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Serene I laid me down
Author: Dwight Meter: 6.6.8.6 Appears in 49 hymnals Scripture: Psalm 3:5 Used With Tune: SCHUMANN
Serene I laid me down
[Serene I laid me down]
Appears in 1 hymnal Composer and/or Arranger: W. T. Giffe Incipit: 55654 54355 43653 Used With Text: Cartwright
[Serene I laid me down]
Serene, I laid [lay] me down, beneath God's [his] guardian care
Author: Elizabeth Scott Hymnal: The Sabbath School Gem #d77 (1863)
Serene, I laid [lay] me down, beneath God's [his] guardian care
Serene, I laid [lay] me down, beneath God's [his] guardian care
Author: Elizabeth Scott Hymnal: The Carol #d90 (1854)
Serene, I laid [lay] me down, beneath God's [his] guardian care
Serene, I laid [lay] me down, beneath God's [his] guardian care
Author: Elizabeth Scott Hymnal: The College Hymn and Tune Book #d102 (1868)
Serene, I laid [lay] me down, beneath God's [his] guardian care
Robert Schumann
1810 - 1856 Composer of "SCHUMANN" in African Methodist Episcopal hymn and tune book Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works.
John Perry
Robert Schumann
Elizabeth Scott
1708 - 1776 Author of "Serene, I laid [lay] me down, beneath God's [his] guardian care" in The Modern Harp Scott, Elizabeth, daughter of the Rev. Thomas Scott, Independent Minister at Norwich, and sister of Thomas Scott, noted below, was born at Norwich about 1708. In 1751 she was married to Elisha Williams, who had been from 1726 to 1739 Rector of Yale College, U.S.A., and with him she proceeded to Connecticut. On the death of Mr. Williams she was married to the Hon. William Smith, of New York, who also predeceased her. She died at Wethersfield, Connecticut, June 13th, 1776. In connection with Miss Scott's hymns we are acquainted directly and indirectly with four manuscripts, each of which is interesting in itself. These are as follows:—
i. The first manuscript is in the library of Yale College, New Haven, Connecticut. Mr. Franklin Bowditch Dexter, M.A., Assistant Librarian, has tabulated the hymns in this ms. for this Dictionary. He says (Jan. 29, 1889): "The label on the back of this volume is 'Hymns & Poems by Eliz. Scott.' There is no title to the ms. pages. Prefixed to the Hymns and Poems there is, however, a long and very tenderly written dedication (in prose) 'To my much Rever'd, much Lov'd, Father,' this signed ‘E. S.' and dated 1740. Then follows (without numbers) the Hymns with titles and first lines as below." Mr. Dexter adds on the first lines and the titles of 90 hymns.
ii. The second manuscript is in our possession. It is headed "Poems on Several Occasion's by Miss Scott of Norwich, who married to Mr. Williams of New England, January 1750/1." Then follow 26 hymns in full. At the end this is written, "These transcribed from Mrs. Williams' Manuscript, Feb. 27, 1751, the week before she left Norwich to go to New England." The whole of these 26 hymns are in the Yale College manuscript.
iii. The third manuscript we have consulted contains 8 hymns which are prefaced with these words, "Copied from a book of Mrs. Bury's, written by her Aunt Miss Elizabeth Scott, afterwards Mrs. Williamson."
iv. In Dr. Dodd's Christian's Magazine for Dec. 1763 we find a writer who signs himself "CL—T." He had at that time a ms. of Miss Scott's hymns with a Dedication to her father prefixed thereto and signed "Eliz Scott." From this ms. he sent "Why droops my soul with guilt oppressed" (Christ, the Great Physician) to the Dec. number of the magazine; "Evil and few our mortal days" (Vanity of human Life), to the Feb. number, 1764, and "What finite power with ceaseless toil" (Praise for Temporal Blessings), to the April number of the same year.
From these facts it is clear that before departing for America Miss Scott allowed copies of her hymns to be made from her manuscript, and it was mainly from these copies that those of her hymns composed before her marriage were printed in the English hymnbooks. None of those hymns date later than 1750. The collections in which they appeared, and through which they came into common use were the Bristol Baptist Collection of Ash and Evans, 1769, and the New Selection, &c, by J. Dobell, 1806. In Ash and Evans there are 19 hymns, signed "S.," all of which are in the Yale College manyuscruot under the same first lines except "Was it for man, apostate man ?" but this also may possibly be there under another first line. In Dobell there are 20 hymns signed " Scott” of which 17 are in the Yale College ms., 2 are parts of hymns from Ash and Evans, also in that manuscript, and "Sole Sovereign of the earth and skies," also probably in the ms. under another first line. Of the 90 hymns in the Yale ms., in addition there are also in common use:—
i. From Ash and Evans's Collection of Hymns, 1769.
1. God of my life, to Thee belongs. On Recovery from Sickness.
2. My God, shall I for ever mourn? Covenant-keeping God. From this "Shall e'er the shadow of a change?" is taken (st. iii.).
3. When Abram full of sacred awe. For a Fast Day. Sometimes, “Thus Abram, full of sacred awe."
4. Why, O my heart, these anxious cares? Submis-sion.
ii. From J. Dobell's New Selection, &c, 1806.
