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Text Identifier:"^how_oft_o_lord_thy_face_hath_shone$"

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How Oft, O Lord, Your Face Has Shone

Author: William Bright Meter: 8.8.8.8 Appears in 7 hymnals Lyrics: 1. How oft, O Lord, your face has shone On doubting souls whose wills were true! The Christ of Peter and of John, You are the Christ of Thomas, too. 2. He loved you well, and calmly said "Come, let us go, and die with him"; Yet when your glorious news was spread, Midst all its light his eyes were dim. 3. His brethren’s word he would not take, But craved to touch those hands of yours; The damaged reed you did not break; He saw, and hailed his holy Lord. 4. He saw thee ris’n; at once he rose To full belief’s unclouded height; And still through his confession flows To Christian souls your life and light. 5. O Savior, make your presence known To all who doubt your Word as truth, And teach them in that Word alone To find the key that sets them loose. 6. And we who know how true you are, And you as God and Lord adore, Give us, we pray, a loyal heart, To trust and love you more and more. Topics: Resurrection Scripture: John 20:24-29 Used With Tune: HOLLAND

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EISENACH (LEIPSIC)

Meter: 8.8.8.8 Appears in 291 hymnals Composer and/or Arranger: J. H. Schein Tune Key: E Flat Major Incipit: 13455 43256 71766 Used With Text: How oft, O Lord, thy face hath shone

JACOB

Meter: 8.8.8.8 Appears in 10 hymnals Composer and/or Arranger: Jane Manton Marshall, b. 1924 Tune Key: D Major Incipit: 12432 12712 43253 Used With Text: How oft, O Lord, thy face hath shone
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HOLLAND

Meter: 8.8.8.8 Appears in 3 hymnals Composer and/or Arranger: Berthold Tours Tune Sources: Hymns Ancient and Modern, 1875 Tune Key: F Major Incipit: 32253 12333 45676 Used With Text: How Oft, O Lord, Thy Face Hath Shone

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How Oft, O Lord, Thy Face Hath Shone

Author: William Bright Hymnal: The Cyber Hymnal #2549 Meter: 8.8.8.8 Lyrics: 1. How oft, O Lord, Thy face hath shone On doubting souls whose wills were true! Thou Christ of Cephas and of John, Thou art the Christ of Thomas, too. 2. He loved Thee well, and calmly said Come, let us go, and die with Him; Yet when Thine Easter news was spread, ’Mid all its light his eyes were dim. 3. His brethren’s word he would not take But craved to touch those hands of Thine: The bruisèd reed Thou didst not break; He saw, and hailed his Lord divine. 4. He saw Thee ris’n; at once he rose To full belief’s unclouded height; And still through his confession flows To Christian souls Thy life and light. 5. O Savior, make Thy presence known To all who doubt Thy Word and Thee; And teach them in that Word alone To find the truth that sets them free. 6. And we who know how true Thou art, And Thee as God and Lord adore, Give us, we pray, a loyal heart, To trust and love Thee more and more. Languages: English Tune Title: HOLLAND
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How oft, O Lord, thy face hath shone

Author: William Bright, 1824-1901 Hymnal: The Hymnal 1982 #242 (1985) Meter: 8.8.8.8 Lyrics: 1. How oft, O Lord, thy face hath shone on doubting souls whose wills were true! Thou Christ of Peter and of John, thou art the Christ of Thomas too. 2. He loved thee well, and calmly said, "Come, let us go, and die with him"; yet when thine Easter-news was spread, mid all its light his eyes were dim. 3. His brethren's word he would not take, but craved to touch those hands of thine: when thou didst thine appearance make, he saw, and hailed his Lord Divine. 4. He saw thee risen; at once he rose to full belief's unclouded height; and still through his confession flows to Christian souls thy life and light. 5. O Savior, make thy presence known to all who doubt thy Word and thee; and teach us in that Word alone to find the truth that sets us free. Topics: Holy Days and Various Occasions Saint Thomas (December 21) Languages: English Tune Title: JACOB

