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Text Identifier:"^our_cities_cry_to_you_o_god$"

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Our Cities Cry to You, O God

Author: E. Margaret Clarkson Meter: 8.6.8.6 D Appears in 7 hymnals

Tunes

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HANDS OF THE POOR

Meter: 8.6.8.6 D Appears in 2 hymnals Composer and/or Arranger: Alfred V. Fedak, 1953- Tune Key: f minor Used With Text: Our Cities cry to You, O God
Audio

SALVATION

Meter: 8.6.8.6 D Appears in 57 hymnals Tune Sources: Kentucky Harmony, 1816 Tune Key: d minor Incipit: 53127 11234 53432 Used With Text: Our Cities Cry to You, O God
Audio

THE THIRD TUNE

Appears in 45 hymnals Composer and/or Arranger: Thomas Tallis, c.1505-1585; Ralph Vaughan Williams, 1872-1958 Tune Key: e minor or modal Incipit: 13333 44555 55655 Used With Text: Our cities cry to you, O God

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Our Cities Cry to You, O God

Author: Margaret Clarkson, b. 1915 Hymnal: Sing! A New Creation #266 (2002) Meter: 8.6.8.6 D Topics: Service Scripture: 1 Corinthians 16 Languages: English Tune Title: SALVATION
Text

Our Cities Cry to You, O God

Author: Margaret Clarkson Hymnal: The Presbyterian Hymnal #437 (1990) Meter: 8.6.8.6 D Lyrics: 1 Our cities cry to you, O God, From out their pain and strife; You made us for Yourself alone, But we choose alien life. Our goals are pleasure, gold, and power; Injustice stalks our earth; In vain we seek for rest, for joy, For sense of human worth. 2 Yet still You walk our streets, O Christ! We know Your presence here, Where humble Christians love and serve In godly grace and fear. O Word made flesh, be seen in us! May all we say and do Affirm You God incarnate still And turn sad hearts to You! 3 Your people are Your hands and feet To serve Your world today, Our lives, the book our cities read To help them find your way. O pour Your sovereign Spirit out On heart and will and brain: Inspire Your church with love and power To ease our cities’ pain! 4 O healing Savior, Prince of Peace, Salvation’s source and sum, For You our broken cities cry: O come, Lord Jesus, come! With truth Your royal diadem, With righteousness Your rod, O come, Lord Jesus, bring to earth The city of our God! Scripture: Luke 19:41 Languages: English Tune Title: SALVATION
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Our Cities Cry to You, O God

Author: Margaret Clarkson, 1915- Hymnal: Worship and Rejoice #586 (2003) Meter: 8.6.8.6 D Scripture: Matthew 9:36 Languages: English Tune Title: SALVATION

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Authors, composers, editors, etc.

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, c.1505-1585 Composer of "THE THIRD TUNE" in The Book of Praise Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Arranger of "THE THIRD TUNE" in The Book of Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

E. Margaret Clarkson

1915 - 2008 Person Name: Margaret Clarkson, b. 1915 Author of "Our Cities Cry to You, O God" in Sing! A New Creation