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Leib und Seel' und Geist wird rege

Author: Anna Nitschmann Appears in 3 hymnals Used With Tune: UPSALA

UPSALA

Appears in 137 hymnals Composer and/or Arranger: Johann Crüger Incipit: 32123 54353 43213 Used With Text: Leib und Seel' und Geist wird rege

Instances

Published text-tune combinations (hymns) from specific hymnals

Leib und Seel und Geist wird rege

Author: Anna Nitschmann Hymnal: Gesangbuch zum Gebrauch der Evangelischen Bruedergemeinen #d317 (1878) Languages: German

Leib und Seel' und Geist wird rege

Author: Anna Nitschmann Hymnal: Frohe Lieder und Brüder-Harfe #344 (1898) Languages: German Tune Title: UPSALA

Leib und Seel und Geist wird rege

Author: A. Nitschmann, g. 1715 † 1760 Hymnal: Gesangbuch der Evangelischen Brüdergemeinen in Nord Amerika (Neue vermehrte Aufl.) #408 (1904) Languages: German

1598 - 1662 Composer of "UPSALA" in Frohe Lieder und Brüder-Harfe Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Anna Nitschmann

1715 - 1760 Author of "Leib und Seel' und Geist wird rege" in Frohe Lieder und Brüder-Harfe Nitschmann, Anna, daughter of David Nitschmann, cartwright, at Kunewald, near Fulnek, Moravia, was born at Kunewald, Nov. 24, 1715. Her cousin, David Nitschmann (the first Bishop, 1735, of the renewed Brethren's Unity) while on a visit to Kunewald in the beginning of 1725, persuaded her father to remove to Herrnhut, where the family arrived on Feb. 25, 1725. On March 17, 1730, Anna was appointed Unity-Elder, with the care of the unmarried sisters; on May 4, 1730, joined with Anna Dober in founding the Jungfrauenbund (see p. 304, ii.); and in 1733 entered the unmarried sisters' house at Herrnhut. In 1735 she became companion to Zinzendorf s daughter, the Countess Benigna, and accompanied her, in 1737, to England. During the summer of 1740 she went with her own father to America, arriving in Pennsylvania Dec. 5, 1740. After the arrival of Zinzendorf and the Countess Benigna, in 1741, Anna joined with them in work among the Indians. She returned to Germany in 1743. After the death of his first wife on June 19, 1756, Zinzendorf married Anna at Berthelsdorf on June 27, 1757. When on May 5, 1760, Zinzendorf felt his fatal illness, she also succumbed, and after his death, on May 9, gradually sank and died, May 21, 1760, at Herrnhut (Allgemeine Deutsche Biographie xxiii. 709; MS. from Diaconus J. T. Muller, Herrnhut, &c). Her hymns were written 1735-1748; the earlier in Herrnhut, some in Pennsylvania, others from 1743 to 1748. They appeared in the various Appendices to the Herrnhut Gesang-Buch of 1735. Only two have passed into use outside of the English Moravian Hymn Book. These are:— i. Ich bin das arme Würmlein dein. Humility. First published as No. 1592 in Appendix x. circa l741 to the Herrnhut Gesang-Buch, 1735, in 12 stanzas of 4 lines. When repeated in the Brüder Gesang-Buch, 1778, No. 851, st. i., 11. 1, 2; iv., 11. 1, 2; ii.; iii.; xii. were selected with alterations, and a stanza by C. Gregor (which begins “Mein Heiland! dass ich ohne dich") was prefixed. The translation in common use is:— My Saviour, that I without Thee. Translated in full by F. W. Foster, from the text of 1778, and given as No. 450 in the Moravian Hymn Book , 1189 (1886, No. 580). Included, omitting st. v., in J. A. Latrobe's Collection, 1841. ii. Mein König, deine Liebe. Christian Work. Appeared as No. 1233 in Appendix vii. circa 1737 to the Herrnhut Gesang-Buch, 1735, in 14 st. of 6 1. In the Brüder Gesang-Buch,1778, No. 1355, reduced to 6 stanzas (st. v. in 1778 is by N. L. Zinzendorf). Another translation is: "Thou our exalted first-born Brother." This is a tr. of st. xiv. in the Moravian Hymn Book, pt. ii., 1746, p. 798. In 1754, pt. ii., p. 365, altered to "0 Thou our first-born Brother " (1849, No. 852, st. ii.). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)