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Appears in 4 hymnals First Line: I will bless the Lord at all times, God's praise alway on my lips (Grail 1993) Refrain First Line: Taste and see the goodness of the Lord (The Lord hears the cry of the poor)

Tunes

Tune authorities

[Taste and see the goodness of the Lord]

Appears in 8 hymnals Composer and/or Arranger: Richard Proulx; Richard Proulx; Joseph Gelineau, SJ Tune Key: g minor Incipit: 21273 Used With Text: Psalm 34: Taste and See

[The angel of the Lord]

Appears in 2 hymnals Composer and/or Arranger: Joseph Gelineau, SJ; Richard Proulx; Howard Hughes, SM Tune Key: g minor Incipit: 72176 5 Used With Text: Psalm 34: Taste and See

[I will bless the Lord at all times]

Appears in 5 hymnals Composer and/or Arranger: Michel Guimont Tune Key: G Major or modal Incipit: 11254 3 Used With Text: Psalm 34: Taste and See

Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 34: Taste and See

Hymnal: RitualSong #71 (1996) First Line: I will bless the Lord at all times Refrain First Line: Taste and see the goodness of the Lord (The Lord hears the cry of the poor) Topics: 19th Sunday in Ordinary Time Year B; 20th Sunday in Ordinary Time Year B; 21st Sunday in Ordinary Time Year B; 30th Sunday in Ordinary Time Year C; Baptism; Christian Initiation; Confidence; Eucharist; Faith; Hope; Interfaith; Lent 4 Year C; Love of God for Us; Marriage; Pastoral Care of the Sick; Praise; Trust Scripture: Psalm 34 Languages: English Tune Title: [I will bless the Lord at all times]

Psalm 34: Taste and See

Hymnal: RitualSong #73a (1996) First Line: I will bless the Lord at all times Refrain First Line: Taste and see the goodness of the Lord Topics: 19th Sunday in Ordinary Time Year B; 20th Sunday in Ordinary Time Year B; 21st Sunday in Ordinary Time Year B; Baptism; Blessing; Eucharist; June 29: Peter and Paul Day; Lent; Lent 4 Year C; Liberation; Marriage; Pastoral Care of the Sick; Peace; Poverty; Praise; Providence; Refuge; Suffering; Trial and Tribulation; Trust; Peter and Paul (June 29) Scripture: Psalm 34:2-22 Languages: English Tune Title: [Taste and see the goodness of the Lord]

Psalm 34: Taste and See

Hymnal: RitualSong #73b (1996) First Line: I will bless the Lord at all times Refrain First Line: The angel of the Lord Topics: 19th Sunday in Ordinary Time Year B; 20th Sunday in Ordinary Time Year B; 21st Sunday in Ordinary Time Year B; Baptism; Blessing; Eucharist; June 29: Peter and Paul Day; Lent; Lent 4 Year C; Liberation; Marriage; Pastoral Care of the Sick; Pater and Paul (June 29); Peace; Poverty; Praise; Providence; Refuge; Suffering; Trial and Tribulation; Trust Scripture: Psalm 34:2-22 Languages: English Tune Title: [The angel of the Lord]

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People

Authors, composers, editors, etc.

Richard Proulx

1937 - 2010 Composer (antiphon) of "[Taste and see the goodness of the Lord]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Taste and see the goodness of the Lord]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com