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Text Identifier:"^the_glory_of_the_lord_the_heavens_declar$"

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Psalm XIX

Appears in 23 hymnals First Line: The glory of the Lord Used With Tune: [The glory of the Lord]

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[The glory of the Lord]

Appears in 5 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 53456 53721 65561 Used With Text: The Glory of the Lord
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FANEUIL HALL

Meter: 12.12.8.8 Appears in 4 hymnals Composer and/or Arranger: Charles C. Case; Franz J. Haydn Tune Key: C Major Incipit: 51111 22316 21756 Used With Text: The Glory of the Lord
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[The glory of the Lord]

Appears in 1 hymnal Composer and/or Arranger: H. H. McGranahan Incipit: 51536 51712 715 Used With Text: The Witness of Nature to God

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Published text-tune combinations (hymns) from specific hymnals

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William Croft

1678 - 1727 Person Name: William Croft, 1678-1727 Composer of "CROFT'S 136th" in The Book of Praise William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844

Anonymous

Author of "The Glory of the Lord" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Joseph Haydn

1732 - 1809 Person Name: Franz J. Haydn Composer of "FANEUIL HALL" in The Cyber Hymnal Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman