Search Results

Text Identifier:"^peace_be_to_this_habitation$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

Peace be to this habitation

Appears in 40 hymnals Used With Tune: [Peace be to this habitation]

Tunes

tune icon
Tune authorities
Page scansAudio

AUTUMN

Appears in 467 hymnals Incipit: 12321 65312 32352 Used With Text: Peace be to this habitation
Page scansAudio

[Peace be to this habitation]

Appears in 246 hymnals Incipit: 12345 43211 14321 Used With Text: Peace be to this habitation
Page scansAudio

EVENING PRAYER

Meter: 8.7.8.7 Appears in 221 hymnals Composer and/or Arranger: George C. Stebbins Tune Key: B Flat Major Incipit: 56655 11716 55676 Used With Text: Peace Be To This Habitation

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

Peace Be To This Habitation

Author: Chas. Wesley Hymnal: American Lutheran Hymnal #263 (1930) Meter: 8.7.8.7 Lyrics: 1 Peace be to this habitation, Peace to all who dwell therein, Peace, the earnest of salvation Peace, the fruit of pardoned sin. 2 Peace that speaks its heav'nly Giver, Peace to worldly minds unknown, Peace divine, that lasts forever, Peace that comes from God alone. 3 Jesus, Prince of peace, be near us, Fix in all our hearts Thy home: With Thy gracious presence cheer us, Let Thy sacred kingdom come. 4 Raise to heav'n our expectation, Give our favored souls to prove Glorious and complete salvation, In the realms of bliss above. Amen. Topics: The Christian Life Home Languages: English Tune Title: EVENING PRAYER
TextAudio

Peace Be To This Habitation

Author: Charles Wesley Hymnal: The Cyber Hymnal #8821 Meter: 8.7.8.7 D First Line: Peace be to this habitation! Lyrics: 1 Peace be to this habitation! Peace to every soul herein! Peace, the foretaste of salvation, Peace, the seal of canceled sin, Peace, that speaks its heavenly Giver, Peace to earthly minds unknown, Peace divine, that lasts forever, Here erect its glorious throne! 2 On the son of peace descending, On the daughters of Thy grace, Big with comforts never ending, Let the promise now take place: Each receive the gracious shower, Each the Gospel blessing prove, Witness of Thy pardoning power, Witness of Thy perfect love. 3 Now Thy loving-infusing Spirit Shed in every heart abroad, Rise, thro’ Thy imputed merit, Every child a child of God! Each receive the constant witness, Each obtain the joyous rest, Taste in Thee celestial sweetness, God residing in their breast. 4 Claim for Thine each faithful servant, By the reconciling Word, Pure in heart, in spirit fervent, Let them serve their heav’nly Lord, For Thy pardoning love adore Thee, Walk in sinless liberty, Brethren to the King of Glory, Friends of God, and heirs with Thee! 5 Visit, Lord, with Thy salvation Every providential guest, Every friend, and kind relation Take into Thy people’s rest: Conscious of Thy sacred presence, Let them feel the the loving fear, Cry with blissful acquiescence, God, the pardoning God, is here! 6 Prince of Peace, if Thou art near us, Fix in all our hearts Thy home, By Thy last appearing cheer us, Quickly let Thy kingdom come: Answer all our expectation, Give our raptured souls to prove Glorious, uttermost salvation, Heavenly, everlasting love! Languages: English Tune Title: MALTA
TextPage scan

Peace be to this habitation

Hymnal: Evangelical Lutheran Hymnal. 9th ed. #a320 (1895) Lyrics: 1 Peace be to this habitation, Peace to all who dwell therein, Peace, the earnest of salvation, Peace, the fruit of pardoned sin; 2 Peace that speaks the heavenly Giver, Peace to worldly minds unknown, Peace divine, that lasts forever, Peace that comes from God alone. 3 Jesus, Prince of peace, be near us, Fix in all our hearts Thy home: With Thy gracious presence cheer us, Let Thy sacred kingdom come. 4 Raise to heaven our expectation, Give our favored souls to prove Glorious and complete salvation, In the realms of bliss above. Topics: The Catechism; Daily Devotion Evening Languages: English

People

person icon
Authors, composers, editors, etc.

Charles Wesley

1707 - 1788 Person Name: C. Wesley Author of "Peace be to this habitation" in Worship in the School Room Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

George C. Stebbins

1846 - 1945 Composer of "EVENING PRAYER" in American Lutheran Hymnal Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "BENISON" in The Pilgrim Hymnal Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman