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Come at the morning hour
Author: Anon. Appears in 60 hymnals Used With Tune: THATCHER
Come at the morning hour
Come at the morning hour
Author: Montgomery Hymnal: Good-Will Songs #110 (1890) Languages: English Tune Title: [Come at the morning hour]
Come at the morning hour
Come, Let Us Kneel and Pray
Author: Jas. Montgomery Hymnal: Gathered Jewels No. 2 #9 (1889) First Line: Come at the morning hour Languages: English Tune Title: [Come at the morning hour]
Come, Let Us Kneel and Pray
Come at the morning hour
Author: Anon. Hymnal: The Voice of Praise #305 (1873) Meter: 6.6.8.6 Lyrics: 1 Come at the morning hour,
Comet, let us kneel and pray;
Prayer is the Christian pilgrim's staff
To walk with God all day.
2 At noon, beneath the Rock
Of ages, rest and pray;
Sweet is that shelter from the sun
In weary heat of day.
3 At evening, in thy home,
Around its altar, pray;
And finding there the house of God,
With heaven then close the day.
4 When midnight veils our eyes,
Oh, it is sweet to say,
I sleep, but my heart waketh, Lord!
With thee to watch and pray. Topics: Prayer; At All Times
Come at the morning hour
Hans G. Nägeli
1773 - 1836 Person Name: Nageli Composer of "[Come at the morning hour]" in Good-Will Songs Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi.
Bert Polman
Hans G. Nägeli
George Frideric Handel
1685 - 1759 Person Name: Geo. Fred'k Handel Composer of "THATCHER" in The Otterbein Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
Ludwig van Beethoven
1770 - 1827 Person Name: Beethoven Composer of "GORTON" in Song-Hymnal of Praise and Joy A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
