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Canticle of Mary (Luke 1:46-55)
Appears in 12 hymnals First Line: My soul glorifies the Lord Topics: Psalter Scripture: Luke 1:46-55 Used With Tune: [My soul glorifies the Lord]
Canticle of Mary (Luke 1:46-55)
[My soul glorifies the Lord]
Appears in 6 hymnals Composer and/or Arranger: JG Tune Key: A Major Incipit: 13321 Used With Text: Canticle of Mary (Luke 1:46-55)
[My soul glorifies the Lord]
[Hail, Mary, full of grace]
Appears in 1 hymnal Composer and/or Arranger: John Schiavone; Joseph Gelineau, SJ; Gregory J. Polan, OSB Tune Sources: Conception Abbey Tone: Mode 2; Gelineau Tone: Mode La Tune Key: B Flat Major Incipit: 65617 16 Used With Text: Luke 1:46-55 (Canticle of Mary)
[Hail, Mary, full of grace]
MAGNIFICAT (FERIAL TONE)
Meter: Irregular Appears in 1 hymnal Composer and/or Arranger: Joseph Gelineau 1920-; Anthony Gregory Murray 1905- Tune Key: g minor Incipit: 33411 3171 Used With Text: Magnificat
MAGNIFICAT (FERIAL TONE)
Canticle of Mary/Luke 1:46-55
Author: Robert J. Batastini; The Grail Hymnal: Gather Comprehensive #145 (1994) First Line: My soul glorifies the Lord Refrain First Line: My soul rejoices, my soul rejoices in my god Topics: Salvation History; Advent III Scripture: Luke 1:46-55 Languages: English Tune Title: [My soul glorifies the Lord]
Canticle of Mary/Luke 1:46-55
Canticle of Mary (Luke 1:46-55)
Hymnal: Worship (3rd ed.) #88 (1986) First Line: My soul glorifies the Lord Topics: Psalter Scripture: Luke 1:46-55 Languages: English Tune Title: [My soul glorifies the Lord]
Canticle of Mary (Luke 1:46-55)
My soul glorifies the Lord
Hymnal: Worship, a Complete Hymnal and Mass Book for Parishes #d103 (1971)
My soul glorifies the Lord
Gregory Murray
1905 - 1992 Person Name: A. Gregory Murray Composer (Antiphon) of "[The Lord has done marvels for me]" in Catholic Book of Worship III
Gregory Murray
Gregory J. Polan
b. 1950 Person Name: Gregory J. Polan, OSB Composer (Conception Ab. Tone) of "[My soul rejoices, my soul rejoices]" in Worship (4th ed.)
Gregory J. Polan
Joseph Gelineau
1920 - 2008 Composer (Gelineau tone) of "[My soul glorifies the Lord]" in Gather Comprehensive Joseph Gelineau (1920-2008)
Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953.
The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody.
Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals.
His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California.
--www.giamusic.com
Joseph Gelineau
