Search Results

Text Identifier:"^silently_the_shades_of_evening$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scans

Silently the shades of evening

Appears in 168 hymnals Lyrics: 1 Silently the shades of evening Gather round my lonely door; Silently they bring before me Faces I shall see no more. 2 O, the lost, the unforgotten, Though the world be oft forgot; O, the shrouded and the lonely! In our hearts they perish not. 3 Living in the silent hours, Where our spirits only blend; They unlinked with earthly trouble, We still hoping for its end. 4 How such holy mem'ries cluster, Like the stars when storms are past, Pointing up to that fair haven We may hope to gain at last. Used With Tune: EVENING SHADES

Tunes

tune icon
Tune authorities
Page scansAudio

SLINGSBY

Appears in 139 hymnals Composer and/or Arranger: Edmund S. Carter, 1845- Tune Key: A Major Incipit: 55517 66627 71233 Used With Text: Silently the shades of evening
Audio

[Silently the shades of evening]

Appears in 342 hymnals Composer and/or Arranger: Darius E. Jones Tune Key: B Flat Major Incipit: 15517 12171 32432 Used With Text: Silently the Shades of Evening
Page scansAudio

[Silently the shades of evening]

Appears in 13 hymnals Composer and/or Arranger: Carey Boggess Incipit: 55171 21755 76751 Used With Text: Silently the Shades of Evening

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scanAudio

Silently the Shades of Evening

Author: C. C. Cox Hymnal: Triumphant Songs No.4 #151 (1894) Refrain First Line: Come the silent shades of evening Lyrics: 1 Silently the shades of evening Gather round my lowly door; Silently they bring before me Faces I shall see no more. Refrain: Come the silent shades of evening, Holy mem'ries cluster 'round me, Pointing up to that fair heaven We may hope to gain at last. 2 Oh, the lost, the unforgotten, Though the world be oft forgot! O the shrouded and the lonely, In our hearts they perish not! [Refrain] 3 Living in the silent hours, Where our spirits only blend, They, unlinked with earthly trouble, We, still hoping for its end. [Refrain] 4 How such holy memories cluster, Like the stars when storms are past, Pointing up to that fair heaven, We may hope to gain at last. [Refrain] Tune Title: [Silently the shades of evening]
Page scan

Silently the Shades of Evening

Author: C. C. Cox Hymnal: Winona Hymns #25 (1906) Refrain First Line: Come the silent shades of evening Languages: English Tune Title: [Silently the shades of evening]
Page scan

Silently the Shades of Evening

Author: C. C. Cox Hymnal: Songs of Hope #26 (1919) Refrain First Line: Come the silent shades of evening Languages: English Tune Title: [Silently the shades of evening]

People

person icon
Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Author of "The Shades of Evening" in Sacred Songs and Solos In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Darius E. Jones

1815 - 1881 Composer of "[Silently the shades of evening]" in A. M. E. C. Hymnal

Chas. H. Gabriel

1856 - 1932 Composer of "[Silently the shades of evening]" in New Awakening Songs Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.