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Search Results

Text Identifier:"^the_heavens_declare_the_glory_of_go_chan$"

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Texts

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The heavens declare the glory of God

Appears in 65 hymnals Used With Tune: [The heavens declare the glory of God]

Tunes

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Tune authorities

[The heavens declare the glory]

Appears in 23 hymnals Composer and/or Arranger: R. Cooke, 1768 - 1814 Tune Key: F Major Incipit: 53164 54322 1 Used With Text: The heavens declare the glory
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[The heav'ns declare the glory of God]

Appears in 5 hymnals Composer and/or Arranger: Dr. H. R. Palmer Incipit: 51111 77122 23455 Used With Text: The Heavens Declare the Glory
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[The heavens declare the glory of God]

Appears in 8 hymnals Composer and/or Arranger: W. Chard Incipit: 53166 51321 Used With Text: The heavens declare the glory of God

Instances

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Published text-tune combinations (hymns) from specific hymnals

The heavens declare the glory

Hymnal: The Hymnary for use in Baptist churches #696c (1936) Topics: Prose Psalms Scripture: Psalm 19 Languages: English Tune Title: [The heavens declare the glory] (Crotch)
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The Heavens Declare the Glory of God

Hymnal: Young Men's Chorus #50 (1912) Languages: English Tune Title: [The heavens declare the glory of God]
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The Heavens Declare the Glory

Hymnal: Song-Land Messenger Complete #245 (1894) First Line: The heavens declare the glory of God Languages: English Tune Title: [The heavens declare the glory of God]

People

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Authors, composers, editors, etc.

E. J. Hopkins

1818 - 1901 Composer of "[The heavens declare the glory of God]" in The Methodist Hymn-Book with Tunes Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Michel Guimont

b. 1950 Composer (verses) of "[Lord, you have the words of everlasting life]" in Lead Me, Guide Me (2nd ed.)

L. O. Sanderson

1901 - 1992 Person Name: L. O. S. Arranger of "[The heav'ns declare the glory of God]" in Christian Hymns See also Vana R. Raye (pseudonym). ================== Lloyd Otis Sanderson was born May 18, 1901 near Jonesboro, Arkansas. His father was a singing teacher. There were a variety of musical instruments in the home, so all of his children learned to sing and play instruments from early in life. He studied and taught music most of early teens and twenties and then began to serve churches for Churches of Christ. Among Churches of Christ, L.O Sanderson is one of a handful of significant individuals who helped to codify the hymnody of this denomination in the early and mid 20th century. Dozens of his songs remain at the core of this group’s hymnody. As Musical Editor for the Gospel Advocate Company of Nashville during the hymnal heyday of the mid 20th century, Sanderson was responsible not only for the editing of a number of important hymnals, but for helping to shape the church’s song. He composed a number under the pen name of Vana Raye in tribute to his wife. As a composer of both lyrics and music, Sanderson collaborated with a number of individuals, the most notable being his friend, Thomas O. Chisholm, with whom he wrote “Be With Me, Lord,” perhaps his most popular hymn. Dianne Shapiro, from Sanderson's autobiography (http://www.therestorationmovement.com/_states/tennessee/sanderson.htm) and D. J. Bulls