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God of thunder and the lightning

Author: H. M. Turner Appears in 5 hymnals

CLAUDE

Appears in 329 hymnals Composer and/or Arranger: Claude Goudimel; Guillaume Franc Tune Key: G Major Incipit: 12321 76512 34321 Used With Text: God of thunder and the lightning

Instances

Published text-tune combinations (hymns) from specific hymnals

God Of Thunder And The Lightning

Author: Henry M. Turner Hymnal: The Cyber Hymnal #13777 Meter: 8.7.8.7 D Lyrics: 1 God of thunder and the lightning Clothed in majesty divine, To Thy feet we bring this tribute; Lord, accept this house as Thine. 2 To Thy name, O Lord Jehovah, We this temple dedicate; Lord receive this humble tribute, Sanctify it, early, late. 3 Send Thy Spirit, Lord, from Heaven, Consecrate its sacred halls; Let Thy ever biding presence Dwell within these humble walls. 4 Here may thousands hear Thy Gospel, Preached in love and power divine, While the glittering choirs of Heaven Swell Thy upper courts sublime. 5 Here may sinners be converted While we sing our Savior’s praise; May the deaf, the halt, the blinded, Here their Ebenezer raise. 6 Now to God, the King immortal, Who reveals Himself to men, Be the praise and glory given, While the angels shout, "Amen." Languages: English Tune Title: CLAUDE

God of thunder and the lightning

Author: H. M. Turner Hymnal: Hymnal #422 (1899) Languages: English

God of thunder and the lightning

Author: H. M. Turner Hymnal: African Methodist Episcopal hymn and tune book #422 (1898) Languages: English Tune Title: CLAUDE

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People

Authors, composers, editors, etc.

Louis Bourgeois

1510 - 1561 Composer of "CLAUDE" in The Cyber Hymnal Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholarly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciated by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Claude Goudimel

1514 - 1572 Altered from of "CLAUDE" in African Methodist Episcopal hymn and tune book The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which occurred throughout France. Bert Polman