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John Goss

1800 - 1880 Person Name: J. Goss, 1800-80 Composer of "BEVAN" in The Methodist Hymn-Book with Tunes John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan Composer of "SAMUEL" in The Hymnal of Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

John Julian

1839 - 1913 Author of "Father of all, to Thee" in The Hymnal of Praise Born: Jan­u­a­ry 27, 1839, St. Ag­nes, Corn­wall. Died: Jan­u­a­ry 22, 1913, Thirsk, York­shire, Eng­land. Educated pri­vate­ly, Ju­li­an grad­u­at­ed from Dur­ham Un­i­ver­si­ty (MA 1887), Lam­beth (DD 1894), and How­ard Un­i­ver­si­ty in Wash­ing­ton, DC (LLD 1894). He took Ho­ly Or­ders in 1866, and served as Vi­car of Win­co­bank (1876-1905) and Vi­car of Top­cliff, York­shire (1905-). How­ev­er, he is best known as a hymn­ol­o­gist. The stand­ard ref­er­ence work in this field is his ma­ssive Dic­tion­ary of Hym­nol­o­gy: Or­i­gin and His­to­ry of Chris­tian Hymns and Hymn­writ­ers of All Ag­es and Na­tions, To­ge­ther with Bi­o­graph­ic­al and Cri­ti­cal No­tic­es of Their Au­thors and Trans­lat­ors. This work has been re­vised and re­print­ed sev­er­al times; its pub­li­ca­tion dates in­clude: -- London: J. Murray, 1892 -- London: J. Murray, 1908 (this may be the edi­tion re­vised by James Mearns (1855-1922), Vi­car of Rush­den, Hert­ford­shire) --Grand Ra­pids, Mi­chi­gan: Kre­gel Pub­li­ca­tions, 1985 His other works in­clude: Concerning Hymns, 1874 History of the Use of Hymns in Pub­lic Wor­ship, and Their Pro­per Char­ac­ter­is­tics, 1894 Carols, An­cient and Mo­dern, 1900 Julian do­nat­ed his large col­lect­ion of hym­no­lo­gi­cal books and man­u­scripts to the Church House, Dean’s Yard, Lon­don, where it formed the hym­no­lo­gi­cal de­part­ment of the li­bra­ry. www.hymntime.com/tch

Joseph Barnby

1838 - 1896 Composer of "VIA PACIS" in The Cyber Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

J. T. Bingley

Person Name: Rev. J. T. Bingley Composer of "WINCOBANK" in The Day School Hymn Book

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