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Search Results

Text Identifier:"^early_my_god_without_delay$"

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Texts

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Early, my God, without delay

Author: Isaac Watts Appears in 402 hymnals Used With Tune: [Early, my God, without delay]

Tunes

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MONTGOMERY (Morgan)

Meter: 8.6.8.6 Appears in 3 hymnals Composer and/or Arranger: Justin Morgan Incipit: 13331 21765 51567 Used With Text: Early, my God, without delay
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MARLOW

Appears in 239 hymnals Composer and/or Arranger: Dr. L. Mason Tune Key: G Major Incipit: 13331 555 Used With Text: Early, my God, without delay
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LANESBORO

Appears in 75 hymnals Composer and/or Arranger: Wm. Dixon Incipit: 15567 15435 64217 Used With Text: Early, my God, without delay

Instances

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Published text-tune combinations (hymns) from specific hymnals

Early, My God, Without Delay

Author: Isaac Watts, 1674-1748 Hymnal: Sacred Songs of the Church #255 (2007) Meter: 8.6.8.6 Tune Title: [Early, my God, without delay]
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Early, My God, without Delay

Author: Isaac Watts Hymnal: The Great Christian Hymnal #291 (1962) Tune Title: [Early, my God, without delay]
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Early, My God, without Delay

Author: Isaac Watts Hymnal: Praise for the Lord (Expanded Edition) #123 (1997) Meter: 8.6.8.6 Lyrics: 1 Early, my God, without delay, I haste to seek Thy face; My thirsty spirit faints away, My thirsty spirit faints away, Without Thy cheering grace. 2 So pilgrims on the scorching sand, Beneath a burning sky, Long for a cooling stream at hand, Long for a cooling stream at hand, And they must drink or die. 3 Not life itself, with all its joys, Can best my passions move, Or raise so high my cheerful voice, Or raise so high my cheerful voice, As Thy forgiving love. 4 Thus, till my last expiring day, I'll bless my God and King; Thus will I lift my hands to pray, Thus will I lift my hands to pray, And tune my lips to sing. Topics: Praise God, The Father Scripture: Psalm 63:1-5 Languages: English Tune Title: LANESBORO

People

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Authors, composers, editors, etc.

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett, 1805-1876 Composer of "ST. MARK" in The Cyber Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

C. G. Gläser

1784 - 1829 Person Name: Glaser Composer of "AZMON" in African Methodist Episcopal hymn and tune book Carl Gotthelf Gläser Germany 1781-1829. Born at Weissenfels, Burgenlandkreis, Sachsen-Anhalt, Germany, he received musical training from his father, after which he attended St. Thomas school in Leipzig. He became an author and composer. At Barmen he taught voice, piano, and violin. He also wrote and conducted chorale music. He died at Barmen. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. AGNES" in Gloria Deo As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
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