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Text Identifier:"^have_you_heard_the_invitation_jesus_says$"

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The Gospel Invitation

Author: Laura E. Newell Appears in 18 hymnals Hymnal Title: Crowning Day No. 3 First Line: Have you heard the invitation Refrain First Line: Come unto me, O come unto me Lyrics: 1 Have you heard the invitation? Jesus says, Come to Me, Come unto Me, O, come unto Me; ‘Tis the message of salvation, That the Master brings to Thee: Come unto Me, O, come to Me. Refrain: Come unto Me, O come unto Me; Jesus says: Come unto me. Weary heart, for refuge flee Unto Christ, who calleth thee. 2 There are blessed many mansions Waiting for the pure and true; Come unto Me, O, come unto Me; There in heaven’s green expansions Hear the Saviour call to you, Come unto Me, O, come to Me. [Refrain] 3 Heavy laden, or a-weary, Jesus says: In Me find rest, Come unto Me, O, come to Me; Does your path in life seem dreary? By His love you may be blest; Come unto me, O, come to me. [Refrain] 3 Time is short, and days are fleeting. Heed the message: Come to me, Come unto Me, O, come to Me; O the joy of yonder greeting, In the home beyond the sea; Come unto me, O, come to me. [Refrain] Used With Tune: [Have you heard the invitation]

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[Have you heard the invitation]

Appears in 7 hymnals Composer and/or Arranger: J. H. Hall Hymnal Title: Crowning Day No. 3 Incipit: 34555 65321 11165 Used With Text: The Gospel Invitation

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The Gospel Invitation

Author: Laura E. Newell Hymnal: Crowning Day No. 3 #2 (1898) Hymnal Title: Crowning Day No. 3 First Line: Have you heard the invitation Refrain First Line: Come unto me, O come unto me Lyrics: 1 Have you heard the invitation? Jesus says, Come to Me, Come unto Me, O, come unto Me; ‘Tis the message of salvation, That the Master brings to Thee: Come unto Me, O, come to Me. Refrain: Come unto Me, O come unto Me; Jesus says: Come unto me. Weary heart, for refuge flee Unto Christ, who calleth thee. 2 There are blessed many mansions Waiting for the pure and true; Come unto Me, O, come unto Me; There in heaven’s green expansions Hear the Saviour call to you, Come unto Me, O, come to Me. [Refrain] 3 Heavy laden, or a-weary, Jesus says: In Me find rest, Come unto Me, O, come to Me; Does your path in life seem dreary? By His love you may be blest; Come unto me, O, come to me. [Refrain] 3 Time is short, and days are fleeting. Heed the message: Come to me, Come unto Me, O, come to Me; O the joy of yonder greeting, In the home beyond the sea; Come unto me, O, come to me. [Refrain] Languages: English Tune Title: [Have you heard the invitation]
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The Gospel Invitation

Author: Laura E. Newell Hymnal: Crowning Praises #101 (1911) Hymnal Title: Crowning Praises First Line: Have you heard the invitation? Refrain First Line: Come to Me, O, come to Me Languages: English Tune Title: [Have you heard the invitation?]

Come to me, O come to me

Author: Laura E. Newell Hymnal: From the Cross to the Crown #d36 (1921) Hymnal Title: From the Cross to the Crown First Line: Have you heard the invitation Jesus says Languages: English

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Laura E. Newell

1854 - 1916 Hymnal Title: Crowning Day No. 3 Author of "The Gospel Invitation" in Crowning Day No. 3 Born: Feb­ru­a­ry 5, 1854, New Marl­bo­rough, Con­nec­ti­cut. Died: Oc­to­ber 13, 1916, Man­hat­tan, Kan­sas. Daughter of Mr. and Edward A. Pixley, but orphaned as an infant, Laura was adopted by her aunt, then Mrs. Hiram Mabie, who at the time lived in New York. In 1858, the Mabie family moved to a farm south of where Wamego, Kansas, now stands. Two years after the move, Mr. Mabie died, and his wife resumed teaching. In 1860, Mrs. Mabie accepted a position in Topeka, Kansas, where she taught many years. Under her tutelage, Laura received her education. As early as age 12, Laura was writing rhymes, and two years later her poems began to appear in local newspapers. She had no thought of a literary career; she simply wrote to give vent to her poetical mind. In 1871, Laura married Lauren Newell, a carpenter from Manhattan, Kansas. They had at least six children, and belonged to the Congregational denomination. In 1873, Laura was listening to an address by a speaker who lamented the death of "genuine" hymns, and she resolved to try her hand in that line of work. That began a long period of writing songs, sacred and secular, services for all anniversary occasions, cantatas, adapting words to music, and music to words. "Mrs. Newell is indeed a prolific writer. Her poems number in the thousands. She has had over eight hundred poems published in a single year, a most remarkable record. The great ease with which Mrs. Newell writes is one of her special gifts. Not long since an order, accompanied by music and titles, was sent her for eight poems to suit. At seven o’clock in the evening she sat down to her organ to catch the music. Then she went to her desk, and at ten o’clock the order was ready for the return mail. Her work pleased the publisher so well that he sent her an order for forty-eight additional poems. Mrs. Newell writes several hundred poems annually. She is a very modest and unpretentious lady, and goes about her daily work as cheerfully as her poems advise others to do. The deeply religious character of the woman stands out boldly in nearly all her work. The next world is apparently as real to her as the present. Her heart is in her work, and to the end of life’s chapter, while able, may she wield her pen to tell the Story to dear to her heart, in verse and song." Hall, pp. 316-17 http://www.hymntime.com/tch/bio/n/e/w/newell_lep.htm

Jacob Henry Hall

1855 - 1941 Person Name: J. H. Hall Hymnal Title: Crowning Day No. 3 Composer of "[Have you heard the invitation]" in Crowning Day No. 3 Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch