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Text Identifier:"^o_thou_who_art_of_all_that_is$"

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O thou who art of all that is

Author: Frederick L. Hosmer Appears in 14 hymnals Used With Tune: DELIVERANCE

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ST. MATTHEW

Appears in 138 hymnals Composer and/or Arranger: William Croft Incipit: 53513 21713 25654 Used With Text: O Thou, who art of all that is
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DELIVERANCE

Appears in 60 hymnals Composer and/or Arranger: Sir Joseph Barnby Incipit: 11123 32234 56755 Used With Text: O thou who art of all that is
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TYTHERTON

Appears in 3 hymnals Composer and/or Arranger: Sir A. S. Sullivan (1842- ) Incipit: 51111 17123 14321 Used With Text: O Thou who art of all that is

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Thou who art of all that is

Hymnal: Christ in Song #357 (1908) Lyrics: 1 O Thou who art of all that is Beginning and the end, We follow thee thro' unknown paths, Since all to thee must tend; Thy judgments are a mighty deep, Beyond all fathom line; Our wisdom is the child-like heart; Our strength, to trust in thine. 2 We bless thee for the skies above, And for the earth beneath; For hopes that blossom here below, And wither not with death; But most ye bless thee for thyself, O heavenly Light within, Whose dayspring in our hearts, dispels The darkness of our sin. Languages: English
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O Thou who art of all that is

Author: Rev. F. L. Hosmer Hymnal: Hymnal, Amore Dei. Rev. ed. #a114 (1903) Languages: English
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O Thou who art of all that is

Author: F. L. Hosmer Hymnal: Worship Song #42 (1905) Topics: The Eternal God Languages: English Tune Title: ANGELUS

People

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Authors, composers, editors, etc.

William Croft

1678 - 1727 Composer of "ST. MATTHEW" in Hymns of the Spirit for Use in the Free Churches of America William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844

Joseph Barnby

1838 - 1896 Person Name: Sir Joseph Barnby Composer of "DELIVERANCE" in Isles of Shoals Hymn Book and Candle Light Service Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: Sir A. S. Sullivan (1842- ) Composer of "TYTHERTON" in Hymnal Amore Dei Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandĀ­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he comĀ­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman
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