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Text Identifier:"^o_all_ye_peoples_bless_our_god$"

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O All Ye Peoples, Bless Our God

Meter: 8.6.8.6 Appears in 11 hymnals Hymnal Title: Calvin Hymnary Project

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[O all ye peoples, bless our God]

Appears in 16 hymnals Composer and/or Arranger: Benjamin C. Unseld Hymnal Title: Bible Songs No. 4 Incipit: 33111 17744 67663 Used With Text: O All Ye Peoples
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[O all ye people, bless our God]

Appears in 48 hymnals Hymnal Title: Bible Songs Tune Sources: Modern Harp Incipit: 51233 42271 565 Used With Text: God Blessed for His Gracious Benefits

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O All Ye Peoples

Hymnal: Bible Songs No. 4 #141 (1917) Hymnal Title: Bible Songs No. 4 First Line: O all ye peoples, bless our God Scripture: Psalm 66 Languages: English Tune Title: [O all ye peoples, bless our God]
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God Blessed for His Gracious Benefits

Hymnal: Bible Songs #131 (1901) Hymnal Title: Bible Songs First Line: O all ye people, bless our God Topics: Access to God; Afflictions A blessing; Afflictions Deliverance from; Afflictions From God; Afflictions Many and sore; Aspirations For Church Privileges; Christ Worshiped; Christians Christ the Life of; Christians Duties of; Christians Evangelists; Christians Saved by Grace; Consecration and Dedication; Godly Fear Exhorted to; Glory of God In Creation; God Hearer of Prayer; Gospel Invitations of ; Grace Growth in; Heart Claimed of God; Mercy of God Celebrated; Praise By Saints; Praise Calls to; Praise For Spiritual Blessings; Prayer Answers to; Prayer God Hears; Prayer Sincerity in; The Righteous Troubles of; Royalty of Christ Providential; Sacrifice Spiritual; Sin Hinders Communion with God; Vows; Worship Commanded; Worship Grace Needed for; Worship Only as God Appoints Scripture: Psalm 66:7-14 Languages: English Tune Title: [O all ye people, bless our God]
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The Testimony of a Saved Sinner

Hymnal: Bible Songs #132 (1901) Hymnal Title: Bible Songs First Line: O all ye people bless our God Topics: Afflictions Purpose of; Christ Worshiped; Christians Christ the Life of; Faith Blessedness of; Godly Fear Exhorted to; God Hearer of Prayer; Heart Claimed of God; Thanksgiving Declared; Worship Commanded Scripture: Psalm 66:12-14 Languages: English Tune Title: [O all ye people bless our God]

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B. C. Unseld

1843 - 1923 Person Name: Benjamin C. Unseld Hymnal Title: Psalter Hymnal (Blue) Composer of "ANCYRA" in Psalter Hymnal (Blue) Benjamin Carl Unseld, 1843-1923 Born: Oc­to­ber 18, 1843, Shep­herd­stown, West Vir­gin­ia. Died: No­vem­ber 19, 1923. Buried: Elm­wood Ceme­te­ry, Shep­herd­stown, West Vir­gin­ia. After leav­ing school at age 14, Un­seld worked as a clerk in a coun­try store. He re­ceived his first mu­sic­al in­struct­ion around age 15, from a com­pan­ion who had at­tend­ed a sing­ing school. He was shown the rep­re­sen­ta­tion of the scale in the old Car­mi­na Sac­ra, and had it sung for him. At the friend’s sug­gest­ion, he got per­mis­sion from his pas­tor to prac­tice on the church or­gan. Since both boys worked, their on­ly chance to prac­tice was af­ter the store closed at 9:00 p.m., and oc­ca­sion­al­ly at noon­time. They went to the church to­ge­ther and took turns, one at the key­board and the other at the bel­lows. Shortly af­ter the Bat­tle of An­tie­tam in Sep­tem­ber 1862, some of which Un­seld wit­nessed, he left home and be­came a book­keep­er in the gen­er­al of­fic­es of a rail­road in Co­lum­bia, Penn­syl­van­ia. He sang in a choir, and gained fur­ther prac­tice read­ing mu­sic. He rent­ed a mel­o­de­on and spent much time in his room im­pro­vis­ing on it. He bought a co­py of Wood­bur­y’s Har­mo­ny and Mu­sic­al Com­po­si­tion, and stu­died it as well as he could with­out a teach­er. He ac­cept­ed an in­vi­ta­tion to play the or­gan in the lo­cal Meth­od­ist church, on the con­di­tion that he re­ceived the tunes ear­ly in the week so he could learn them. This was his first po­si­tion as an or­ga­nist. In the spring of 1866, he en­tered the Mu­sic­al In­sti­tute in Pro­vi­dence, Rhode Is­land, con­duct­ed by Eben Tour­jée (found­er of the New Eng­land Con­serv­a­to­ry in Bos­ton, Mass­a­chu­setts, and fa­ther of Liz­zie Tour­jée). There he stu­died voice, pi­a­no, or­gan, and har­mo­ny. Af­ter learn­ing of Un­seld’s bus­i­ness ex­per­i­ence, Dr. Tour­jée made him sec­re­ta­ry of the school; in 1867, Un­seld be­came the first sec­re­ta­ry of the New Eng­land Con­ser­va­to­ry. Starting in 1870, Un­seld at­tend­ed schools led by The­o­dore F. Sew­ard. There he met George Webb, Low­ell Mason, James Mc­Gran­a­han, Charles Case, and other not­a­bles in the mu­sic com­mun­i­ty. In 1874, Uns­eld taught at Fisk Un­i­ver­si­ty in Nash­ville, Ten­nes­see, and helped train Fisk’s Ju­bi­lee Sing­ers for their Eur­o­pe­an trip. In 1877 and 1878, he was or­gan­ist and choir mas­ter at St. James’ Epis­co­pal Church, Lan­cas­ter, Penn­syl­van­ia. In 1879, Un­seld moved to New York Ci­ty, and for 15 years taught, led choirs, com­posed and pub­lished. In New York, his mu­sic­al head­quar­ters was the pub­lish­ing house of Big­low & Main Com­pa­ny, where he was in al­most dai­ly con­tact with the pop­u­lar com­pos­ers and teach­ers of the day: Ira San­key, Ho­ra­tio Palm­er, Hu­bert Main, Ro­bert Low­ry, et al. In 1894, Un­seld moved to Cin­cin­na­ti, Ohio, and worked as an ed­it­or for the Fill­more Mu­sic House. In 1898, he moved to Day­ton, Ohio, and worked in a sim­i­lar ca­pa­ci­ty for the Lo­renz Pub­lishing Com­pa­ny. He moved back to New York Ci­ty in 1901, then to Ha­gers­town, Ma­ry­land in 1905. He and his wife Sal­lie were ap­par­ent­ly liv­ing in Ten­nes­see as of 1920. Un­seld’s works in­clude: The Chor­al Stan­dard (New York: Fill­more Bro­thers, 1895) Progress in Song, with E. T. Hil­de­brand (Cin­cin­na­ti, Ohio: The Fill­more Bro­thers Com­pa­ny) Unseld was in­duct­ed in­to the South­ern Gos­pel Mu­sic As­so­ci­a­tion Hall of Fame in 2004. Sources-- Hall, pp. 239-44 Music-- Ancyra Euphemia He Is Ris­en Hordville Make Haste! Meschach Twilight Is Fall­ing Unseld Wonderful Mess­age --www.hymntime.com/tch

Anonymous

Hymnal Title: The Cyber Hymnal Author of "O All Ye Peoples, Bless Our God" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.