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Come, Join the Dance of Trinity
Author: Richard Leach Appears in 4 hymnals Topics: Pentecost Scripture: Genesis 1, 2:1-4 Used With Tune: KINGSFOLD
Come, Join the Dance of Trinity
THE FLIGHT OF THE EARLS
Meter: 8.6.8.6 D Appears in 13 hymnals Composer and/or Arranger: Ronald F. Krisman, b. 1946 Tune Sources: Irish Melody Tune Key: E Flat Major Incipit: 51216 56543 13167 Used With Text: Come, Join the Dance of Trinity
THE FLIGHT OF THE EARLS
Come, Join the Dance of Trinity
Author: Richard Leach Hymnal: Sing a New Creation #56 (2022) Topics: Pentecost Scripture: Genesis 1, 2:1-4 Languages: English Tune Title: KINGSFOLD
Come, Join the Dance of Trinity
Come, Join the Dance of Trinity
Author: Richard Leach, b. 1953 Hymnal: Evangelical Lutheran Worship #412 (2006) Meter: 8.6.8.6 D Topics: Holy Trinity; Creation; Holy Trinity; Incarnation; Praise, Thanksgiving; Proclamation; Sending; Witness Languages: English Tune Title: KINGSFOLD
Come, Join the Dance of Trinity
Come, Join the Dance of Trinity
Author: Richard Leach, b. 1953 Hymnal: Worship (4th ed.) #554 (2011) Meter: 8.6.8.6 D Topics: Trinity Languages: English Tune Title: THE FLIGHT OF THE EARLS
Come, Join the Dance of Trinity
Ronald F. Krisman
Person Name: Ronald F. Krisman, b. 1946 Harmonizer of "THE FLIGHT OF THE EARLS" in Worship (4th ed.)
Ronald F. Krisman
Richard Leach
b. 1953 Person Name: Richard Leach, b. 1953 Author of "Come, Join the Dance of Trinity" in Evangelical Lutheran Worship
Richard Leach
Ralph Vaughan Williams
1872 - 1958 Adapter of "KINGSFOLD" in Sing a New Creation Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