5. Dare we indulge to wrath and strife? Against Wrath.
6. Eternal Spirit, 'twas Thy breath. Whitsuntide.
7. For ever shall my fainting soul. Against grieving the Holy Spirit. Sometimes "0 Lord, and shall our fainting souls?"
8. Great God, Thy penetrating eye. God All and in All.
9. The glitt'ring spangles of the sky. The Mercies of God.
10. Thy bounties, gracious Lord. Offertory.
11. Where'er the Lord shall build my house. Family Religion.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
================
Scott, Elizabeth, p. 1019, ii. Another of her hymns in common use from the Collection of Ash & Evans, 1769, No. 393, “The Lord of love will sure indulge," is given in some American hymnals as "The God of mercy will indulge" (Death of Parents), with the name of "Fawcett" prefixed in error.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Elizabeth Scott
Timothy Dwight
1752 - 1817 Person Name: Dwight Author of "Serene I laid me down" in African Methodist Episcopal hymn and tune book Timothy Dwight (b. Northampton, MA, 1752; d. Philadelphia, PA, 1817) was a grandson of Jonathan Edwards who became a Congregationalist pastor, a Revolutionary War army chaplain, a tutor and professor at Yale College, and president of Yale from 1795 to 1817. As president he continued to teach and serve as chaplain and was instrumental in improving both the academic and the spiritual life of the college.
Bert Polman
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Dwight, Timothy, D.D. This is the most important name in early American hymnology, as it is also one of the most illustrious in American literature and education. He was born at Northampton, Massachusetts, May 14, 1752, and graduated at Yale College, 1769; was a tutor there from 1771 to 1777. He then became for a short time a chaplain in the United States Army, but passed on in 1783 to Fairfield, Connecticut, where he held a pastorate, and taught in an Academy, till his appointment, in 1795, as President of Yale College. His works are well known, and need no enumeration. He died at New Haven, Jan. 11, 1817. In 1797 the General Association of Connecticut, being dissatisfied with Joel Barlow's 1785 revision of Watts, requested Dwight to do the work de novo. This he did liberally, furnishing in some instances several paraphrases of the same psalm, and adding a selection of hymns, mainly from Watts. The book appeared as—
"The Psalms of David, &c.... By I. Watts, D.D. A New Edition in which the Psalms omitted by Dr. Watts are versified, local passages are altered, and a number of Psalms are versified anew in proper metres. By Timothy Dwight, D.D., &c….To the Psalms is added a Selection of Hymns," 1800.
Dwight's lyrics are all professedly psalms, but they are by no means literal versions. His original compositions number 33. Of these many are still in common use, the most important being:—
1. Blest be the Lord, Who heard my prayer. Psalm xxviii. This is the second part of Psalm xxviii., in 5 stanzas of 4 lines. It is in the English New Congregational Hymn Book, 1859.
2. I Love Thy kingdom, Lord. Psalm cxxxvii. This is version three of Ps. 137, in 8 stanzas of 4 lines, and is in extensive use at the present time throughout the States. It is also included in many English, Irish, and Scottish collections, sometimes in the original form, as in Alford's Year of Praise, 1867; again as, "I love Thy Church, 0 God," which opens with the second stanza, as in the Scottish Evangelical Union Hymnal, 1878, in 3 stanzas, and "We love Thy kingdom, Lord," in the Irish Church Hymnal, 1873. In Cleveland's Lyra Sacra Americana six stanzas only are given from the original.
Next to this in popularity are his 2nd and 3rd renderings of Psalm lxxxviii.:—
3. Shall man, 0 God of life and light. (3rd stanza)
4. While life prolongs its precious light. (2nd stanza) Both of which are in extensive use. From his 4th version of the same Psalm (88), the following hymns have been compiled, each opening with the stanza indicated:—
5. Just o'er the grave I hung. Stanza ii.
6. I saw beyond the tomb. Stanza iv.
7. Ye sinners, fear the Lord. Stanza xii. This last is found in Spurgeon's 0ur Own Hymnbook. The original version consists of 13 stanzas.
8. 0 Thou Whose sceptre earth and seas obey. Psalm lxxii. This is his second version of this Psalm, and was given in the Comprehensive Rippon, 1844.
The following, most of which are of a more jubilant character, are well known:—
9. How pleasing is Thy voice. Psalm lxv.
10. In Zion's sacred gates. Psalm cl.
11. Lord of all worlds, incline Thy gracious [bounteous] ear. Psalm llii.
12. Now to Thy sacred house. Psalm xliii., st. 3.
13. Sing to the Lord most high. Psalm c.
14. In barren wilds shall living waters spring. Psalm liii.
15. Lord, in these dark and dismal days. Psalm cxxxvii.
No. 9 is found in Lyra Sacra Americana, pp. 101-2, the seven stanzas of the original being abbreviated to five.
In addition to the Psalms, Dr. Dwight published three poems, "The Conquest of Canaan," 1785; "Greenfield Hill," 1794; "Triumph of Infidelity," 1788. [Rev. F. M. Bird, M.A.]
- John Julian, Dictionary of Hymnology (1907)
Timothy Dwight
