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Text Identifier:"^bright_the_vision_that_delighted$"

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Bright the vision that delighted

Author: Richard Mant Appears in 49 hymnals Used With Tune: ST. OSWALD

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STUTTGARDT

Appears in 442 hymnals Composer and/or Arranger: J. G. C. Störl Incipit: 55112 23155 64253 Used With Text: Bright the vision that delighted
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ST. OSWALD

Appears in 228 hymnals Composer and/or Arranger: John Bacchus Dykes Incipit: 53617 65311 23565 Used With Text: Bright the vision that delighted
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LAUS DEO

Meter: 8.7.8.7 Appears in 57 hymnals Composer and/or Arranger: Richard Redhead (1820-1901); Percy W. Whitlock (1903-1946) Tune Key: G Major Incipit: 17132 11762 51665 Used With Text: Bright the Vision That Delighted

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Published text-tune combinations (hymns) from specific hymnals
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Bright the Vision That Delighted

Author: Richard Mant Hymnal: Rejoice in the Lord #612 (1985) Meter: 8.7.8.7 First Line: Bright the vision that delighted Lyrics: 1 Bright the vision that delighted once the sight of Judah’s seer, sweet the countless tongues united to entrance the prophet’s ear. 2 Round the Lord in glory seated cherubim and seraphim filled His temple and repeated each to each th'alternate hymn: 3 “Lord, thy glory fills the heaven, earth is with its fullness stored; unto thee be glory given, Holy, holy, holy Lord!” 4 Heav'n is still with glory ringing, earth takes up the angels’ cry, “Holy, holy, holy,” singing, “Lord of hosts, the Lord most high.” 5 With his seraph train before him, with his holy church below, thus conspire we to adore him, bid we thus our anthem flow: 6 “Lord, thy glory fills the heaven; earth is with its fullness stored; unto thee be glory given, Holy, holy, holy Lord.” Topics: Prophets; Vision; Hymns with Descants Scripture: Isaiah 6:1-3 Languages: English Tune Title: LAUS DEO
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Bright the vision that delighted

Author: Richard Mant, 1776-1848 Hymnal: Complete Anglican Hymns Old and New #86 (2000) Meter: 8.7.8.7 Lyrics: 1 Bright the vision that delighted once the sight of Judah's seer; sweet the countless tongues united to entrance the prophet's ear. 2 Round the Lord in glory seated cherubim and seraphim filled his temple, and repeated each to each the alternate hymn: 3 'Lord, thy glory fills the heaven; earth is with its fulness stored; unto thee be glory given, holy, holy, holy Lord.' 4 Heav'n is still with glory ringing, earth takes up the angels' cry, 'Holy, holy, holy,' singing, 'Lord of hosts, the Lord most high.' 5 With his seraph train before him, with his holy Church below, thus unite we to adore him, bid we thus our anthem flow: 6 'Lord, thy glory fills the heaven; earth is with its fullness stored; unto thee be glory given, holy, holy, holy Lord.' Topics: Joy, Praise and Thanksgiving; Year B Trinity Sunday; Year C Proper 1; Years A, B, and C Christmas Day Scripture: Isaiah 6:1-3 Languages: English Tune Title: LAUS DEO (REDHEAD NO. 46)
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Bright the Vision That Delighted

Author: Richard Mant (1776-1848) Hymnal: Common Praise (1998) #326 (1998) Meter: 8.7.8.7 First Line: Bright the vision that delighted Lyrics: 1 Bright the vision that delighted once the sight of Judah’s seer, sweet the countless tongues united to entrance the prophet’s ear. 2 Round the Lord in glory seated cherubim and seraphim filled the temple and repeated each to each the alternate hymn: 3 “Lord, thy glory fills the heaven, earth is with its fullness stored; unto thee be glory given, holy, holy, holy Lord.” 4 Heaven is still with glory ringing; earth takes up the angels’ cry, “Holy, holy, holy,” singing, “Lord of hosts, the Lord most high.” 5 With his seraph train before him, with his holy church below, thus conspire we to adore him, bid we thus our anthem flow: 6 “Lord, thy glory fills the heaven; earth is with its fullness stored; unto thee be glory given, holy, holy, holy Lord.” Topics: Adoration; Isaiah; Praise of God; Trinity Scripture: Isaiah 6:1-8 Languages: English Tune Title: LAUS DEO

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Composer of "ST. OSWALD" in Hymns of the Living Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Johann G. C. Störl

1675 - 1719 Person Name: J. G. C. Störl Composer of "STUTTGARDT" in The Day School Hymn Book Johann Georg Stoerl; b. 1675, Kirchberg; d. 1719, Stuttgart Evangelical Lutheran Hymnal, 1908

Sydney H. Nicholson

1875 - 1947 Person Name: S. H. Nicholson Composer (desc.) of "LAUS DEO" in Rejoice in the Lord Sydney H. Nicholson, (b. St. Marylebone, London, England, 1875; d. Ashford, Kent, England, 1947) was an organist and church music educator who greatly influenced English hymnody. Educated at Oxford's New College, the Royal College of Music in London, and in Frankfurt, Germany, he became organist at several famous cathedrals, including Westminster Abbey (1919-1928). Nicholson founded and administered the School of English Church Music at Chislehurst in 1927; this important institution, with branches throughout the English-speaking world, was renamed the Royal School of Church Music in 1945. Located in Canterbury after World War II, its headquarters were moved to Addington Palace, Croydon, in 1954. Nicholson was music adviser for the 1916 Supplement of Hymns Ancient and Modern and prepared the way for its 1950 edition. He wrote Church Music: a Practical Handbook (1920) and Quires and Places Where They Sing (1932) and composed operettas, anthems, and hymn tunes. In 1938 he was knighted for his contributions to church music. Bert Polman
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