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Room for All

Author: L. B. Bates Appears in 5 hymnals Hymnal Title: Sing Unto the Lord First Line: There's room in God's eternal love Used With Tune: [There's room in God's eternal love]

[There's room in God's eternal love]

Appears in 5 hymnals Composer and/or Arranger: C. H. G. Hymnal Title: Songs of the Pentecost for the Forward Gospel Movement Incipit: 55656 53333 22521 Used With Text: Room for all

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: L. B. Bates Hymnal: All Hail #d196 (1900) Hymnal Title: All Hail First Line: There's room in God's eternal love Refrain First Line: Yes, there's room Languages: English

Room for All

Author: L. B. Bates Hymnal: Salvation Songs #216 (1895) Hymnal Title: Salvation Songs First Line: There's room in God's eternal love Refrain First Line: Yes, there's room Languages: English Tune Title: [There's room in God's eternal love]

Room for All

Author: L. B. Bates Hymnal: Sifted Wheat #215 (1898) Hymnal Title: Sifted Wheat First Line: There's room in God's eternal love Refrain First Line: Yes, there's room Languages: English Tune Title: [There's room in God's eternal love]

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People

Authors, composers, editors, etc.

L. B. Bates

Hymnal Title: Sifted Wheat Author of "Room for All" in Sifted Wheat

Chas. H. Gabriel

1856 - 1932 Person Name: C. H. G. Hymnal Title: Sifted Wheat Composer of "[There's room in God's eternal love]" in Sifted Wheat Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman