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Text Identifier:"^o_sometimes_gleams_upon_our_sight$"

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Still the New Transcends the Old

Author: John G. Whittier Appears in 81 hymnals First Line: O, sometimes gleams upon our sight Topics: Social Progress Used With Tune: MIGDOL

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WOODWORTH

Appears in 1,061 hymnals Composer and/or Arranger: W. B. Bradbury Incipit: 12335 43234 355 Used With Text: Oh, sometimes gleams upon our sight
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HAMBURG

Appears in 892 hymnals Composer and/or Arranger: L. Mason Incipit: 11232 34323 33343 Used With Text: O sometimes gleams upon our sight
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KEBLE

Appears in 84 hymnals Composer and/or Arranger: Rev. J. B. Dykes Incipit: 55665 12335 43212 Used With Text: Oh, sometimes gleams upon our sight

Instances

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Oh, sometimes gleams upon our sight

Author: Whittier Hymnal: Good-Will Songs #63 (1890) Languages: English Tune Title: [Oh, sometimes gleams upon our sight]

O sometimes gleams upon our sight

Author: John Greenleaf Whittier Hymnal: The Beacon Song and Service book #165 (1935) Meter: 8.8.8.8 Topics: The Coming Day Languages: English Tune Title: HAMBURG

O, Sometimes Gleams upon Our Sight

Author: John Greenleaf Whittier Hymnal: Christian Science Hymnal #547 (2017) Languages: English Tune Title: SHERWOOD

People

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Authors, composers, editors, etc.

Joseph Barnby

1838 - 1896 Person Name: Sir Joseph Barnby Composer of "GUILDHALL" in Hymns of the United Church Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Thomas B. Southgate

1814 - 1868 Composer of "BROOKFIELD" in Songs of the Christian Life Southgate, Thomas Bishop, born at Hornsey, Middlesex, June 8, 1814; educated in the school of the Chapel Royal, where he was a chorister; studied harmony under Thomas Attwood and Sir John Goss, and the organ under Samuel Wesley; organist of Hornsey Church from 1834 to 1853, and of St Anne's, Highgate Rise, London, from the latter year until his death, which occured at Highgate, November 3, 1868. EVENSONG, No. 320 F.C.H., was published in sheet form in 1858, set to the words "God that madest earth and heaven." --James Love, Scottish Church Music: Its Composers and Sources (1891)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Composer of "RIVAULX" in Hymns for Schools and Colleges As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman