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How sweet the hour of closing day

Author: Rev. William Bathurst Appears in 126 hymnals Used With Tune: ZEPHYR

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REST

Meter: 8.8.8.8 Appears in 459 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: D Major Incipit: 55515 53244 42767 Used With Text: How sweet the hour of closing day
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WOODWORTH

Appears in 1,200 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: E Flat Major Incipit: 12335 43234 355 Used With Text: How sweet the hour of closing day
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ZEPHYR

Appears in 234 hymnals Composer and/or Arranger: William B. Bradbury Incipit: 55561 65324 32354 Used With Text: How sweet the hour of closing day

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How Sweet the Hour of Closing Day

Author: William H. Bathurst, 1796-1877 Hymnal: The Cyber Hymnal #2613 Meter: 8.8.8.8 Lyrics: 1. How sweet the hour of closing day, When all is peaceful and serene, And when the sun, with cloudless ray, Sheds mellow luster o’er the scene! 2. Such is the Christian’s parting hour; So peacefully he sinks to rest, When faith, endued from Heav’n with power, Sustains and cheers his languid breast. 3. Mark but that radiance of his eye, That smile upon his wasted cheek; They tell us of his glory nigh, In language that no tongue can speak. 4. A beam from Heav’n is sent to cheer The pilgrim on his gloomy road; And angels are attending near, To bear him to their bright abode. 5. Who would not wish to die like those Whom God’s own Spirit deigns to bless? To sink into that soft repose, Then wake to perfect happiness? Languages: English Tune Title: LEFFINGWELL
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How sweet the hour of closing day

Author: Bathurst Hymnal: The Voice of Praise #893 (1873) Meter: 8.8.8.8 Lyrics: 1 How sweet the hour of closing day, When all is peaceful and serene, And when the sun, with cloudless ray, Sheds mellow luster o'er the scene! 2 Such is the Christian's parting hour; So peacefully he sinks to rest; When faith, endued from heaven with power, Sustains and cheers his languid breast. 3 Mark but that radiance of his eye, That smile upon his wasted cheek: They tell us of his glory nigh, In language that no tongue can speak. 4 A beam from heaven is sent to cheer The pilgrim on his gloomy road; And angels are attending near, To bear him to their bright abode. 5 Who would not wish to die like those Whom God's own Spirit deigns to bless, To sink into that soft repose, Then wake to perfect happiness? Topics: Life and Death; The Christian's Parting Hour
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How sweet the hour of closing day

Author: William Bathurst Hymnal: The Seventh-Day Adventist Hymn and Tune Book #915 (1886) Lyrics: 1 How sweet the hour of closing day, When all is peaceful and serene, And the broad sun's retiring ray Sheds mellow luster o'er the scene! 2 Such is the Christian's parting hour; So peacefully he sinks to rest When faith, endued from Heaven with power, Sustains and cheers his languid breast. 3 Mark but that radiance of his eye, That smile upon his wasted cheek; They tell us of his hope on high In language that no tongue can speak. 4 Who would not wish to die like those Whom God's own Spirit deigns to bless? To sink into that soft repose, Then wake to perfect happiness? Topics: Death and Resurrection Tune Title: WOODWORTH

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William B. Bradbury

1816 - 1868 Composer of "REST" in African Methodist Episcopal hymn and tune book William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

