 Author of "At the Cross Her Station Keeping " in Hymnal of Christian Unity Jacobus de Benedictis, commonly known as Jacopone, was born at Todi in Umbria, early in the 13th century, his proper name being Jacopone di Benedetti. He was descended from a noble family, and for some time led a secular life. Some remarkable circumstances which attended the violent death of his wife, led him to withdraw himself from the world, and to enter the Order of St. Francis, in which he remained as a lay brother till his death, at an advanced age, in 1306. His zeal led him to attack the religious abuses of the day. This brought him into conflict with Pope Boniface VIII., the result being imprisonment for long periods. His poetical pieces were written, some in Italian, and some in Latin, the most famous of the latter being "Cur mundus militat sub vana gloria" (possibly by Walter Mapes), and the "Stabat Mater dolorosa." Archbishop Trench says of him:— “An earnest humourist, he carried the being a fool for Christ into every-day life. The things which with this intent he did, some morally striking enough, others mere extravagances and pieces of gross spiritual buffoonery—wisdom and folly, such as we often find, side by side, in the saints of the Roman Calendar—are largely reported by Wadding, the historian of the Franciscan Order, and by Lisco, in a separate monograph on the Stabat Mater, Berlin, 1843, p. 23. These often leave one in doubt whether he was indeed perfectly sound in his mind, or only a Christian Brutus, feigning folly, that he might impress his wisdom the more deeply, and utter it with more freedom." Sacred Latin Poetry, 3rd ed., 1874, p. 268. Sketches of the life and writings of Jacopone, drawn entirely from the original sources (Trench), have been published as follows:— (1) By Mohnike, Studien Stralsund, 1825, vol. i. pp. 335-406; (2) by Ozanam, Les Poétes Franciscains en Italie au Treizieme Siecle, Paris. In addition there are articles in the Biographie Universelle; Macmillan’s Magazine, Aug., 1873; and the Encyclopedia Britannica , 9th ed. --John Julian, Dictionary of Hymnology (1907) ============================ See also in: Wikipedia

Samuel Webbe

1740 - 1816 Person Name: Samuel Webbe (1740-1816) Adapter of "STABAT MATER" in Church Hymnary (4th ed.) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.