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Still, Still with Thee
Author: Harriet B. Stowe, 1812-1896 Appears in 362 hymnals First Line: Still, still with Thee - when purple morning breaketh Lyrics: 1 Still, still with Thee - when purple morning breaketh,
When the bird waketh and the shadows flee;
Fairer than morning, lovelier than daylight,
Dawns the sweet consciousness - I am with Thee!
2 Alone with Thee, amid the mystic shadows -
The solemn hush of nature newly born;
Alone with Thee in breathless adoration,
In the calm dew and freshness of the morn!
3 Still, still with Thee - as to each newborn morning,
A fresh and solemn splendor still is given,
So does this blessed consciousness, awaking,
Breathe each day nearness unto Thee and heav'n.
4 When sinks the soul, subdued by toil, to slumber,
Its closing eye looks up to Thee in prayer;
Sweet the repose beneath Tju wings o’ershading,
But sweeter still to wake and find Thee there!
5 So shall it be at last, in that bright morning,
When the soul waketh and life’s shadows flee;
O in that hour, fairer than daylight dawning,
Shall rise the glorious tho't - I am with Thee! Topics: Morning Hymns; Worship of God Used With Tune: CONSOLATION
Still, Still with Thee
CONSOLATION
Meter: 11.10.11.10 Appears in 413 hymnals Composer and/or Arranger: Felix Mendelssohn Tune Key: E Flat Major Incipit: 32154 43217 13222 Used With Text: Still, Still with Thee
CONSOLATION
[Still, still with Thee, when purple morning breaketh]
Appears in 32 hymnals Composer and/or Arranger: Frantz Abt, 1819—85 Tune Key: F Major Incipit: 33321 34552 43342 Used With Text: Still, still with Thee, when purple morning breaketh
[Still, still with Thee, when purple morning breaketh]
Still, Still With Thee
Author: Harriet Beecher Stowe Hymnal: Gloria in Excelsis #157 (1933) First Line: Still, still with Thee, when purple morning breaketh Lyrics: 1 Still, still with Thee, when purple morning breaketh,
When the bird waketh, and the shadows flee;
Fairer than morning, lovelier than daylight,
Dawns the sweet consciousness I am with Thee,
Still, still with Thee.
2 Alone with Thee, amid the mystic shadows,
The solemn hush of nature newly born;
Alone with Thee in breathless adoration,
In the calm dew and freshness of the morn,
Still, still with Thee.
3 When sinks the soul, subdued by toil, to slumber,
Its closing eye looks up to Thee in prayer;
Sweet the repose beneath the wings o’ershading,
But sweeter still to wake and find Thee there,
Still, still with Thee.
4 So shall it be at last, in that bright morning,
When the soul waketh and life’s shadows flee;
O in that hour, a fairer day-light dawning,
Shall rise the glorious thought, I am with Thee,
Still, still with Thee.
Languages: English Tune Title: [Still, still with Thee, when purple morning breaketh]
Still, Still With Thee
Still, Still With Thee, When Purple Morning Breaketh
Author: Harret Elizabeth (Beecher) Stowe Hymnal: The Junior Hymnal, Containing Sunday School and Luther League Liturgy and Hymns for the Sunday School #225 (1928) Languages: English Tune Title: [Still, still with Thee, when purple morning breaketh]
Still, Still With Thee, When Purple Morning Breaketh
Still, Still with Thee, When Purple Morning Breaketh
Author: Harriet B. Stowe, 1812-1896; Harriet Beecher Stowe Hymnal: The Hymnal and Order of Service #515 (1937) Lyrics: 1 Still, still with Thee, when purple morning breaketh,
When the bird waketh, and the shadows flee;
Fairer than morning, lovelier than the daylight,
Dawns the sweet consciousness, I am with Thee!
2 Alone with Thee, amid the mystic shadows,
The solemn hush of nature newly born;
Alone with Thee, in breathless adoration,
In the calm dew and freshness of the morn.
3 When sinks the soul, subdued by toil, to slumber,
Its closing eye looks up to Thee in prayer;
Sweet the repose beneath the wings o’ershading,
But sweeter still, to wake and find Thee there.
4 So shall it be at last, in that bright morning,
When the soul waketh, and life’s shadows flee;
O for that hour when fairer than the dawning
Shall rise the glorious thought, I am with Thee!
Amen.
Still, Still with Thee, When Purple Morning Breaketh
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Felix Mendelssohn, 1809-1847 Composer of "CONSOLATION" in Revival Hymns and Choruses Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
Harriet Beecher Stowe
1811 - 1896 Person Name: Harriet B. Stowe, 1812-1896 Author of "Still, Still with Thee" in Revival Hymns and Choruses Stowe, Harriet, née Beecher, daughter of the Rev. Lyman Beecher, D.D., was born at Litchfield, Connecticut, June 15, 1812. In 1832, her father having been appointed President of Lane Seminary, Cincinnati, Ohio, she removed therewith the family; and in 1833 was married to the Rev. Calvin E. Stowe, D.D., Professor of Languages and Biblical Literature in the same Institution. Her high reputation as an author is well known; and the immense success of Uncle Tom's Cabin, which first appeared in The National Era, in 1852, ensures her a lasting reputation. She has also written other well-known works. Three of her hymns appeared in the Plymouth Collection, edited by her brother, H. W. Beecher, in 1855:—
1. Still, still with Thee, when purple morning breaketh. Resting in God.
2. That mystic word of Thine, 0 sovereign Lord. Abiding in Jesus.
3. When winds are raging o'er the upper ocean. Peace.
Another hymn by Mrs. Stowe, "How beautiful, said he of old" (The Gospel Ministry), is No. 231 in the Boston Hymns of the Spirit, 1864. Her poetic pieces were published in her Religious Poems, 1867; and from a poem therein the hymn, "Knocking, knocking, who is there?" (Christ knocking), in Sankey's Sacred Songs and Solos is adapted. [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
Harriet Beecher Stowe
Joseph Barnby
1838 - 1896 Person Name: Sir Joseph Barnby, 1838-1896 Composer of "WINDSOR" in Hymnal and Liturgies of the Moravian Church Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
