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Text Identifier:"^o_god_of_love_o_king_of_peace$"

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O God of love, O King of peace

Author: Rev. Sir Henry W. Baker, Bart. Meter: 8.8.8.8 Appears in 249 hymnals Topics: National; Peace Civil; War Used With Tune: QUEBEC

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ERHALT UNS, HERR

Meter: 8.8.8.8 Appears in 212 hymnals Tune Sources: J. Klug, Geistliche Lieder, 1543 Tune Key: e minor Incipit: 13171 32134 45344 Used With Text: O God of Love, O King of Peace
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DU MEINER SEELEN

Meter: 8.8.8.8 Appears in 270 hymnals Tune Sources: Cantica Spiritualia, 1847 Tune Key: E Flat Major Incipit: 11234 55455 67176 Used With Text: O God of Love, O God of Peace
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GERMANY

Meter: 8.8.8.8 Appears in 774 hymnals Composer and/or Arranger: William Gardiner Tune Key: B Flat Major Incipit: 51712 56711 17627 Used With Text: O God of Love, O King of Peace

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O God of love, O King of peace

Author: Rev. Sir H. W. Baker Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #199 (1894) Meter: 8.8.8.8 Refrain First Line: Give peace, O God, give peace again Lyrics: 1 O God of love, O King of peace, Make wars throughout the world to cease; The wrath of sinful man restrain; Give peace, O God, give peace again! 2 Remember, Lord, Thy works of old, The wonders that our fathers told; Remember not our sin's dark stain, Give peace, O God, give peace again! 3 Whom shall we trust but Thee, O Lord? Where rest but on Thy faithful word? None ever called on Thee in vain; Give peace, O God, give peace again! 4 Where saints and angels dwell above All hearts are knit in holy love; O bind us in that heavenly chain! Give peace, O God, give peace again! Amen. Languages: English Tune Title: [O God of love, O King of peace]
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O God of Love, O King of Peace

Author: Henry W. Baker, 1821-1877 Hymnal: Lutheran Book of Worship #414 (1978) Meter: 8.8.8.8 Lyrics: 1 O God of love, O King of peace, Make wars throughout the world to cease; Our greed and sinful wrath restrain. Give peace, O God, give peace again. 2 Remember, Lord, your works of old, The wonders that our elders told; Remember not our sin's dark stain. Give peace, O God, give peace again. 3 Whom shall we trust but you, O Lord? Where rest but on your faithful Word? None ever called on you in vain, Give peace, O God, give peace again. 4 Where saints and angels dwell above All hearts are knit in holy love; Oh, bind us in that heav'nly chain. Give peace, O God, give peace again. Topics: Society; Love; Peace; Society Languages: English Tune Title: ACK, BLIV HOS OSS
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O God of Love, O King of Peace

Author: Henry W. Baker Hymnal: The Hymnbook #483 (1955) Meter: 8.8.8.8 Lyrics: 1 O God of love, O King of peace, Make wars throughout the world to cease; The wrath of sinful man restrain: Give peace, O God, give peace again! 2 Remember, Lord, Thy works of old, The wonders that our fathers told; Remember not our sin's dark stain: Give peace, O God, give peace again! 3 Whom shall we trust but Thee, O Lord? Where rest but on Thy faithful word? None ever called on Thee in vain: Give peace, O God, give peace again! 4 Where saints and angels dwell above, All hearts are knit in holy love; O bind us in that heavenly chain: Give peace, O God, give peace again! Amen. Topics: Communion of Saints; Peace on Earth; World Friendship and Peace; Kingdom of God on Earth, The World Friendship and Peace Scripture: Psalm 46:9 Tune Title: QUEBEC

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Authors, composers, editors, etc.

H. W. Baker

1821 - 1877 Person Name: Henry Williams Baker Author of "O God of Love, O God of Peace" in The Presbyterian Hymnal Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

William Gardiner

1770 - 1853 Composer of "GERMANY" in Baptist Hymnal 1991 William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Samuel Webbe

1740 - 1816 Person Name: Samuel Webbe, 1740-1816 Composer of "MELCOMBE" in The Book of Praise Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman
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