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Resurrection Morn
Author: S. Baring-Gould Meter: 8.7.8.3 Appears in 73 hymnals First Line: On the resurrection morning, Soul and body meet again
Resurrection Morn
[On the Resurrection morning]
Appears in 14 hymnals Incipit: 55556 12117 637 Used With Text: On the Resurrection Morning
[On the Resurrection morning]
RESURRECTION MORN
Meter: 8.7.8.3 Appears in 21 hymnals Composer and/or Arranger: Ira David Sankey Tune Key: G Major Incipit: 33335 43211 71222 Used With Text: On the Resurrection Morning
RESURRECTION MORN
On the resurrection morning
Author: Rev. S. Baring-Gould Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #243a (1894) Meter: 8.7.8.3 Lyrics: 1 On the resurrection morning
Soul and body meet again;
No more sorrow, no more weeping,
No more pain.
2 Here awhile they must be parted,
And the flesh its sabbath keep,
Waiting in a holy stillness,
Wrapt in sleep.
3 For a space that tired body
Lies with feet toward the dawn;
Till there breaks the last and brightest
Easter morn.
4 But the soul in contemplation
Utters earnest prayers and strong;
Breaking at the resurrection
Into song.
5 Soul and body reunited,
Thenceforth nothing will divide,
Waking up in Christ's own likeness,
Satisfied.
6 Oh, the beauty, oh, the gladness
Of that resurrection-day!
Which shall not through endless ages,
Pass away!
7 On that happy Easter morning
All the graves their dead restore,
Father, sister, child and mother,
Meet once more.
8 To that brightest of all meetings,
Bring us, Jesus Christ, at last;
To Thy cross, through death and judgment,
Holding fast.
Amen.
Topics: Eastertide; Burial of the Dead Languages: English Tune Title: [On the resurrection morning]
On the resurrection morning
On the resurrection morning
Author: Rev. S. Baring-Gould Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #243b (1894) Meter: 8.7.8.3 Lyrics: 1 On the resurrection morning
Soul and body meet again;
No more sorrow, no more weeping,
No more pain.
2 Here awhile they must be parted,
And the flesh its sabbath keep,
Waiting in a holy stillness,
Wrapt in sleep.
3 For a space that tired body
Lies with feet toward the dawn;
Till there breaks the last and brightest
Easter morn.
4 But the soul in contemplation
Utters earnest prayers and strong;
Breaking at the resurrection
Into song.
5 Soul and body reunited,
Thenceforth nothing will divide,
Waking up in Christ's own likeness,
Satisfied.
6 Oh, the beauty, oh, the gladness
Of that resurrection-day!
Which shall not through endless ages,
Pass away!
7 On that happy Easter morning
All the graves their dead restore,
Father, sister, child and mother,
Meet once more.
8 To that brightest of all meetings,
Bring us, Jesus Christ, at last;
To Thy cross, through death and judgment,
Holding fast.
Amen.
Topics: Burial of the Dead Languages: English Tune Title: [On the resurrection morning]
On the resurrection morning
On the Resurrection Morning
Author: Sabine Baring-Gould Hymnal: The Cyber Hymnal #5249 Meter: 8.7.8.3 Lyrics: 1. On the resurrection morning,
Soul and body meet again,
No more sorrow, no more weeping,
No more pain.
2. Here awhile they must be parted,
And the flesh its Sabbath keep,
Waiting in a holy stillness,
Wrapped in sleep.
3. For a while the wearied body
Lies with feet toward the morn;
Till the last and brightest Easter
Day be born.
4. But the soul in contemplation,
Utters earnest prayer and strong,
Bursting at the resurrection
Into song.
5. Soul and body reunited
Thenceforth nothing shall divide,
Waking up in Christ’s own likeness
Satisfied.
6. O the beauty, O the gladness
Of that resurrection day,
Which shall not through endless ages
Pass away!
7. On that happy Easter morning
All the graves their dead restore,
Father, mother, sister, brother,
Meet once more.
8. To that brightest of all meetings
Bring us, Jesus Christ, at last,
By Thy cross, through death and judgment,
Holding fast. Languages: English Tune Title: RESURRECTION MORN
On the Resurrection Morning
Christopher Edwin Willing
1830 - 1904 Person Name: C. E. Willing Composer of "MELTON" in The Book of Common Praise Christopher Edwin Willing; Devon, England, 1830
Evangelical Lutheran Hymnal, 1908
Christopher Edwin Willing
Samuel Sebastian Wesley
1810 - 1876 Person Name: S. S. Wesley, 1810-76 Composer of "HORNSEY" in The English Hymnal Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
Ira David Sankey
1840 - 1908 Composer of "RESURRECTION MORN" in The Cyber Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
