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Search Results

Text Identifier:"^over_the_hills_the_sun_is_setting$"

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Texts

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Nearer Home

Author: Alice Carey Appears in 92 hymnals First Line: O'er the hills the sun is setting Refrain First Line: Nearer, nearer Used With Tune: [O'er the hills the sun is setting]

Tunes

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[O’er the hills the sun is setting]

Appears in 52 hymnals Composer and/or Arranger: Flotow Incipit: 34653 12313 35431 Used With Text: Nearer Home
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NEARER HOME

Appears in 11 hymnals Composer and/or Arranger: Jas. McGranahan Tune Key: G Major or modal Incipit: 54533 23111 11265 Used With Text: Nearer Home
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[O'er the hills the sun is setting]

Appears in 15 hymnals Composer and/or Arranger: Von Weber Incipit: 55365 17671 76536 Used With Text: Nearer Home

Instances

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Published text-tune combinations (hymns) from specific hymnals
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One Day Nearer Home

Hymnal: Gospel Praise Book. #20 (1885) First Line: O'er the hills the sun is setting Refrain First Line: Nearer, nearer Lyrics: 1 O’er the hills the sun is setting, And the eve is drawing on; Slowly drops the gentle twilight, For another day is gone. Gone for aye—its race is over; Soon the darker shades will come; Still ‘tis sweet to know at evening That we’re one day nearer home. Chorus: Nearer, nearer, One day nearer home; Nearer, nearer, One day nearer home. 2 Worn and weary, oft the pilgrim Hails the setting of the sun, For the goal is one day nearer, And his journey nearly done; Thus we feel when o’er the life’s desert Heart and sandal-sore we roam; As the twilight gathers o’er us, We are one day nearer home. [Chorus] 3 Nearer home! yes, one day nearer To our Father’s house on high, To the green fields and the fountains Of the land beyond the sky; For the heavens grow brighter o’er us, And the lamps hand in the dome, And our tents are pitched still closer, For we’re one day nearer home. [Chorus] 4 “One day nearer,” sings the mar’ner, As he glides the water o’er, While the light is softly dying On his distant native shore; Thus the Christian on life’s ocean, As his life-boat cuts the foam, In the evening cries with rapture, “I am one day nearer home.” [Chorus] Topics: Close of Worship; Growth in Grace; Christian Experience; Heaven Languages: English Tune Title: [O'er the hills the sun is setting]
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One Day Nearer

Hymnal: Joyful Songs #52 (1875) First Line: O'er the hills the sun is setting Lyrics: 1 O'er the hills the sun is setting, And the eve is drawing on, Slowly drops the gentle twilight, For another day is gone; Gone for aye its race is over, Soon the darker shades will come, Still 'tis sweet to know at even, We are one day nearer home. 2 "One day nearer" sings the sailor, As he glides the waters o'er, While the light is softly dying, On his distant native shore; So the Christian on life's ocean, As his life boat cuts the foam, In the ev'ning cries with rapture, "I am one day nearer home." 3 Nearer home! Yes, one day nearer To our Father's home on high, To the green fields and the fountains, Of the land beyond the sky; For the heav'n grows brighter o'er us, And the lamps hang in the dome, And our tents are pitched still closer, For we're one day nearer home. Languages: English Tune Title: [O'er the hills the sun is setting]
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Nearer My Home

Author: Unknown Hymnal: The Gospel in Song #4 (1885) First Line: O'er the hills the sun is setting Refrain First Line: Nearer home! yes, one day nearer Languages: English Tune Title: [O'er the hills the sun is setting]

People

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Authors, composers, editors, etc.

James McGranahan

1840 - 1907 Person Name: Jas. McGranahan Composer of "NEARER HOME" in The Christian Sunday School Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Asa Hull

1828 - 1907 Composer of "[O'er the hills the sun is setting]" in Gospel Praise Book. Asa Hull USA 1828-1907. Born in Keene, NY, he became a music publisher in New York City. He married Emma F Atherton, and they had a daughter, Harriett. He wrote many tunes and authored temperance rallying songs. He published 33 works, of which 21 were songbooks, between 1863-1895. He died in Philadelphia, PA. John Perry

J. H. Tenney

1840 - 1918 Composer of "[O'er the hills the sun is setting]" in The New Jubilee Harp John Harrison Tenney, 1840-1918 Born: No­vem­ber 22, 1840, Row­ley, Mass­a­chu­setts. Born just af­ter the pre­si­den­tial cam­paign of "Tip­pe­ca­noe and Ty­ler, too," Ten­ney was named af­ter Amer­i­can pre­si­dent Will­iam Hen­ry Har­ri­son. A dea­con in the Con­gre­ga­tion­al Church in Line­brook, Mass­a­chu­setts, he ed­it­ed or was as­so­ci­ate ed­it­or of over 30 books, and con­trib­ut­ed to hun­dreds more. His works in­clude: Amer­i­can Male Choir Temperance Jew­els, with Eli­sha Hoff­man (Bos­ton, Mass­a­chu­setts: Ol­iv­er Dit­son & Com­pa­ny, 1879) Bells of Vic­to­ry, with Eli­sha Hoff­man (Bos­ton, Mass­a­chu­setts: Oliv­er Dit­son & Com­pa­ny, 1888) Gems of Gos­pel Song Golden Sun­beams Sharon’s Dewy Rose Songs of Faith Shining Light Songs of Joy Sparkling and Bright Spiritual Songs, Nos. 1 and 2 Sweet Fields of Eden The Bea­con Light The Sing­ing School Ban­ner The An­them Of­fer­ing The Amer­i­can An­them Book The Crown of Praise Sources-- Hall, pp. 219-22 Music-- Asilomar Bogotá Beyond the Swell­ing Flood Cancún Come to Je­sus Ever Will I Pray Hallowed Hour of Pray­er Jesus Is Pass­ing This Way Jubilate! My An­chor Is Hold­ing Nothing Be­tween Onward Christ­ian Sol­diers Sabbath Bell San Fran­cis­co We’ll Ne­ver Say Good­bye Where Will You Spend Eter­ni­ty? --www.hymntime.com/tch
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