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Text Identifier:"^my_gracious_god_i_own_thy_right$"

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My gracious Lord, I own thy right

Author: Philip Doddridge Appears in 259 hymnals Used With Tune: WARRINGTON

Tunes

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QUEBEC (HESPERUS)

Appears in 489 hymnals Composer and/or Arranger: Henry Baker, 1835-1910 Tune Key: E Flat Major Incipit: 33351 22355 54234 Used With Text: My Gracious Lord, I Own Thy Right
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HOLBORN HILL

Meter: 8.8.8.8 Appears in 85 hymnals Tune Key: F Major Incipit: 33343 32111 12344 Used With Text: My Gracious Lord, I Own Thy Right
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EFFINGHAM

Appears in 40 hymnals Tune Sources: English Melody Incipit: 15433 21543 32717 Used With Text: My gracious Lord, I own thy right

Instances

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Published text-tune combinations (hymns) from specific hymnals
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My Gracious Lord, I Own Thy Right

Author: Rev. Philip Doddridge Hymnal: Reformed Press Hymnal #281 (1934) Meter: 8.8.8.8 Lyrics: 1 My gracious Lord, I own thy right To ev'ry service I can pay, And call it my supreme delight To hear thy dictates and obey. 2 I would not sigh for worldly joy, Or to increase my worldly good; Nor future days nor pow'rs employ To spread a sounding name abroad. 3 'Tis to my Savior I would live, To him Who for my ransom died; Nor could the bowers of Eden give Such bliss as crowns me at His side. 4 His work my hoary age shall bless, When youthful vigor is no more; And my last hour of life confess His dying love, His saving pow'r. Languages: English Tune Title: LOUVAN
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My Gracious Lord, I Own Thy Right

Author: Philip Doddridge, 1702-1751 Hymnal: Worship and Service Hymnal #313 (1957) Lyrics: 1 My gracious Lord, I own Thy right To every service I can pay, And call it my supreme delight To hear Thy dictates, and obey. 2 What is my being but for Thee, Its sure support, its noblest end? Thy ever smiling ace to see, And serve the cause of such a Friend. 3 I would not breathe for worldly joy, Or to increase my worldly good; Nor future days nor powers employ To spread a sounding name abroad. 4 ’Tis to my Saviour I would live, To Him who for my ransom died; Nor could untainted Eden give Such bliss as blossoms at His side. 5 His work my hoary age shall bless, When youthful vigour is no more; And my last hour of life confess His love hath animating power. Amen. Topics: Devotional; Inner Life; The Christian Way of Life Assurance and Trust Languages: English Tune Title: QUEBEC (HESPERUS)
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My Gracious Lord, I Own Thy Right

Author: Philip Doddridge, 1702-1751 Hymnal: The A.M.E. Zion Hymnal #489 (1999) Meter: 8.8.8.8 Lyrics: 1 My gracious Lord, I own Thy right To every service I can pay, And call it my supreme delight To hear Thy dictates, and obey. 2 What is my being but for Thee, Its sure support, its noblest end? 'Tis my delight Thy face to see, And serve the cause of such a Friend. 3 ’Tis to my Saviour I would live, To Him who for my ransom died; Nor could untainted Eden give Such bliss as blossoms at His side. 4 His work my hoary age shall bless, When youthful vigor is no more; And my last hour of life confess His dying love, His saving power. AMEN. Topics: Consecration Languages: English Tune Title: HOLBORN HILL

People

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Authors, composers, editors, etc.

Anonymous

Composer of "HOLBORN HILL" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Composer of "WOODWORTH" in The New Jubilee Harp William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes (1823-1876) Composer of "ILKLEY" in The Pilgrim Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman