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Text Identifier:"^the_earth_is_the_lords_and_all_tha_chant$"

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Domini Est Terra

Appears in 23 hymnals First Line: The earth is the Lords, and all that therein is Used With Tune: [The earth is the Lords, and all that therein is]

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[The earth is the Lord's and all that therein is]

Appears in 25 hymnals Composer and/or Arranger: Woodward Tune Key: C Major Incipit: 56712 32117 1 Used With Text: Consecration of a Church
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[The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein]

Appears in 8 hymnals Composer and/or Arranger: Fussell Incipit: 54323 21171 Used With Text: The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein
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[The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein]

Appears in 6 hymnals Composer and/or Arranger: Turle Incipit: 11233 54221 Used With Text: The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Domini Est Terra

Hymnal: The Junior Hymnal #129 (1895) First Line: The earth is the Lords, and all that therein is Languages: English Tune Title: [The earth is the Lords, and all that therein is]
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The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein

Hymnal: The Sunday-School Hymnal and Service Book (Ed. A) #87 (1887) Languages: English Tune Title: [The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein]
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The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein

Hymnal: The Sunday-School Hymnal and Service Book (Ed. A) #88 (1887) Languages: English Tune Title: [The earth is the Lord's and all that therein is: the compass of the world and they that dwell therein]

People

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Authors, composers, editors, etc.

Joseph Barnby

1838 - 1896 Person Name: Barnby Composer of "[The earth is the Lord's and all that therein is]" in The Hymnal Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Composer of "[The earth is the Lord's] (Monk)" in The Church Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

James Turle

1802 - 1882 Composer of "[The earth is the Lord's and all that is in it]" in Moravian Book of Worship TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral. Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer. His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer. --en.wikisource.org/