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Meter: 7.4.7.4.6.6.6 Appears in 11 hymnals Refrain First Line: On this day God gave us Lyrics: 1 Let our gladness have no end, Hallelujah! For to earth did Christ descend. Hallelujah! Refrain: On this day God gave us Christ, his Son, to save us; Christ, his Son, to save us. 2 See, the loveliest blooming rose, Hallelujah! From the branch of Jesse grow. Hallelujah! [Refrain] 3 Into flesh is made the Word. Hallelujah! He, our refuge and our Lord. Hallelujah! [Refrain] Topics: Christmas; Christmas Used With Tune: NARODIL SE KRISTUS PAN Text Sources: Bohemian carol, 15th cent.; Tr. unknown

Tunes

Tune authorities

NARODIL SE KRISTUS PÁN

Meter: 7.4.7.4 with refrain Appears in 22 hymnals Composer and/or Arranger: Richard W. Hillert, b. 1923 Tune Sources: Bohemian, 15th cent. Tune Key: F Major Incipit: 12345 55456 55544 Used With Text: Let Our Gladness Have No End

Instances

Published text-tune combinations (hymns) from specific hymnals

Let Our Gladness Have No End

Author: Unknown Hymnal: The Cyber Hymnal #3885 Refrain First Line: On this day God gave us Lyrics: 1. Let our gladness have no end, Hallelujah! For to earth did Christ descend. Hallelujah! Refrain On this day God gave us Christ, His Son, to save us; Christ, His Son, to save us. 2. See, the loveliest blooming rose, Hallelujah! From the branch of Jesse grows. Hallelujah! [Refrain] 3. Into flesh is made the Word. Hallelujah! He, our refuge and our Lord. Hallelujah! [Refrain] Languages: English Tune Title: [Let our gladness have no end]

Let Our Gladness Have No End

Hymnal: Lutheran Book of Worship #57 (1978) Meter: 7.4.7.4.6.6.6 Refrain First Line: On this day God gave us Lyrics: 1 Let our gladness have no end, Hallelujah! For to earth did Christ descend. Hallelujah! Refrain: On this day God gave us Christ, his Son, to save us; Christ, his Son, to save us. 2 See, the loveliest blooming rose, Hallelujah! From the branch of Jesse grow. Hallelujah! [Refrain] 3 Into flesh is made the Word. Hallelujah! He, our refuge and our Lord. Hallelujah! [Refrain] Topics: Christmas; Christmas Languages: English Tune Title: NARODIL SE KRISTUS PAN

Let Our Gladness Have No End

Hymnal: Lutheran Worship #69 (1982) Meter: 7.4.7.4 with refrain Refrain First Line: On this day God gave us Lyrics: 1 Let our gladness have no end, Alleluia! For to earth did Christ descend. Alleluia! Refrain: On this day God gave us Christ, his Son, to save us; Christ, his Son, to save us. 2 See, the loveliest blooming rose, Alleluia! From the branch of Jesse grows. Alleluia! [Refrain] 3 Into flesh is made the Word, Alleluia! He, our refuge and our Lord. Alleluia! [Refrain] Topics: Christmas Languages: English Tune Title: NARODIL SE KRISTUS PAN

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People

Authors, composers, editors, etc.

Anonymous

Person Name: Unknown Author of "Let Our Gladness Know No End" in The Children's Hymnbook In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Richard Hillert

1923 - 2010 Person Name: Richard W. Hillert, b. 1923 Arranger of "NARODIL SE KRISTUS PÁN" in Lutheran Service Book Richard Hillert was born in Granton, Clark County, Wis., on March 14, 1923. There he attended parochial and public schools and later enrolled at Concordia Teachers College (now Concordia University Chicago), River Forest, where he received the Bachelor of Science degree in Education. He served as teacher and music director for parishes in St. Louis, Mo., Wausau, Wis., and Chicago and Westchester, Ill. He received both the Master of Music and the Doctor of Music degrees in composition from Northwestern University, Evanston, Ill. His teachers included Matthew Nathaniel Lundquist, Anthony Donato, Alan Stout, Arrand Parsons, Emil Nolte, and John Ohl. He studied composition with the Italian composer, Goffredo Petrassi, at Aaron Copland’s Berkshire Music Center, Tanglewood, Mass. Richard Hillert was a noted Lutheran composer. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Ill. He was best known for his work as a composer and teacher of composition. Among his most frequently performed liturgical works for congregation is Worthy Is Christ, with its antiphon, “This is the Feast of Victory” which was written as an alternate Song of Praise for inclusion in Setting One of the Holy Communion in Lutheran Book of Worship (1978) and Lutheran Worship (1982). "This is the Feast" is now widely published in more than 20 recent worship books of many denominations, most recently in Lutheran Service Book (2006) and Evangelical Lutheran Worship (2006). Other major liturgical works include a setting of Evening Prayer (1984) and a Eucharistic Festival Liturgy (1983), which was first performed at Holy Name Cathedral in Chicago. He wrote liturgical pieces and hymns and served as music editor for Worship Supplement(1969) and Lutheran Book of Worship (1978). His compositions and publications include an array of pieces of liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. He edited eleven volumes of the Concordia Hymn Prelude Series. Hillert's career as Professor of Music at Concordia (now Concordia University Chicago) spanned four decades, from 1959 to 1993. During this time he taught classes in music theory and composition, music literature, 20th century music, orchestration, keyboard instruction, comparative arts and liturgical worship. He served in various capacities in the music department, as chair in 1964-65 and from 1986–89, as coordinator of the Master of Church Music program, and as associate editor of the journal Church Music (1966–80). Non-liturgical compositions include symphonic works for orchestra (Symphony in Three Movements, Variations for Orchestra, Suite for Strings), chamber works for small orchestra and ensembles (Alternations for Seven Instruments, Divertimento I and II) as well as many works for keyboard, instrumental solos and songs. The latter include Sonata for Piano (1961), a violin sonata, and two sonatas for flute and keyboard. Major organ works include Prelude and Toccata, Ricercata, Passacaglia on Innocent Sounds, Partita on Picardy, and Partita on Atkinson. There are also concert works with sacred texts, such as Five Canticles from the Exodus (1958), Te Deum for two pianos, percussion, and wind instruments (1962), The Alleluiatic Sequence (1980), and Seven Psalms of Grace for baritone solo and chamber orchestra (1998). Extended choral works, many written for Concordia’s Kapelle conducted by Thomas Gieschen, include the Cantata: "May God Bestow on Us His Grace" (1964), "Motet for the Day of Pentecost" for choir, vibraphone, and prepared electronic tape (written for the round-the-world tour in 1969), "Motet for the Time of Easter" for double choir, percussion, and harp (1971), and "Agnus Dei" for three choirs and percussion instruments (1974). Richard Hillert authored numerous scholarly articles and reviews for the periodicals such as Church Music, CrossAccent, and Currents in Theology and Mission, and other professional books and journals. He received an honorary Doctor of Sacred Music degree from Valparaiso University, and honorary Doctor of Letters degrees from Concordia University at Seward, Nebraska, and Concordia Seminary, St. Louis. He was an honorary life member of the Association of Lutheran Church Musicians. His former students throughout the land have careers as practicing church musicians, elementary and secondary school teachers, teachers in higher education, music editors and publishers, and composers. Richard Hillert was married to Gloria Bonnin Hillert. They had three children: Kathryn Brewer, Virginia and Jonathan Hillert. --en.wikipedia.org