How oft, O Lord, thy face hath shone

Author: Canon William Bright Hymnal: The Book of Common Praise #187 (1939) Meter: 8.8.8.8 Topics: Saints' Days and Other Holy Days Saint Thomas the Apsotle, December 21 Tune Title: EISENACH (LEIPSIC)

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William Bright

1824 - 1901 Person Name: Canon William Bright Author of "How oft, O Lord, thy face hath shone" in The Book of Common Praise Bright, William, D.D., born at Doncaster, Dec. 14, 1824, and educated at University College, Oxford, where he graduated B.A. (first class in Lit. Hum.) in 1846, M.A. in 1849. In 1847 he was Johnson's Theological Scholar: and in 1848 he also obtained the Ellerton Theological Essay prize. He was elected Fellow in 1847, and subsequently became Tutor of his College. Taking Holy Orders in 1848, he was for some time Tutor at Trinity College, Glenalmond; but in 1859 he returned to Oxford, and in 1868 became Regius Professor of Ecclesiastical History and Canon of Christ Church. His publications include:— (1) Ancient Collects, selected from various Rituals, 1857, 2nd ed., 1862; (2) History of the Church from the Edict of Milan to the Council of Chalcedon, 1860; (3) Sermons of St. Leo the Great on the Incarnation, translated with notes, 1862; (4) Faith and Life, 1864-66; (5) Chapters of Early English Church History, 1877; (6) Private Prayers for a Week; (7) Family Prayers for a Week; (8) Notes on the Canons of the First tour Councils. He has also edited (9) Eusebius' Ecclesiastical History, 1872; (10) St. Athanasius's Oration against the Arians, &c, 1873; (11) Socrates' Ecclesiastical Hist.; (12) with the Rev. P. G. Medd, Latin Version of the Prayer Book, 1865-69. His poetical works are, (13) Athanasius and other Poems, by a Fellow of a College, 1858; and (14) Hymns & Other Poems, 1866; revised and enlarged, 1874. The last two works contain original hymns and translations. To the hymn-books he is known through his original compositions, seven of which are given in the revised edition of Hymns Ancient & Modern and some are found elsewhere. In addition to “And now the wants are told," and "At Thy feet, O Christ, we lay" (q.v.), there are:— 1. And now, 0 Father, mindful of the love. Holy Communion. Published in Hymns Ancient & Modern1875. Part of a composition in his Hymns, &c. 2. Behold us, Lord, before Thee met. Confirmation. Printed in the Monthly Packet, Nov. 1867, and, in a revised form, in the Appendix to Hymns Ancient & Modern, 1868. 3. How oft, O Lord, Thy face hath shone. St. Thomas. Published in Hymns Ancient & Modern, 1875. 4. Once, only once, and once for all. Holy Communion. Written in 1865, and published in his Hymns, &c, 1866, in 6 stanzas of 4 lines. It was given in the Appendix to Hymns Ancient & Modern, 1868; the new edition, 1875, and several other collections. 5. We know Thee, Who Thou art. Prayer after Pardon. Written in 1865, and published in his Hymns , &c, 1866, in 5 stanzas of 4 lines. It was included in the Appendix to Hymns Ancient & Modern, 1868, &c. Canon Bright's hymns merit greater attention than they have received at the hands of compilers. He died March 6, 1901. -- John Julian, Dictionary of Hymnology (1907) =================== Bright, William, p. 182, i. Other hymns in common use are:— 1. God the Father, God the Son. Litany of the Resurrection. Second stanza, "Risen Lord, victorious King." From Iona, &c, 1886. 2. Pie sat to watch o'er customs paid. St. Matthew. In the 1889 Supplemental Hymns to Hymns Ancient & Modern. 3. Holy Name of Jesus. Name of Jesus. From Iona, &c., 1886. 4. Now at the night's return we raise. Evening. Rugby School Hymn Book, 1876, and others. 5. Thou the Christ for ever one. Mission to the Jews. In the 1889 Supplemental Hymns to Hymns Ancient & Modern. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Jane Marshall

