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Search Results

Text Identifier:"^praise_to_god_and_thanks_we_bring$"

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Texts

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Praise to God and Thanks We Bring

Author: William C. Gannett Appears in 40 hymnals First Line: Praise to God and thanks we bring, Used With Tune: ST. GEORGE'S WINDSOR

Tunes

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ST. GEORGE'S, WINDSOR

Appears in 693 hymnals Composer and/or Arranger: George J. Elvey Incipit: 33531 23335 31233 Used With Text: Praise to God and thanks we bring
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HOLLINGSIDE

Appears in 301 hymnals Composer and/or Arranger: John B. Dykes Incipit: 35655 43176 53123 Used With Text: Praise to God and thanks we bring
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[Praise to God and thanks we bring]

Appears in 113 hymnals Composer and/or Arranger: Louis J. F. Herold; George Kingsley Incipit: 32114 32566 53123 Used With Text: Praise to God and thanks we bring

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Praise in Springtime

Author: William Channing Gannett, 1840-1923 Hymnal: Singing the Journey #1005 (2005) First Line: Praise to God and thanks we bring Lyrics: 1 Praise to God and thanks we bring, hearts rejoice and voices sing; praises to the Glorious One; for a year of wonder done. Praise now for the budding green, April’s Resurrection scene; Praise now for the shining hours starring all the land with flowers. 2 Praise now for the summer rain; feeding day and night with grain; praise now for the tiny seed; holding all the word shall need; Praise now for the garden root, meadow grass and orchard fruit; and for hills and valleys broad; bring we now our thanks to God. 3 Praise now for the snowy rest, falling soft on nature’s breast; for the happy dreams of birth, brooding in the quiet earth. For this year of wonder done, praise to the All glorious One; hearts rejoice and voices sing; praise and love and thanks we bring. Topics: Transcending Mystery and Wonder; Celebration and Praise; General Service Music; Gratitude and Thanks; Nature; Unity and Diversity Languages: English Tune Title: [Praise to God and thanks we bring]

Praise to God and Thanks We Bring

Author: William C. Gannett Hymnal: Vesper Chimes #291 (1930) Languages: English Tune Title: [Praise to God and thanks we bring]

Praise to God and thanks we bring

Author: William Channing Gannett Hymnal: The Beacon Song and Service book #220 (1935) Meter: 7.7.7.7 D Topics: The New Year Winter Languages: English Tune Title: HOLLINGSIDE

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Composer of "HOLLINGSIDE" in The Beacon Song and Service book As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

George J. Elvey

1816 - 1893 Composer of "ST. GEORGE'S WINDSOR" in Worship and Song. (Rev. ed.) George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Composer of "CULFORD" in The Parish School Hymnal Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry
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