Lord, Speak to Me That I May Speak

Representative Text

1 Lord, speak to me that I may speak
In living echoes of your tone.
As you have sought, so let me seek
Your erring children, lost and lone.

2 Oh, lead me, Lord, that I may lead
The wand'ring and the wav'ring feet.
Oh, feed me, Lord, that I may feed
Your hungry ones with manna sweet.

3 Oh, teach me, Lord, that I may teach
The precious truths which you impart.
And wing my words that they may reach
The hidden depths of many a heart.

4 Oh, fill me with your fullness, Lord,
Until my very hearts o'erflows
In kindling thought and glowing word,
Your love to tell, your praise to show.

5 Oh, use me, Lord, use even me,
Just as you will, and when, and where
Until your blessed face I see,
Your rest, your joy, your glory share.


1 Oh, ruégote, Señor Jesús,
que tú me enseñes siempre a hablar,
cual eco vivo de tu voz,
a los que vagan sin tu paz.

2 Dirígeme, Señor Jesús,
a fin que sepa dirigir
al vacilante y débil ser
que triste anhela ir a ti.

3 Enséñame, Señor Jesús,
y haz tú que pueda yo enseñar
palabra tuya que es maná,
que al alma hambrienta vida da.

4 Oh, lléname, Señor Jesús,
de gracia y de tu gran poder,
que todos a mi alrededor
tu amor inmenso puedan ver.

5 Ocúpame, Señor Jesús,
tal como quieras y doquier,
y que la gloria de tu faz
en tu presencia pueda ver.

Source: Santo, Santo, Santo: cantos para el pueblo de Dios = Holy, Holy, Holy: songs for the people of God #557

Author: Frances Ridley Havergal

Havergal, Frances Ridley, daughter of the Rev. W. H. Havergal, was born at Astley, Worcestershire, Dec. 14, 1836. Five years later her father removed to the Rectory of St. Nicholas, Worcester. In August, 1850, she entered Mrs. Teed's school, whose influence over her was most beneficial. In the following year she says, "I committed my soul to the Saviour, and earth and heaven seemed brighter from that moment." A short sojourn in Germany followed, and on her return she was confirmed in Worcester Cathedral, July 17, 1853. In 1860 she left Worcester on her father resigning the Rectory of St. Nicholas, and resided at different periods in Leamington, and at Caswall Bay, Swansea, broken by visits to Switzerland, Scotland, and North Wales. She died… Go to person page >

Text Information

First Line: Lord, speak to me, that I may speak
Title: Lord, Speak to Me That I May Speak
Author: Frances Ridley Havergal (1872)
Place of Origin: England
Language: English
Notes: Spanish translation: See "Oh, ruégote, Señor Jesus"
Copyright: Public Domain
Liturgical Use: Songs of Response


Scripture References:
st. 1 = Jer. 1:9
st. 3 = Isa. 50:4
st. 4 = 1 Cor. 12:4-11

Francis R. Havergal (PHH 288) wrote this text at Winterdyne, England, on April 28, 1872. With the heading "A Worker's Prayer" and with a reference to Romans 14:7 ("none of us lives to himself alone"), the seven-stanza text was first published as one of William Parlane's musical leaflets. It was then republished in Havergal’s Under the Surface in 1874. The Psalter Hymnal includes the original stanzas 1, 2, 4, and 7 in modern English.

"Lord, Speak to Me" is a prayer that God will speak to, lead, and teach each of us so that we may do the same to others who need Jesus Christ (st. 1-3). The text also expresses our commitment to full-time kingdom service ("use me, Lord . . . just as you will, and when, and where") , an ongoing task that ultimately leads us to eternal "rest," 'Joy," and "glory" (st. 4).

Liturgical Use:
Worship that focuses on missions and evangelism (during Pentecost season) and on the "equipping of the saints for ministry."

--Psalter Hymnal Handbook, 1988


Lord, speak to me, that I may speak. Frances R. Havergal. [Lay Helpers.] Written, April 28, 1872, at Winterdyne, and first printed as one of Parlane's musical leaflets in the same year. In 1874 it was published in her Under the Surface, and in 1879 in Life Mosaic. In the original manuscript it is headed “A Worker's Prayer. ‘None of us liveth to himself.' Rom. xiv. 7." This hymn has become very popular, and is highly esteemed by those engaged in Christian work.

--John Julian, Dictionary of Hymnology (1907)



Derived from the fourth piano piece in Robert A. Schumann's Nachtstücke, Opus 23 (1839), CANONBURY first appeared as a hymn tune in J. Ireland Tucker's Hymnal with Tunes, Old and New (1872). The tune, whose title refers to a street and square in Islington, London, England, is often matched to Haver…

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