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Cristo, Recuérdame

Author: Felicia Fina Appears in 3 hymnals First Line: Cristo, recuérdame (Jesus, remember me) Topics: Exequías/Funeral Scripture: Luke 23:42 Used With Tune: [Cristo, recuérdame]

REMEMBER ME

Meter: Irregular Appears in 58 hymnals Composer and/or Arranger: Jacques Berthier; La Comunidad de Taizé Incipit: 33343 42222 12323 Used With Text: Cristo, recuérdame

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: Felicia Fina Hymnal: Mil Voces para Celebrar #249 (1996) Meter: Irregular First Line: Cristo, recuérdame cuando vengas en tu reino Topics: La Experiencia con Cristo Confianza y Seguridad; Arrepentimiento; Repentance; Trust and Security; Recursos Para el Culto Oraciones de petición; Resources for Worship Prayers of Petition Scripture: Luke 23:42 Languages: Spanish Tune Title: REMEMBER ME

Cristo, recuérdame

Author: Felicia Fina Hymnal: Cáliz de Bendiciones #249 (1996) Meter: Irregular First Line: Cristo, recuérdame cuando vengas en tu reino Topics: La Experiencia con Cristo Confianza y Seguridad; Arrepentimiento; Repentance; Trust and Security; Recursos Para el Culto Oraciones de petición; Resources for Worship Prayers of Petition Scripture: Luke 23:42 Languages: Spanish Tune Title: REMEMBER ME

Cristo, Recuérdame

Author: Felicia Fina Hymnal: Cantos del Pueblo de Dios = Songs of the People of God (2nd ed.) #108 (2001) First Line: Cristo, recuérdame (Jesus, remember me) Topics: Exequías/Funeral Scripture: Luke 23:42 Languages: English; Spanish Tune Title: [Cristo, recuérdame]

People

Authors, composers, editors, etc.

Jacques Berthier

1923 - 1994 Composer of "REMEMBER ME" in Mil Voces para Celebrar Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman