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Text Identifier:"^o_throw_away_thy_rod$"

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O throw away thy rod

Author: George Herbert Appears in 20 hymnals

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CAPELLO

Appears in 21 hymnals Incipit: 11112 33333 45555 Used With Text: Oh, throw away thy rod!

HARTLAND

Meter: 5.5.3.5 Appears in 2 hymnals Composer and/or Arranger: Edward John Hopkins, 1818-1901 Tune Key: C Major Incipit: 31135 64461 17652 Used With Text: Throw away Thy rod
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PECKWATER

Appears in 1 hymnal Composer and/or Arranger: Thomas Banks Strong (1861-) Incipit: 33456 61123 46711 Used With Text: Throw away thy rod

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Discipline

Hymnal: A Collection of Psalms and Hymns #B.VII (1737) First Line: O throw away thy Rod! Lyrics: 1 O throw away thy Rod! O throw away thy Wrath! My gracious Saviour and my God, O take the gentle Path. 2 Thou seest my Heart's Desire Still unto thee be bent! Still does my longing soul aspire To an entire consent. 3 Not e'en a Word or Look Do I approve or own, But by the Model of thy Book, Thy sacred Book alone. 4 Altho' I fail, I weep, Altho' I halt in Peace Yet still with trembling steps I creep Unto the Throne of Grace. 5 O then let Wrath remove; For Love will do the Deed; Love will the Conquest gain with Love Even strong Hearts will bleed. 6 For Love is swift of Foot, Love is a Man of War; Love can resistless Arrows shoot, And hit the Mark from far. 7 Who can escape the Bow? That which hath wrought on thee, Which brought the King of Glory low, Must surely work on me. 8 O throw away thy rod, What tho' Man Frailties hath? Thou art our Saviour and our God: O throw away they Wrath! Languages: English
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O throw away Thy rod!

Hymnal: Plymouth Collection #a827 (1863)
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O throw away thy rod

Hymnal: Cottage Melodies; a hymn and tune book, for prayer and social meetings and the home circle #23 (1859) Languages: English

People

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George Herbert

1593 - 1633 Person Name: George Herbert, 1593-1633 Author of "Throw away Thy rod" in The Book of Praise Herbert, George, M.A., the fifth son of Richard Herbert and Magdalen, the daughter of Sir Richard Newport, was born at his father's seat, Montgomery Castle, April 3, 1593. He was educated at Westminster School, and at Trinity College, Cambridge, graduating B.A. in 1611. On March 15, 1615, he became Major Fellow of the College, M.A. the same year, and in 1619 Orator for the University. Favoured by James I., intimate with Lord Bacon, Bishop Andrewes, and other men of influence, and encouraged in other ways, his hopes of Court preferment were somewhat bright until they were dispelled by the deaths of the Duke of Richmond, the Marquis of Hamilton, and then of King James himself. Retiring into Kent, he formed the resolution of taking Holy Orders. He was appointed by the Bishop of Lincoln to the Prebend of Lcighton Ecclesia and to the living of Leighton Bromswold, Hunts, July 15, 1626. He remained until 1629, when an attack of ague obliged him to remove to his brother's, house at Woodford, Essex. Not improving in health at Woodford, he removed to Dantsey, in Wiltshire, and then as Rector to Bemerton, to which he was inducted, April 26, 1630, where he died Feb. 1632. The entry in the register of Bemerton is "Mr. George Herbert, Esq., Parson of Foughleston and Bemerton, was buried 3 day of March 1632." His life, by Izaak Walton, is well known; another Memoir, by Barnabas Oley, is forgotten. Herbert's prose work, Priest to the Temple, appeared several years after his death: but The Temple, by which he is best known, he delivered to Nicholas Ferrar (q.v.), about three weeks before his death, and authorized him to publish it if he thought fit. This was done iu 1633. The work became popular, and the 13th edition was issued in 1709. It is meditative rather than hymnic in character, and was never intended for use in public worship. In 1697 a selection from The Temple appeared under the title Select Hymns Taken out of Mr. Herbert's Temple & turned into the Common Metre To Be Sung In The Tunes Ordinarily us'd in Churches. London, Parkhurst, 1697. In 1739, J. & C. Wesley made a much more successful attempt to introduce his hymns into public worship by inserting over 40 in a much-altered form in their Hymns & Sacred Poems. As some few of these came into their collection of Psalms & Hymns, 1741, revised 1743, they were long sung by the Methodists, but do not now form part of the Wesleyan Hymn Book. No further attempt seems to have been made to use the Temple poems as hymns until 1853, when some altered and revised by G. Rawson were given in the Leeds Hymn Book of that year. From that time onward more attention was paid to Herbert alike by Churchmen and Nonconformists, and some of his hymns are now widely accepted. Many editions of his works have been published, the most popular being that of the Rev. Robert Aris Wilmott, Lond., Geo. Routledge & Son, 1857; but Dr. Grosart's privately printed edition issued in his Fuller Worthies Library in 1874, in three volumes, is not only the most complete and correct, but included also his psalms not before reprinted, and several poems from a ms. in the Williams Library, and not before published. The Temple has also been pub¬lished in facsimile by Elliott Stock, 1876, with preface by Dr. Grosart; and in ordinary type, 1882, by Wells Gardner, with preface by J. A. Shorthouse. The quaintness of Herbert's lyrics and the peculiarity of several of their metres have been against their adoption for congregational purposes. The best known are: "Let all the world in every corner sing"; "My stock lies dead, and no increase"; "Throw away Thy rod"; "Sweet day, so cool, so calm"; and "Teach me, my God, and King." [William T. Brooke] --John Julian, Dictionary of Hymnology (1907)

E. J. Hopkins

1818 - 1901 Person Name: Edward John Hopkins, 1818-1901 Composer of "HARTLAND" in The Book of Praise Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Elizabeth Poston

1905 - 1987 Person Name: Elizabeth Poston, 1905- Composer of "THE GENTLE PATH" in The Cambridge Hymnal Elizabeth Poston (24 October 1905 – 18 March 1987) was an English composer, pianist, and writer. See more in: Wikipedia
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