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Lord, who at Cana's wedding feast

Author: Adelaide Thrupp; Rev. Godfrey Thring, 1823-1903 Appears in 40 hymnals Topics: Marriage Used With Tune: ST. LEONARD (HILES)

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BETHLEHEM

Meter: 8.6.8.6 D Appears in 260 hymnals Composer and/or Arranger: Gottfried W. Fink Tune Key: B Flat Major Incipit: 51176 56556 21715 Used With Text: Lord, Who at Cana's Wedding-Feast
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KINGSFOLD

Meter: 8.6.8.6 D Appears in 285 hymnals Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: Lord, Who at Cana's wedding feast
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ST. MARIA

Appears in 192 hymnals Tune Sources: From William Gawler's Hymns and Psalms, 1789 Tune Key: G Major Incipit: 55435 43243 16217 Used With Text: Lord, Who at Cana's wedding feast

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Lord, Who at Cana's Wedding Feast

Author: Adelaide Thrupp; Godfrey Thring Hymnal: Timeless Truths #301 Meter: 14.14.14.14 Lyrics: 1 Lord, who at Cana’s wedding feast Didst as a Guest appear, Thou dearer far than earthly guest, Vouchsafe Thy presence here; For holy Thou indeed dost prove The marriage vow to be, Proclaiming it a type of love Between the Church and Thee. 2 This holy vow that man can make, The golden thread in life, The bond that none may dare to break, That bindeth man and wife, Which, blest by Thee, whate’er betide, No evil shall destroy, Through careworn days each care divides, And doubles every joy. 3 On those who now before Thee kneel, O Lord, Thy blessing pour, That each may wake the other’s zeal To love Thee more and more; Oh, grant them here in peace to live, In purity and love, And, this world leaving, to receive A crown of life above. Topics: Marriage Scripture: John 2:1 Tune Title: BETHLEHEM
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Lord, Who at Cana's wedding feast

Author: Adelaide Thrupp Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #237 (1894) Lyrics: 1 Lord, Who at Cana’s wedding feast Didst as a guest appear, Thou dearer far than earthly guest, Vouchsafe Thy presence here; For holy Thou indeed dost prove The marriage vow to be, Proclaiming it a type of love Between the Church and Thee. 2 The holiest vow that man can make, The golden thread in life, The bond that none may dare to break, That bindeth man and wife; Which, blest by Thee, whate’er betides, No evil shall destroy, Through care-worn days each care divides, And doubles every joy. 3 On those at Thine altar kneel, O Lord, Thy blessing pour, That each may wake the other’s zeal To love Thee more and more: Oh, grant them here in peace to live, In purity and love, And, this world leaving, to receive A crown of life above! Amen. Topics: Holy Matrimony Languages: English Tune Title: [Lord, Who at Cana's wedding feast]
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Lord, Who at Cana's Wedding Feast

Author: Adelaide Thrupp Hymnal: The Hymnal and Order of Service #527 (1937) Lyrics: 1 Lord, who at Cana’s wedding feast Didst as a guest appear, Thou dearer far than earthly guest, Vouchsafe Thy presence here; For holy Thou indeed dost prove The marriage vow to be, Proclaiming it a type of love Between the Church and Thee. 2 The holiest vow that man can make, The golden thread in life, The bond that none may dare to break, That bindeth man and wife; Which, blest by Thee, whate’er betides, No evil shall destroy, Through care-worn days each care divides, And doubles every joy. 3 On those who at Thine altar kneel, O Lord, Thy blessing pour, That each may wake the other’s zeal To love Thee more and more: O grant them here in peace to live, In purity and love, And, this world leaving, to receive A crown of life above. Amen.

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Godfrey Thring

1823 - 1903 Author (st. 2) of "Lord, Who at Cana's Wedding Feast" in Timeless Truths Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring re­turned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respect­ed A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others

Joseph Barnby

1838 - 1896 Person Name: J. Barnby, 1838-1896 Adapter of "VOX JESU" in Church Hymns Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "SELWYN" in Hymns of the Church Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman