Search Results

Text Identifier:"^christian_wake_be_up_and_doing$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

Be Up and Doing

Author: Chas. H. Gabriel Appears in 13 hymnals First Line: Christian, wake, be up and doing Refrain First Line: Go reap, go reap Used With Tune: [Christian, wake, be up and doing]

Tunes

tune icon
Tune authorities
Page scans

[Christian, wake, be up and doing]

Appears in 6 hymnals Composer and/or Arranger: Frank M. Davis Incipit: 34531 65312 34532 Used With Text: Be Up and Doing

[Christian wake! be up and doing]

Appears in 1 hymnal Composer and/or Arranger: R. W. Barnette Incipit: 55117 65555 55555 Used With Text: The harvest Time Goes By
Page scans

[Christian, wake, be up and doing]

Appears in 1 hymnal Composer and/or Arranger: Samuel Key Tune Key: F Major Incipit: 54333 21233 55555 Used With Text: Go And Reap

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

Be Up and Doing

Author: Chas. H. Gabriel Hymnal: Gathered Jewels No. 2 #21 (1889) First Line: Christian, wake, be up and doing Refrain First Line: Go reap, go reap Languages: English Tune Title: [Christian, wake, be up and doing]
Page scan

Be Up and Doing

Author: Chas. H. Gabriel Hymnal: Zion's Praises (1st ed.) #65 (1903) First Line: Christian, wake, be up and doing Refrain First Line: Go reap, go reap Languages: English Tune Title: [Christian, wake, be up and doing]
Page scan

Be Up and Doing

Author: Chas. H. Gabriel Hymnal: Living Gems #70 (1886) First Line: Christian, wake, be up and doing Refrain First Line: Go reap, go reap Languages: English Tune Title: [Christian, wake, be up and doing]

People

person icon
Authors, composers, editors, etc.

Chas. H. Gabriel

1856 - 1932 Author of "Be Up and Doing" in Zion's Praises (1st ed.) Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

Frank M. Davis

1839 - 1896 Composer of "[Christian, wake, be up and doing]" in Zion's Praises (1st ed.) Frank Marion Davis USA 1839-1896. Born at Marcellus, NY, he became a teacher and professor of voice, a choirmaster and a good singer. He traveled extensively, living in Marcellus, NY, Vicksburg, MS, Baltimore, MD, Cincinnati, OH, Burr Oak and Findley, MI. He compiled and published several song books: “New Pearls of Song” (1877), “Notes of Praise” (1890), “Crown of gold” (1892), “Always welcome” (1881), “Songs of love and praise #5” (1898), “Notes of praise”, and “Brightest glory”. He never married. John Perry

J. H. Hall

1855 - 1941 Composer of "[Christian, wake, be up and doing]" in Fountain of Praise Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.