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Text Identifier:"^judge_eternal_throned_in_splendor$"

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Judge Eternal, Throned In Splendor

Author: Henry Scott Holland Meter: 8.7.8.7.8.7 Appears in 114 hymnals

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KOMM, O KOMM DU GEIST DES LEBENS

Meter: 8.7.8.7.8.7 Appears in 106 hymnals Tune Sources: Neu-vermehrtes und zu Ubung Christl. Gottseligkeit eingerichtetes Meiningisches Gesangbuch, 1693 Tune Key: F Major Incipit: 31251 27567 11223 Used With Text: Judge eternal, throned in splendor
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TANTUM ERGO

Meter: 8.7.8.7.8.7 Appears in 263 hymnals Tune Sources: Melody from Samuel Webbe's Antiphon, 1792. Tune Key: G Major Incipit: 12345 43211 14321 Used With Text: Judge Eternal, throned in splendour
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BENEDIC ANIMA

Appears in 292 hymnals Composer and/or Arranger: John Goss Incipit: 55551 76543 65342 Used With Text: Judge eternal, throned in splendor

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Judge Eternal, Throned in Splendor

Author: Henry Scott Holland Hymnal: The Hymnbook #517 (1955) Meter: 8.7.8.7.8.7 Lyrics: 1 Judge eternal, throned in splendor, Lord of Lords and Kings of Kings, With Thy living fire of judgment Purge our land of bitter things: Solace all its wide dominion With the healing of Thy wings. 2 Still the weary folk are pining For the hour that brings release: And the city's crowded clangor Cries aloud for sin to cease; And the homesteads and the woodlands Plead in silence for their peace. 3 Crown, O God, Thine own endeavor: Cleave our darkness with Thy sword: Feed the faint and hungry people With the richness of Thy word: Cleanse the body of this nation Through the glory of the Lord. Amen. Topics: City, The; God Judge; Nation, The; Kingdom of God on Earth, The Nation, The Scripture: Psalm 72:4 Tune Title: RHUDDLAN
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Judge Eternal, Throned in Splendor

Author: Henry Scott Holland Hymnal: Glory to God #342 (2013) Meter: 8.7.8.7.8.7 Lyrics: 1 Judge Eternal, throned in splendor, Lord of lords and King of kings, with your living fire of judgment purge this land of bitter things; solace all its wide dominion with the healing of your wings. 2 Still the weary folk are pining for the hour that brings release, and the city’s crowded clangor cries aloud for sin to cease, and the homesteads and the woodlands plead in silence for their peace. 3 Crown, O God, your own endeavor; cleave our darkness with your sword; feed the faithless and the hungry with the richness of your word; cleanse the body of this nation through the glory of the Lord. Topics: Christian Year Reign of Christ; Healing; Judgment; The Life of the Nations; World Peace Scripture: Psalm 72 Languages: English Tune Title: RHUDDLAN
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Judge Eternal, Throned in Splendor

Author: Henry S. Holland, 1847-1918 Hymnal: Lutheran Book of Worship #418 (1978) Meter: 8.7.8.7.8.7 Lyrics: 1 Judge eternal, throned in splendor, Lord of lords and King of kings, With your living fire of judgment Purge this land of bitter things; Solace all its wide dominion With the healing of your wings. 2 Still the weary folk are pining For the hour that brings release; And the city's crowded clangor Cries aloud for sin to cease; And the homesteads and the woodlands Plead in silence for their peace. 3 Crown, O God, thine own endeavor; Cleave our darkness with your sword; Feed the faint and hungry peoples With the richness of your Word; Cleanse the body of this nation Through the glory of the Lord. Topics: Society; Judgment; Nation; Society Languages: English Tune Title: RHUDDLAN

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Authors, composers, editors, etc.

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Composer of "REGENT SQUARE" in The Evangelical Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Gustav Holst

1874 - 1934 Person Name: Gustav Holst, 1874-1934 Composer of "PICARDY" in Cantate Domino Gustav Holst (b. Chelteham, Gloucestershire, England, September 21, 1874, d. London, England, May 25, 1934) was a renowned British composer and musician. Having studied at Cheltenham Grammar School, he soon obtained a professional position as an organist, and later as choirmaster. In 1892, Holst composed a two-act operetta, which so impressed his father that he borrowed the money to send Holst to the Royal College of Music. Severe neuritis in his right hand later caused him to give up the keyboard, and Holst turned to the trombone and composing. In 1895 Holst met Ralph Vaughan Williams, and the two became lifelong friends. Vaughan Williams helped Holst land his first job as a singing teacher. Holst became very interested in Indian and Hindu culture, and composed a number of operas translated from Sanksrit myths. These were not received well in England, however. Holst is best known for his composition, The Planets, as well as

John Goss

1800 - 1880 Composer of "BENEDIC ANIMA" in Immanuel Hymnal John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman
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