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Text Identifier:"^auf_meinen_lieben_gott$"

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Auf meinen lieben Gott

Appears in 88 hymnals Used With Tune: [Auf meinen lieben Gott]

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[Auf meinen lieben Gott trau' ich]

Appears in 25 hymnals Composer and/or Arranger: Jakob Regnart Incipit: 11234 55543 32234 Used With Text: Auf meinen lieben Gott trau' ich
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[Auf meinen lieben Gott]

Appears in 1 hymnal Incipit: 11567 11721 65551 Used With Text: Auf meinen lieben Gott
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[Auf meinen lieben Gott trau' ich]

Appears in 1 hymnal Incipit: 51234 55543 42234 Used With Text: Choral

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Auf meinen lieben Gott

Hymnal: Evangelisches Gesangbuch #345 (2014) Topics: Glaube - Liebe - Hoffnung Rechtfertigung und Zuversicht Languages: German Tune Title: [Auf meinen lieben Gott]
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Auf meinen lieben Gott

Hymnal: Vierstimmige Melodien #14 (1897) Languages: German Tune Title: [Auf meinen lieben Gott]
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Auf meinen lieben Gott trau' ich

Hymnal: Schulgesangbuch für höhere Lehranstalten (Ausgabe für Rheinland und Westfalen) #79 (1898) Languages: German Tune Title: [Auf meinen lieben Gott trau' ich]

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Reibmann

Composer of "[Auf meinen lieben Gott]" in Evangelisches Gesangbuch mit vierstimmigen Melodien Most probably J. M. Biermann

Johann Hermann Schein

1586 - 1630 Adapter of "[Auf meinen lieben Gott]" in Evangelisches Gesangbuch Schein, Johann Hermann, son of Hieronymus Schein, pastor at Griinhain, near Annaberg, in Saxony, was born at Grünhain, Jan. 20,1586. He matriculated at the University of Leipzig in 1607, and studied there for four years. Thereafter he acted for some time as a private tutor, including two years with a family at Weissenfels. On May 21, 1615, he was appointed Capellmeister, at the court of Duke Johann Ernst, of Sachse-Weimar; and in 1616 he became cantor of I3t. Thomas's Church, and music director at Leipzig, in succession to Seth Calvisius (d. Nov. 24, 1615). This post he held till his death, at Leipzig, Nov. 19, 1630. Schein was one of the most distinguished musicians of his time, both as an original composer, and as a harmoniser of the works of others. As a hymnwriter he was not so prolific, or so noteworthy. Most of his hymns were written on the deaths of his children or friends, e.g. on seven of his children, and on his first wife. They appeared mostly in broadsheet form, and were included, along with his original melodies, in his Cantional oder Gesang-Buch Augspurgischer Confession, Leipzig, 1627; 2nd ed., 1645. [Both in Wernigerode Library.] Those of Schein's hymns which have passed into English are:— i. Machs mit mir, Gott, nach deiner Güt. For the Dying. First published, as a broadsheet, at Leipzig, 1628, as a Trost-Liedlein á 5 (i.e. for 5 voices), &c. [Berlin Library.] The words, the melody, and the five-part setting, are all by Schein. It was written for, and first used at, the funeral, on Dec. 15, 1628, of Margarita, wife of Caspar Werner, a builder and town councillor at Leipzig, and a churchwarden of St. Thomas's. It is in 6 stanzas of 6 lines; the initial letters of 11. 1, 3, in st. i.-iv., forming the name Margarita; and the W of st. v. 1. 1 standing for Werner. In Schein's Cantional, 1645, No. 303 (marked as Trost-Liedlein, Joh. Herm. Scheins, á 5), and later hymn-books, as e.g. the Unverfäschter Liedersegen, 1851, No. 830, st. vi. was omitted. It is Schein's finest production, and one of the best German hymns for the sick and dying. Translated as:— Deal with me, God, in mercy now. This is a good and full translation by Miss Winkworth, in her Chorale Book for England, 1863, No. 191, set to Schein's melody of 1628. ii. Mein Gott und Herr, ach sei nicht fern. For the Dying. First published, with his name, in his Cantional, 1627, No. 262, in 9 stanzas of 6 lines. The initial letters of the stanzas give the name Margarita, probably one of the daughters who predeceased him. It is included, in 5 st., in the 164-8, and later eds., of Crüger's Praxis. The translation in common use is:— My Lord and God, go not away. A good tr. of st. i., ii., iv., v., vii., by A. T. Russell, as No. 254, in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Melchior Vulpius

1570 - 1615 Author of "Choral" in Sammlung Kirchlicher Lieder Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman