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At the Name of Jesus

Author: Caroline M. Noel; Christopher Walker Appears in 4 hymnals First Line: He emptied himself, as a slave, yet free Refrain First Line: At the name of Jesus, ev'ry knee shall bow

[He emptied himself, as a slave, yet free]

Appears in 4 hymnals Composer and/or Arranger: Christopher Walker Tune Key: D Major Incipit: 12332 11356 11233 Used With Text: At the Name of Jesus

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: Caroline Maria Noel, 1817-1877; Christopher Walker, b. 1947 Hymnal: Glory and Praise (3rd. ed.) #366 (2015) First Line: He emptied himself, as a slave, yet free Refrain First Line: At the name of Jesus, ev'ry knee shall bow Topics: Holy Name; Kingdom/Reign of God; Love of God for Us; Praise; Second Coming; The Liturgical Year Palm Sunday of teh Passion of the Lord; The Liturgical Year Easter (Sundays and Weekdays); The Liturgical Year Our Lord Jesus Christ, King of the Universe; The Liturgical Year The Transfiguarion of the Lord (August 6) Scripture: Philippians 2 Languages: English Tune Title: [He emptied himself, as a slave, yet free]

At the Name of Jesus

Author: Caroline Maria Noel, 1817-1877; Christopher Walker, b. 947 Hymnal: Journeysongs (3rd ed.) #466 (2012) First Line: He emptied himself, as a slave, yet free Refrain First Line: At the name of Jesus, ev'ry knee shall bow Topics: Holy Name; Kingdom/Reign of God; Love of God for Us; Musical Style Gospel; Praise; Second Coming; The Liturgical Year Easter (Sundays and Weekdays); The Liturgical Year Our Lord Jesus Christ, King of the Universe; The Liturgical Year Palm Sunday of the Passion of the Lord; The Liturgical Year The Transfiguration of the Lord (August 6) Scripture: Philippians 2 Languages: English Tune Title: [He emptied himself, as a slave, yet free]

At the Name of Jesus

Author: Caroline Maria Noel, 1817-1877; Christopher Willcock, b. 1947 Hymnal: Journeysongs (2nd ed.) #483 (2003) First Line: He emptied himself, as a slave, yet free Refrain First Line: At the name of Jesus, ev'ry knee shall bow Topics: Holy Name; Kingdom/Reign of God; Love of God for Us; Praise; Second Coming; Holy Name; Kingdom/Reign of God; Love of God for Us; Praise; Second Coming; Holy Name; Kingdom/Reign of God; Love of God for Us; Praise; Second Coming Languages: English Tune Title: [He emptied himself, as a slave, yet free]

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People

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Caroline M. Noel

1817 - 1877 Person Name: Caroline Maria Noel, 1817-1877 Author (refrain) of "At the Name of Jesus" in Glory and Praise (3rd. ed.) Caroline Marie Noel (b. Teston, Kent, England, 1817; d. St. Marylebone, London, England, 1877) The daughter of an Anglican clergyman and hymn writer, she began to write poetry in her late teens but then abandoned it until she was in her forties. During those years she suffered frequent bouts of illness and eventually became an invalid. To encourage both herself and others who were ill or incapacitated, Noel began to write devotional verse again. Her poems were collected in The Name of Jesus and Other Verses for the Sick and Lonely (1861, enlarged in 1870). Bert Polman ================ Noel, Caroline Maria, daughter of the Hon. Gerard T. Noel (p. 809, ii.), and niece of the Hon. Baptist W. Noel, was born in London, April 10, 1817, and died at 39 Great Cumberland Place, Hyde Park, Dec. 7, 1877. Her first hymn, "Draw nigh unto my soul" (Indwelling), was written when she was 17. During the next three years she wrote about a dozen pieces: from 20 years of age to 40 she wrote nothing; and during the next 20 years the rest of her pieces were written. The first edition of her compositions was published as The Name of Jesus and Other Verses for the Sick and Lonely, in 1861. This was enlarged from time to time, and its title subsequently changed by the publishers to The Name of Jesus and Other Poems. The 1878 ed. contains 78 pieces. Miss Noel, in common with Miss Charlotte Elliott, was a great sufferer, and many of these verses were the outcome of her days of pain. They are specially adapted "for the Sick and Lonely" and were written rather for private meditation than for public use, although several are suited to the latter purpose. Her best known hymn is the Processional for Ascension Day, "At the Name of Jesus." It is in the enlarged edition of The Name of Jesus, &c, 1870, p. 59, and is dated 1870 by her family. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)