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In Thy Wrath and Hot Displeasure
Meter: 8.7.8.7 Appears in 7 hymnals Matching Instances: 7 Topics: Wrath Of God; Chastening Scripture: Psalm 38 Used With Tune: ST. SYLVESTER
In Thy Wrath and Hot Displeasure
ST. SYLVESTER
Meter: 8.7.8.7 Appears in 236 hymnals Matching Instances: 4 Composer and/or Arranger: John B. Dykes Tune Key: F Major Incipit: 33332 34533 33332 Used With Text: In Thy Wrath and Hot Displeasure
ST. SYLVESTER
RUSTINGTON
Meter: 8.7.8.7 D Appears in 75 hymnals Matching Instances: 1 Composer and/or Arranger: C. Hubert H. Parry Tune Key: F Major Incipit: 11432 17511 65453 Used With Text: In Thy Wrath and Hot Displeasure
RUSTINGTON
In Thy Wrath and Hot Displeasure
Author: Anonymous Hymnal: The Cyber Hymnal #3132 Meter: 8.7.8.7 Lyrics: 1. In Thy wrath and hot displeasure,
Chasten not Thy servant, Lord;
Let Thy mercy, without measure,
Help and peace to me afford.
2. Heavy is my tribulation,
Sore my punishment has been;
Broken by Thine indignation,
I am troubled by my sin.
3. With my burden of transgression
Heavy laden, overborne,
Humbled low I make confession,
For my folly now I mourn.
4. Weak and wounded, I implore Thee:
Lord, to me Thy mercy show;
All my prayer is now before Thee,
All my trouble Thou dost know.
5. Darkness gathers, foes assail me.
But I answer not a word;
All my friends desert and fail me,
Only Thou my cry hast heard.
6. Lord, in Thee I am confiding;
Thou wilt answer when I call,
Lest my foes, the good deriding,
Triumph in Thy servant’s fall.
7. I am prone to halt and stumble,
Grief and sorrow dwell within,
Shame and guilt my spirit humble,
I am sorry for my sin.
8. Foes about my soul are closing,
Full of hatred, false and strong;
Choosing good, I find opposing
All who love and do the wrong.
9. Lord, my God, do not forsake me,
Let me know that Thou art near,
Under Thy protection take me,
As my Savior now appear. Languages: English Tune Title: ST. SYLVESTER
In Thy Wrath and Hot Displeasure
In Thy Wrath and Hot Displeasure
Hymnal: Trinity Hymnal (Rev. ed.) #487 (1990) Meter: 8.7.8.7 D Lyrics: 1 In thy wrath and hot displeasure,
chasten not thy servant, Lord;
let thy mercy, without measure,
help and peace to me afford.
Heavy is my tribulation,
sore my punishment has been;
broken by thine indignation,
I am troubled by my sin.
2 With my burden of transgression
heavy-laden, overborne,
humbled low I make confession,
for my folly now I mourn.
Weak and wounded, I implore thee;
Lord, to me thy mercy show;
all my pray'r is now before thee,
all my trouble thou dost know.
3 Darkness gathers, foes assail me,
but I answer not a word;
all my friends desert and fail me,
only thou my cry hast heard.
Lord, in thee am I confiding;
thou wilt answer when I call,
lest my foes, the good deriding,
triumph in thy servant's fall.
4 I am prone to halt and stumble,
grief and sorrow dwell within,
shame and guilt my spirit humble;
I am sorry for my sin.
Lord, my God, do not forsake me,
let me know that thou art near,
under thy protection take me,
as my Savior now appear.
Topics: Trust in God; The Way of Salvation Repentance; Adversaries; Chastisement; God Mercy of; Heart Contrite Scripture: Psalm 38 Languages: English Tune Title: RUSTINGTON
In Thy Wrath and Hot Displeasure
In thy wrath and hot displeasure
Hymnal: Trinity Hymnal #408 (1961) Meter: 8.7.8.7 Lyrics: 1 In thy wrath and hot displeasure,
Chasten not thy servant, Lord;
Let thy mercy, without measure,
Help and peace to me afford.
2 Heavy is my tribulation,
Sore my punishment has been;
Broken by thine indignation,
I am troubled by my sin.
3 With my burden of transgression
Heavy laden, overborne,
Humbled low I make confession,
For my folly now I mourn.
4 Weak and wounded, I implore thee;
Lord, to me thy mercy show;
All my pray'r is now before thee,
All my trouble thou dost know.
5 Darkness gathers, foes assail me,
But I answer not a word;
All my friends desert and fail me,
Only thou my cry hast heard.
6 Lord, in thee am I confiding;
Thou wilt answer when I call,
Lest my foes, the good deriding,
Triumph in thy servant's fall.
7 Lord, my God, do not forsake me,
Let me know that thou art near,
Under thy protection take me,
As my Saviour now appear.
Amen. Topics: Adversaries; Christian Life Repentance; God Mercy of; Heart Contrite; Trust in God Scripture: Psalm 38 Languages: English Tune Title: ALICE
In thy wrath and hot displeasure
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Composer of "ST. SYLVESTER" in Psalter Hymnal (Blue) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Anonymous
Author of "In Thy Wrath and Hot Displeasure" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
C. Hubert H. Parry
1848 - 1918 Composer of "RUSTINGTON" in Trinity Hymnal (Rev. ed.) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