William Hiley Bathurst

1796 - 1877 Person Name: William Bathurst Author of "How sweet the hour of closing day" in The Seventh-Day Adventist Hymn and Tune Book Bathurst, William Hiley , M.A., son of the Rt. Hon. Charles Bragge (afterwards Bathurst) some time M.P. for Bristol, born at Clevedale, near Bristol, Aug. 28, 1796, and educated at Winchester, and Christ Church, Oxford, graduating B.A. in 1818. From 1820 to 1852 he held the Rectory of Barwick-in-Elmet, near Leeds. Resigning the Rectory in the latter year, through his inability to reconcile his doctrinal views with the Book of Common Prayer, he retired into private life, and died at Lydney Park, Gloucestershire, Nov. 25, 1877. His works include, The Georgics of Virgil: Translated by W. H. B., 1849; Metrical Musings; or, Thoughts on Sacred Subjects in Verse, 1849; and Psalms and Hymns for Public and Private Use, 1831 (2nd ed. 1842). This last contains 141 versions of Psalms, and 206 hymns. All the latter, and many of the former are original. Of his hymns, those in most extensive use are, "Hark! the distant isles proclaim," "Holy Spirit from on high,” "Jesus, Thy Church with longing eyes,” "Eternal Spirit, by whose power," "O for a faith that will not shrink” and “O Saviour, may we never rest." In addition to these and a few others (all of which are annotated under their first lines), the following are in common use, but mainly in America:— 1. Before Thy cross, my dying Lord. Faith. 2. Before Thy mercy-seat, O Lord. Holy Scriptures. 3. Behold what unspeakable love. Heaven. 4. Does the Lord of Glory speak? Holy Scripture. 5. Ere the world with light invested. Holy Spirit. 6. Except the Lord our labours bless. Ps. cxxvii. 1. Full of weakness and of sin. The Creator Spirit desired. 8. Glory to the Almighty Father. Praise. 9. Holy Lord, our hearts prepare. Preparation for Prayer. 10. Holy Spirit from on high. Holy Spirit's direction implored. 11. How blest are they who feel the weight. Repentance. 12. How strange that souls whom Jesus feeds. Conflict. 13. How sweet it is in early youth. Youthful Piety. 14. How sweet the hour of closing day. Death. 15. Led by a Father's gentle hand. Communion of Saints 16. Lord, a better heart bestow. Lent. 17. Lord, bid the light arise. To the Holy Spirit. 18. Lord, shed Thy glory as of old. Whitsuntide. 19. Lord, what blessed consolation. Safety of the Church. 20. Lord, when our offerings we present. Offertory. 21. 0 for a beam of heavenly light. Lent. 22. 0 for that flame of living tire. Holy Spirit. 23. 0 give thanks unto the Lord. Ps. cv. 24. Shepherd of Israel, from above. On behalf of Children. 25. This day the Lord hath called His own. Sunday. 26. When the world my heart is rending. Heaven. 27. Why search ye in the narrow tomb? Ascension. 28. Ye servants of the living God. Praise. All these hymns were given in his Psalms & Hymns , &c, 1831 (Preface dated November 15th, 1830), and repeated, without alteration, in the 2nd ed., 1842. They are characterized by simplicity of language, and directness of aim; but do not in any instance rise above the ordinary level of passable hymn-writing. In some American collections Bathurst's name is contracted to "Bath," and this is regarded either as a complete surname or as a Bath Collection. The contraction was given by Bickersteth in his Christian Psalmody, 1833. --John Julian, Dictionary of Hymnology (1907) =================== Bathurst, William H., p. 117, ii. Additional hymns from his Psalms & Hymns, 1831, are in common use as follows:— 1. Great God, when I approach Thy throne. Redemption. 2. How bright a day was that which saw. The First Sabbath. 3. How frail and fallible I am. Jesus Unchangeable. 4. In Jesus' name with one accord. Divine Worship. 5. Lord, I claim Thee for my own. Ps. lxiii. 6. Lord shew Thy glory as of old. This is not "Lord shed Thy glory, &c," as stated at p. 118, i., 18. 7. Lord, when I lift my voice to Thee. Ps. ci. 8. O Lord, defend us as of old. Ps. lxxiv. 9. O Lord, how long shall heathens hold. Ps. lxxix. 10. 0 Lord, look down with pitying eye. Intercession for the Jews. Begins with st. iv. of “0 how is Zion's glory gone." 11. Praise God, O my soul. Ps. cxlvi. 12. Saviour, at Thy feet we bow. United Prayer. 13. 'Tis past, that agonizing hour. Ascension. 14. The Lord look'd all around. Universal Corruption. 15. To the Source of every blessing. Praise to the Father. 16. What can relieve the troubled soul? Christ the Comforter. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Thoro Harris

1874 - 1955 Person Name: Thoro Harris, 1874-1955 Composer of "LEFFINGWELL" in The Cyber Hymnal Born: March 31, 1874, Washington, DC. Died: March 27, 1955, Eureka Springs, Arkansas. Buried: International Order of Odd Fellows Cemetery, Eureka Springs, Arkansas. After attending college in Battle Creek, Michigan, Harris produced his first hymnal in Boston, Massachusetts, in 1902. He then moved to Chicago, Illinois at the invitation of Peter Bilhorn, and in 1932, to Eureka Springs, Arkansas. He composed and compiled a number of works, and was well known locally as he walked around with a canvas bag full of handbooks for sale. His works include: Light and Life Songs, with William Olmstead & William Kirkpatrick (Chicago, Illinois: S. K. J. Chesbro, 1904) Little Branches, with George J. Meyer & Howard E. Smith (Chicago, Illinois: Meyer & Brother, 1906) Best Temperance Songs (Chicago, Illinois: The Glad Tidings Publishing Company, 1913) (music editor) Hymns of Hope (Chicago, Illinois: Thoro Harris, undated, circa 1922) --www.hymntime.com/tch
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