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Text Identifier:"^baited_the_question_rose$"

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Baited, the Question Rose

Author: Carl P. Daw Appears in 2 hymnals

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DIADEMATA

Meter: 6.6.8.6 D Appears in 757 hymnals Composer and/or Arranger: George J. Elvey; Hall H. Hopson Tune Key: D Major Incipit: 11133 66514 32235 Used With Text: Baited, the Question Rose
Audio

ST. BRIDE

Meter: 6.6.8.6 Appears in 150 hymnals Composer and/or Arranger: Samuel Howard, 1710-1782 Tune Key: f minor Incipit: 15132 13735 43543 Used With Text: Baited, the Question Rose

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Published text-tune combinations (hymns) from specific hymnals
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Baited, the Question Rose

Author: Carl P. Daw, Jr. Hymnal: Singing the New Testament #62 (2008) Meter: 6.6.8.6 D Lyrics: 1 Baited, the question rose from somewhere in the crowd: "Teacher, you truly know God's way; is paying tax allowed?" Jesus perceived their trap: "Why do you test me so? Bring here the coin the tax requires, and see what it will show." 2 "Whose image does it bear, whose name and titles tell?" "Caesar's, of course," they smugly said and thought they answered well. "Give Caesar what is his; God, what is God's alone." Strong words, convincing and profound, like truth already known. 3 May we discern, O God, your daily gifts of grace; show us your image freshly coined in every heart and face. Help us fit tribute yield through prayers and hymns we raise, but most of all by deeds of love to give you thanks and praise. Topics: Dedication/Commitment; Thanksgiving and Gratitude Scripture: Matthew 22:15-22 Languages: English Tune Title: DIADEMATA
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Baited, the Question Rose

Author: Carl P. Daw, Jr., b. 1944 Hymnal: Worship (4th ed.) #740 (2011) Meter: 6.6.8.6 Lyrics: 1 Baited, the question rose From somewhere in the crowd: "Teacher, you truly know God's way; Is paying tax allowed?" 2 Jesus perceived their trap: "Why do you test me so? Bring here the coin the tax requires, And see what it will show." 3 "Whose image does it bear, Whose names and titles tell?" "Caesar's, of course," they smugly said And thought they answered well. 4 "Give Caesar what is his; God, what is God's alone." Strong words, convincing and profound, Like truth already known. 5 May we discern, O God, Your daily gifts of grace; Show us your image freshly coined In ev'ry heart and face. 6 Help us fit tribute yield Through prayers and hymns we raise, But most of all by deeds of love To give you thanks and praise. Topics: Parables / Teachings of Jesus; Ordinary Time, Twenty-Eighth Sunday A; Ordinary Time, Twenty-Ninth Sunday A Languages: English Tune Title: ST. BRIDE

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Authors, composers, editors, etc.

George J. Elvey

1816 - 1893 Composer of "DIADEMATA" in Singing the New Testament George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Carl P. Daw Jr.

b. 1944 Person Name: Carl P. Daw, Jr. Author of "Baited, the Question Rose" in Singing the New Testament Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.). Emily Brink

Hal H. Hopson

b. 1933 Person Name: Hall H. Hopson Composer (descant) of "DIADEMATA" in Singing the New Testament Hal H. Hopson (b. Texas, 1933) is a prolific composer, arranger, clinician, teacher and promoter of congregational song, with more than 1300 published works, especially of hymn and psalm arrangements, choir anthems, and creative ideas for choral and organ music in worship. Born in Texas, with degrees from Baylor University (BA, 1954), and Southern Baptist Seminary (MSM, 1956), he served churches in Nashville, TN, and most recently at Preston Hollow Presbyterian Church in Dallas, Texas. He has served on national boards of the Presbyterian Association of Musicians and the Choristers Guild, and taught numerous workshops at various national conferences. In 2009, a collection of sixty four of his hymn tunes were published in Hymns for Our Time: The Collected Tunes of Hal H. Hopson. Emily Brink
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