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Psalm 24

Author: Willard F. Jabusch Appears in 3 hymnals First Line: The king of glory comes, the nation rejoices

Meter: 12.12 Appears in 56 hymnals Composer and/or Arranger: John Ferguson, b. 1941 Tune Sources: Israeli Tune Key: e minor or modal Incipit: 33215 12332 11332 Used With Text: The King of Glory (El Rey de gloria)

Instances

Published text-tune combinations (hymns) from specific hymnals

The King of Glory (El Rey de gloria)

Author: Willard F. Jabusch, b. 1930; Eunice Miller Hymnal: Santo, Santo, Santo #149 (2019) Meter: 12.12 First Line: The King of glory comes, the nation rejoices (El Rey de gloria viene: reina alegría) Topics: Año Cristiano Domingo de Ramos; Christian Year Palm Sunday; Año Cristiano Domingo de Pasión; Christian Year Passion Sunday Scripture: Psalm 24 Languages: English; Spanish Tune Title: KING OF GLORY

The King of Glory Comes

Author: Willard F. Jabusch, b. 1930 Hymnal: One and All Rejoice #205 (2020) Meter: 12.12 with refrain First Line: Who is the King of glory Topics: Advent; Holy Week Palm Sunday Languages: English Tune Title: PROMISED ONE

Psalm 24

Author: Willard F. Jabusch Hymnal: The Covenant Hymnal #792 (1996) First Line: The king of glory comes Tune Title: [The king of glory comes]

People

Authors, composers, editors, etc.

Willard F. Jabusch

1930 - 2018 Author of "Psalm 24" in The Covenant Hymnal Willard F. Jabusch (b. 1930) received degrees from St. Mary of the Lake Seminary, Mundelein, Illinois, and Loyola University, Chicago. He also earned a doctorate at Northwestern University, Evanston, Illinois (1986), and studied music at the Chicago Conservatory and the University of London. A parish priest at St. James Roman Catholic Church in Chicago from 1956 to 1961, he taught at Niles College of Loyola University from 1963 to 1966 and at the Mundelein Seminary from 1968 to 1990. Since 1990 Jabusch has been director of Calvert House, the Roman Catholic student center at the University of Chicago. His theological publications include The Person in the Pulpit (1980), Walk Where Jesus Walked (1986), and The Spoken Christ (1990). He has written some forty tunes and one hundred hymn texts, often pairing them with eastern European and Israeli folk tunes. Bert Polman

John Allen Ferguson

b. 1941 Person Name: John Ferguson, b. 1941 Arranger of "KING OF GLORY" in Santo, Santo, Santo John Ferguson’s name is immediately associated with hymnody and the words “hymn festival.” Every year he is invited to design and lead such events, both in local congregations and at gatherings of organists, choral conductors, and church musicians. In 1995 he designed and led a hymn festival in the Washington National Cathedral for the American Choral Directors Association national convention and in 1998 did the same at the national convention of the American Guild of Organists in Denver. He has presented such events abroad as well as in Asia (July, 1996 in Seoul, Korea) and Europe (August, 1997) in the National Cathedral of Norway, Nidaros Dom, Trondheim, as a part of the celebration of the millennium of the birth of St. Olaf. Although he is a Lutheran, his festivals are ecumenical experiences drawing upon the greatest treasures of Christian song from many centuries, traditions, and styles. Ferguson is the Elliot and Klara Stockdal Johnson Professor of Organ and Church Music and Cantor to the Student Congregation at St. Olaf College in Northfield, Minnesota. St. Olaf’s great choral tradition began with F. Meluis Christiansen and has influenced many generations of fine church musicians. Christiansen’s lifelong interest in hymns is evidenced by the many hymns included in his choral compositions as well as his contributions to hymnals of his day. Ferguson’s creative hymn arrangements continue this tradition with a renewed emphasis upon congregational participation. A native of Cleveland, Ferguson’s degrees are from Oberlin College, Kent State University and the Eastman School of Music. He is respected as a fine teacher and performer and his unique skill as improviser and leader of congregational song has won national acclaim. When someone attends one of his festivals, the experience is never dull. With Ferguson at the organ and the creative use of instrumental and choral sound, the assembly is enveloped and whisked away into an experience of song that will never again happen in just that way. --www.morningstarmusic.com/