1924 - 2019 Person Name: Jane Manton Marshall, b. 1924 Composer of "JACOB" in The Hymnal 1982 Jane Marshall, was born Jane Anne Manton in Dallas in 1924. She became a pianist and organist and composed music as a teenager. She earned a music degree in 1945 from SMU. She married Elbert Marshall. She went on to write more than 200 hymns and other sacred music works. She later earned a Masters degree in 1968 from SMU in choral conducting and composition. She taught at SMU's Perkins School of Theology and tis Church Music Summer School from 1975-2010. She attended Northaven United Methodist Church in Dallas for many years, collaborated often with other hymn writers, and encouraged many students. Dianne Shapiro, from UM News article , May 30, 2019 by Sam Hodges (accessed 6-7-2019)

Johann Hermann Schein

1586 - 1630 Person Name: J. H. Schein Composer of "EISENACH (LEIPSIC)" in The Book of Common Praise Schein, Johann Hermann, son of Hieronymus Schein, pastor at Griinhain, near Annaberg, in Saxony, was born at Grünhain, Jan. 20,1586. He matriculated at the University of Leipzig in 1607, and studied there for four years. Thereafter he acted for some time as a private tutor, including two years with a family at Weissenfels. On May 21, 1615, he was appointed Capellmeister, at the court of Duke Johann Ernst, of Sachse-Weimar; and in 1616 he became cantor of I3t. Thomas's Church, and music director at Leipzig, in succession to Seth Calvisius (d. Nov. 24, 1615). This post he held till his death, at Leipzig, Nov. 19, 1630. Schein was one of the most distinguished musicians of his time, both as an original composer, and as a harmoniser of the works of others. As a hymnwriter he was not so prolific, or so noteworthy. Most of his hymns were written on the deaths of his children or friends, e.g. on seven of his children, and on his first wife. They appeared mostly in broadsheet form, and were included, along with his original melodies, in his Cantional oder Gesang-Buch Augspurgischer Confession, Leipzig, 1627; 2nd ed., 1645. [Both in Wernigerode Library.] Those of Schein's hymns which have passed into English are:— i. Machs mit mir, Gott, nach deiner Güt. For the Dying. First published, as a broadsheet, at Leipzig, 1628, as a Trost-Liedlein á 5 (i.e. for 5 voices), &c. [Berlin Library.] The words, the melody, and the five-part setting, are all by Schein. It was written for, and first used at, the funeral, on Dec. 15, 1628, of Margarita, wife of Caspar Werner, a builder and town councillor at Leipzig, and a churchwarden of St. Thomas's. It is in 6 stanzas of 6 lines; the initial letters of 11. 1, 3, in st. i.-iv., forming the name Margarita; and the W of st. v. 1. 1 standing for Werner. In Schein's Cantional, 1645, No. 303 (marked as Trost-Liedlein, Joh. Herm. Scheins, á 5), and later hymn-books, as e.g. the Unverfäschter Liedersegen, 1851, No. 830, st. vi. was omitted. It is Schein's finest production, and one of the best German hymns for the sick and dying. Translated as:— Deal with me, God, in mercy now. This is a good and full translation by Miss Winkworth, in her Chorale Book for England, 1863, No. 191, set to Schein's melody of 1628. ii. Mein Gott und Herr, ach sei nicht fern. For the Dying. First published, with his name, in his Cantional, 1627, No. 262, in 9 stanzas of 6 lines. The initial letters of the stanzas give the name Margarita, probably one of the daughters who predeceased him. It is included, in 5 st., in the 164-8, and later eds., of Crüger's Praxis. The translation in common use is:— My Lord and God, go not away. A good tr. of st. i., ii., iv., v., vii., by A. T. Russell, as No. 254, in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)
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