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Text Identifier:"^lord_speak_to_me_that_i_may_speak$"

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Lord, Speak to Me That I May Speak

Author: Frances Ridley Havergal Meter: 8.8.8.8 Appears in 459 hymnals First Line: Lord, speak to me, that I may speak Topics: Benevolence; Dedication of Life; Education Christian; Intercession; Prayer Hymns of; Schools; Stewardship of Life and Talents; Teaching; liturgical Songs of Response

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CANONBURY

Meter: 8.8.8.8 Appears in 598 hymnals Composer and/or Arranger: Robert Schumann Tune Key: F Major Incipit: 53334 32123 56712 Used With Text: Lord, Speak to Me, That I May Speak
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WINDHAM

Meter: 8.8.8.8 Appears in 215 hymnals Composer and/or Arranger: Daniel Read Tune Sources: The American Singing Book (1785) Tune Key: d minor Incipit: 13455 32113 23543 Used With Text: Lord, Speak to Me
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HOLLEY

Appears in 311 hymnals Composer and/or Arranger: George Hews Incipit: 32313 23453 54533 Used With Text: Lord, speak to me that I may speak

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Lord, speak to me, that I may speak

Author: Frances R. Havergal Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #586 (1894) Meter: 8.8.8.8 Lyrics: 1 Lord, speak to me, that I may speak In living echoes of Thy tone; As Thou hast sought, so let me seek, Thy erring children lost and lone. 2 Oh, lead me, Lord, that I may lead The wandering and the wavering feet; Oh, feed me, Lord, that I may feed Thy hungering ones with manna sweet. 3 Oh, strengthen me, that while I stand Firm on the Rock, and strong in Thee, I may stretch out a loving hand To wrestlers with the troubled sea. 4 Oh, teach me, Lord, that I may teach The precious things Thou dost impart; And wing my words, that they may reach The hidden depths of many a heart. 5 Oh, give Thine own sweet rest to me, That I may speak with soothing power A word in season, as from Thee, To weary ones in needful hour. 6 Oh, fill me with Thy fullness, Lord, Until my very heart o'erflow In kindling thought and glowing word, Thy love to tell, Thy praise to show. 7 Oh, use me, Lord, use even me Just as Thou wilt, and when, and where; Until Thy blessèd face I see, Thy rest, Thy joy, Thy glory share. Amen. Topics: Lay Helpers; Love to Man Languages: English Tune Title: [Lord, speak to me, that I may speak]
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A Worker's Prayer

Author: Frances R. Havergal Hymnal: Triumphant Songs No.1 #84 (1887) First Line: Lord, speak to me, that I may speak Refrain First Line: O lead me, Lord, that I may lead Lyrics: 1 Lord, speak to me, that I may speak, In living echoes of thy tone; As thou hast sought, so let me seek, Thy erring children, lost and lone. Refrain: O lead me, Lord, that I may lead The wand’ring and the wav’ring feet; O feed me, Lord, that I may feed Thy hung’ring ones with manna sweet. 2 O strengthen me, that while I stand, Firm on the rock, and strong in thee, I may stretch out a loving hand, To wrestlers in the troubled sea. [Refrain] 3 O teach me, Lord, that I may teach, The precious things thou dost impart; And wing my words, that they may reach The hidden depths of many a heart. [Refrain] 4 O give thine own sweet rest to me, That I may speak with soothing power, A word in season, as from thee, To weary ones in needful hour. [Refrain] 5 O fill me with thy fullness Lord, Until my very heart o’erflow, In kindling tho’t, and glowing word, Thy love to tell, thy praise to show. [Refrain] 6 O use me Lord, use even me, Just as thou wilt, and when and where; Until thy blessed face I see, Thy rest, the joy thy glory share. [Refrain] Languages: English Tune Title: [Lord, speak to me, that I may speak]
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Lord, Speak to Me, That I May Speak

Author: Frances R. Havergal Hymnal: Hymns of Faith #103 (1980) Lyrics: 1 Lord, speak to me that I may speak In living echoes of Thy tone; As Thou hast sought, so let me seek Thy erring children lost and lone. 2 O teach me, Lord, that I may teach The precious things Thou dost impart; And wing my words, that they may reach The hidden depths of many a heart. 3 O fill me with Thy fullness, Lord, Until my very heart o'erflow In kindling thought and glowing word Thy love to tell, Thy praise to show. 4 O use me, Lord, use even me, Just as Thou wilt and when and where; Until Thy blessed face I see, Thy rest, Thy joy, Thy glory share. Amen. Topics: Christ Teacher; Prayer Hymns of; Christ Teacher; Prayer Hymns of Scripture: John 13:15 Languages: English Tune Title: [Lord, speak to me, that I may speak]

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Jeremiah Clarke

1669 - 1707 Person Name: J. Clark Composer of "BROCKHAM" in The Church and School Hymnal

Robert Schumann

1810 - 1856 Person Name: Robert A. Schumann Composer of "CANONBURY" in Psalter Hymnal (Gray) Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

Edmund S. Lorenz

1854 - 1942 Person Name: E. S. Lorenz Composer of "[Lord, speak to me that I may speak]" in Heavenly Carols Pseudonymns: John D. Cresswell, L. S. Edwards, E. D. Mund, ==================== Lorenz, Edmund Simon. (North Lawrence, Stark County, Ohio, July 13, 1854--July 10, 1942, Dayton, Ohio). Son of Edward Lorenz, a German-born shoemaker who turned preacher, served German immigrants in northwestern Ohio, and was editor of the church paper, Froehliche Botschafter, 1894-1900. Edmund graduated from Toledo High School in 1870, taught German, and was made a school principal at a salary of $20 per week. At age 19, he moved to Dayton to become the music editor for the United Brethren Publishing House. He graduated from Otterbein College (B.A.) in 1880, studied at Union Biblical Seminary, 1878-1881, then went to Yale Divinity School where he graduated (B.D.) in 1883. He then spent a year studying theology in Leipzig, Germany. He was ordained by the Miami [Ohio] Conference of the United Brethren in Christ in 1877. The following year, he married Florence Kumler, with whom he had five children. Upon his return to the United States, he served as pastor of the High Street United Brethren Church in Dayton, 1884-1886, and then as president of Lebanon Valley College, 1887-1889. Ill health led him to resign his presidency. In 1890 he founded the Lorenz Publishing Company of Dayton, to which he devoted the remainder of his life. For their catalog, he wrote hymns, and composed many gospel songs, anthems, and cantatas, occasionally using pseudonyms such as E.D. Mund, Anna Chichester, and G.M. Dodge. He edited three of the Lorenz choir magazines, The Choir Leader, The Choir Herald, and Kirchenchor. Prominent among the many song-books and hymnals which he compiled and edited were those for his church: Hymns for the Sanctuary and Social Worship (1874), Pilgerlieder (1878), Songs of Grace (1879), The Otterbein Hymnal (1890), and The Church Hymnal (1934). For pastors and church musicians, he wrote several books stressing hymnody: Practical Church Music (1909), Church Music (1923), Music in Work and Worship (1925), and The Singing Church (1938). In 1936, Otterbein College awarded him the honorary D.Mus. degree and Lebanon Valley College the honorary LL.D. degree. --Information from granddaughter Ellen Jane Lorenz Porter, DNAH Archives