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Behold the Lamb of God!

Author: Matthew Bridges Meter: 6.6.6.4.8.8.4 Appears in 102 hymnals Lyrics: Behold the Lamb of God! O thou for sinners slain, Let it not be in vain That thou hast died: Thee for my Savior let me take, My only refuge let me make Thy pierced side. Behold the Lamb of God! Into the sacred flood Of thy most precious blood My soul I cast: Wash me and make me clean within, And keep me pure from every sin, Till life be past. Behold the Lamb of God! All hail, incarnate Word, Thou everlasting Lord Savior most blest; Fill us with love that never faints, Grant us with all thy blessèd saints, Eternal rest. Behold the Lamb of God! Worthy is he alone, That sitteth on the throne Of God above; One with the Ancient of all days, One with the Comforter in praise, All light and love. Amen. Topics: Holy Week Used With Tune: ST. JOHN

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ECCE AGNUS

Meter: 6.6.6.4.8.8.4 Appears in 4 hymnals Tune Sources: Gesangbuch...Psalmen, Geistliche Lieder, Strassburg, 1541, adapt. Tune Key: f minor Incipit: 13322 15443 32 Used With Text: Behold the Lamb of God
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WIGAN

Meter: 6.6.6.4.8.8.4 Appears in 8 hymnals Composer and/or Arranger: Samuel Sebastian Wesley Tune Key: f minor Incipit: 13243 65432 17132 Used With Text: Behold the Lamb of God!
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ST JOHN (DYKES)

Meter: 6.6.6.4.8.8.4 Appears in 15 hymnals Incipit: 15432 11716 65 Used With Text: Behold the Lamb of God

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Behold the Lamb of God!

Author: Matthew Bridges Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #96a (1894) Meter: Irregular Lyrics: 1 Behold the Lamb of God! O Thou for sinners slain, Let it not be in vain That Thou hast died: Thee for my Saviour let me take, My only refuge let me make Thy piercèd side. 2 Behold the Lamb of God! Into the sacred flood Of Thy most precious blood My soul I cast: Wash me and make me clean within, And keep me pure from every sin, Till life be past. 3 Behold the Lamb of God! All hail, Incarnate Word, Thou everlasting Lord, Saviour most blest; Fill us with love that never faints, Grant us with all Thy blessèd saints, Eternal rest. 4 Behold the Lamb of God! Worthy is He alone, That sitteth on the throne Of God above; One with the Ancient of all days, One with the Comforter in praise, All light and love. Amen. Languages: English Tune Title: [Behold the Lamb of God!]
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Behold the Lamb of God!

Author: Matthew Bridges Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #96b (1894) Meter: Irregular Lyrics: 1 Behold the Lamb of God! O Thou for sinners slain, Let it not be in vain That Thou hast died: Thee for my Saviour let me take, My only refuge let me make Thy piercèd side. 2 Behold the Lamb of God! Into the sacred flood Of Thy most precious blood My soul I cast: Wash me and make me clean within, And keep me pure from every sin, Till life be past. 3 Behold the Lamb of God! All hail, Incarnate Word, Thou everlasting Lord, Saviour most blest; Fill us with love that never faints, Grant us with all Thy blessèd saints, Eternal rest. 4 Behold the Lamb of God! Worthy is He alone, That sitteth on the throne Of God above; One with the Ancient of all days, One with the Comforter in praise, All light and love. Amen. Languages: English Tune Title: [Behold the Lamb of God!]
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Behold the Lamb of God!

Hymnal: Hymnal #80 (1871) Meter: Irregular Lyrics: 1 Behold the Lamb of God! O Thou for sinners slain, Let it not be in vain That Thou hast died: Thee for my Saviour let me take, My only refuge let me make Thy piercèd Side. 2 Behold the Lamb of God! Into the sacred flood Of Thy most precious Blood My soul I cast: Wash me and make me clean within, And keep me pure from every sin, Till life be past. 3 Behold the Lamb of God! All hail, Incarnate Word, Thou everlasting Lord, Saviour most blest; Fill us with love that never faints, Grant us with all Thy blessèd Saints, Eternal rest. 4 Behold the Lamb of God! Worthy is He alone, That sitteth on the throne Of God above; One with the Ancient of all days, One with the Comforter in praise, All Light and Love. Topics: Passion Week Languages: English

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Matthew Bridges

1800 - 1894 Author of "Behold the Lamb of God" in The Songs of Zion Matthew Bridges

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley Composer of "WIGAN" in Rejoice in the Lord Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Composer of "BEHOLD THE LAMB" in The Book of Common Praise Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)
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