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Text Identifier:"^my_mouth_shall_sing_for_aye$"

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My Mouth Shall Sing for Aye

Author: Rev. William Kuipers Meter: 12.12.13.13.13.13 Appears in 3 hymnals First Line: My mouth shall sing for aye Thy tender mercies, Lord Topics: Angels; Anointing Of Believers; Brevity And Frailty Of Life; Covenant; Faithfulness of God; Glory And Majesty Of God; Joy; Sovereignty of God; Warning Scripture: Psalm 89 Used With Tune: SOVEREIGN GRACE

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SOVEREIGN GRACE

Meter: 12.12.13.13.13.13 Appears in 1 hymnal Composer and/or Arranger: Maitre Pierre; Henry A. Bruinsma Tune Key: G Major Used With Text: My Mouth Shall Sing for Aye
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DU SEIGNEUR LES BONTES (Geneva 89)

Meter: 12.12.13.13.13.13 Appears in 16 hymnals Composer and/or Arranger: Claude Goudimel, c. 1505-1572 Tune Key: G Major Incipit: 16512 33543 21165 Used With Text: My Mouth Shall Sing for Aye

Instances

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Published text-tune combinations (hymns) from specific hymnals

My Mouth Shall Sing for Aye

Author: William Kuipers, 1884-1933 Hymnal: Hymns for Youth #22 (1966) Meter: 12.12.13.13.13.13 First Line: My mouth shall sing for aye thy tender mercies, Lord Scripture: Psalm 89 Languages: English Tune Title: DU SEIGNEUR LES BONTES (Geneva 89)

My Mouth Shall Sing for Aye

Author: Rev. William Kuipers Hymnal: Psalter Hymnal (Red) #182 (1934) Meter: 12.12.13.13.13.13 First Line: My mouth shall sing for aye Thy tender mercies, Lord Topics: Angels; Anointing Of Believers; Brevity And Frailty Of Life; Covenant; Faithfulness of God; Glory And Majesty Of God; Joy; Sovereignty of God; Warning Scripture: Psalm 89 Languages: English Tune Title: SOVEREIGN GRACE

My Mouth Shall Sing for Aye

Author: William Kuipers Hymnal: Psalter Hymnal (Blue) #172 (1976) Meter: 12.12.13.13.13.13 First Line: My mouth shall sing for aye Thy tender mercies, Lord Topics: Brevity And Frailty Of Life; Longing, Spiritual; Warning; Glory And Majesty Of God; Sovereignty, God's; Fortress And Retreat, God Our; Grace Of God, Of Christ; Anointing Of Christ; Faithfulness, God's Scripture: Psalm 89 Languages: English Tune Title: SOVEREIGN GRACE

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Authors, composers, editors, etc.

Claude Goudimel

1514 - 1572 Person Name: Claude Goudimel, c. 1505-1572 Harmonizer of "DU SEIGNEUR LES BONTES (Geneva 89)" in Hymns for Youth The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman

William Kuipers

1883 - 1933 Person Name: William Kuipers, 1884-1933 Author of "My Mouth Shall Sing for Aye" in Hymns for Youth Born: 1883, Rochester, New York. Died: 1933, Passaic, New Jersey. Buried: Restlawn Cemetery, Grand Rapids, Michigan. Kuipers emigrated from Friesland to America, in the late 1880s, graduated from Calvin College, Grand Rapids, Michigan, and was ordained in the Christian Reformed Church. He served at the Second Christian Reformed Church of Fremont, Michigan (1914-19); Christian Reformed churches in Oakland, Michigan (1919-23); Dennis Avenue, Grand Rapids, Michigan (1923-27); and Summer Street, Passaic, New Jersey (1927-33). He wrote a number of poems, hymns, and psalm versifications. © The Cyber Hymnal™ (hymntime.com/tch)

Henry A. Bruinsma

1916 - 1991 Harmonizer of "SOVEREIGN GRACE" in Psalter Hymnal (Blue) It was in Bruinsma's musical compositions that his brilliance was most displayed. “Henry’s personality was … embodied in his music: colorful, radiating charisma, magnetic in a nonverbal way,” niece Jane DeGroot said. Bruinsma displayed musical potential even before he was considered old enough to take music lessons, said his wife, Grace Hekman Bruinsma. The preschooler would eavesdrop on his older brother’s piano lessons. After the teacher left, Bruinsma would climb onto the piano bench to practice his brother’s lesson assignment. Later on, he chose to attend Ottawa Hills High School in Grand Rapids, Mich., for its music program. Following high school graduation in 1933, Bruinsma attended the University of Michigan for a degree in music. He stayed on to complete a Ph.D. in musicology, becoming the first musicologist to graduate from the University of Michigan. It was during his graduate work that Bruinsma wrote Scherzo on a Dutch Nursery Song. “He never lost his love for Dutch history or Dutch Reformed music,” Grace Bruinsma said. It was also during his time at U of M that Bruinsma began taking Grace to music concerts, and in 1939 they were married. Bruinsma began his time as a professor of music at Calvin College (1946-55). In addition to his teaching duties at the college, Bruinsma taught the first music and theology course at Calvin Seminary. He also chaired the first Conference on Liturgy of Music. However, not long after his time at Calvin, Bruinsma decided he was being called to move from teaching to education administration. Of note is his time at Ohio State University (1959-64), where he served as the director of the School of Music. He also held the position of executive committee member of the College of Education. Next, Bruinsma moved to what is now Arizona State University (1964-79), another notable mark in his education administration career. During that time, he served first as chair of the School of Music, then as founding dean of the College of Fine Arts. He is also known to have started the first religious studies program at Arizona State as part of the university’s interdisciplinary studies program. Due to the amount of time he spent in education administration, much of Bruinsma’s musical compositions were never published. After his death, Grace Bruinsma contacted Gerry Bouma of Morningside College in Sioux City, Iowa. Bouma and Henry Bruinsma had met in 1969 at a Grand Rapids Christian High School concert in Chicago. “For whatever reason, Henry and Grace treated us like we were their kids,” Bouma said. Grace asked Bouma to catalog and publish the 10,000 pages of Henry’s material. Taking a semester sabbatical, Bouma began his work. Bouma’s catalog of Bruinsma’s work can be found in the Heritage Hall Archives at the Hekman Library, Calvin College. The Archives also hosts additional works from Bruinsma’s time at Calvin. --Excerpted from Calvin Spark, Spring 2006 issue