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Thou art gone up on high

Author: Emma Leslie Toke, 1812-1872 Meter: 6.6.8.6 D Appears in 139 hymnals Topics: God: His Attributes, Works and Word The Lord Jesus Christ - His Ascension Used With Tune: CHALVEY

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[Thou art gone up on high]

Appears in 9 hymnals Composer and/or Arranger: H. S. Gauntlett, 1805—76 Tune Key: F Major Incipit: 51321 55443 23323 Used With Text: Thou art gone up on high
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CHALVEY

Meter: 6.6.8.6 D Appears in 78 hymnals Composer and/or Arranger: Leighton George Hayne, 1836-1883 Tune Key: F Major Incipit: 56552 43322 67254 Used With Text: Thou art gone up on high
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[Thou art gone up on high]

Appears in 1 hymnal Used With Text: Thou art gone up on high

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Thou Art Gone Up on High

Author: Emma L. Toke Hymnal: The Cyber Hymnal #6656 Meter: 6.6.8.6 D First Line: Thou art gone up on high, to mansions in the skies Lyrics: 1. Thou art gone up on high, to mansions in the skies; And round Thy throne unceasingly the songs of praise arise; But we are lingering here, with sin and care oppressed; Lord, send Thy promised Comforter, and lead us to Thy rest. 2. Thou art gone up on high; but Thou didst first come down, Through earth’s most bitter misery to pass unto Thy crown; And girt with griefs and fears our onward course must be; But only let this path of tears lead us at last to Thee. 3. Thou art gone up on high; but Thou shalt come again, With all the bright ones of the sky attendant in Thy train. Lord, by Thy saving power so make us live and die, That we may stand in that dread hour at Thy right hand on high. Languages: English Tune Title: OLIVET (Dykes)
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Thou art gone up on high

Author: Mrs. Emma Toke Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #373a (1894) Lyrics: 1 Thou art gone up on high To mansions in the skies; And round Thy throne unceasingly The songs of praise arise: But we are ling'ring here, With sin and care opprest; Lord, send thy promised Comforter, And lead us to Thy rest. 2 Thou art gone up on high; But Thou didst first come down, Through earth's most bitter agony, To pass unto Thy crown; And girt with griefs and fears Our onward course must be; But only let that path of tears Lead us at last to Thee. 3 Thou art gone up on high; But Thou shalt come again, With all the bright ones of the sky Attendant in Thy train. Lord, by Thy saving power So make us live and die, That we may stand, in that dread hour At Thy right hand on high. Amen. Topics: Ascensiontide; General Languages: English Tune Title: [Thou art gone up on high]
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Thou art gone up on high

Author: Mrs. Emma Toke Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #373b (1894) Lyrics: 1 Thou art gone up on high To mansions in the skies; And round Thy throne unceasingly The songs of praise arise: But we are ling'ring here, With sin and care opprest; Lord, send thy promised Comforter, And lead us to Thy rest. 2 Thou art gone up on high; But Thou didst first come down, Through earth's most bitter agony, To pass unto Thy crown; And girt with griefs and fears Our onward course must be; But only let that path of tears Lead us at last to Thee. 3 Thou art gone up on high; But Thou shalt come again, With all the bright ones of the sky Attendant in Thy train. Lord, by Thy saving power So make us live and die, That we may stand, in that dread hour At Thy right hand on high. Amen. Topics: Ascensiontide; General Languages: English Tune Title: [Thou art gone up on high]

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Authors, composers, editors, etc.

L. G. Hayne

1836 - 1883 Person Name: Leighton G. Hayne Composer of "CHALVEY" in The Hymnal Born: February 28, 1836, St. David’s Hall, Exeter, England. Died: March 3, 1883, Bradfield, Essex, England. Son of Richard Hayne, Rector of Mistley, Leighton graduated from Eton and Queen’s College, Oxford (BMus 1856, DMus 1860); at school, he was Eton College’s organist and conducted the Oxford University chorus. He also served as chaplain of Queen’s College; Vicar of Helston, Cornwall (1866-67); Succentor of Eton (1867-71); and Rector of Mistley, Essex (1871-83), and was well known as an organ builder. Music: BUCKLAND CHALVEY ST. CECILIA ST. LAWRENCE --www.hymntime.com/tch/

W. H. Havergal

1793 - 1870 Harmonizer of "FRANCONIA" in The Presbyterian Book of Praise Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Arthur Sullivan

1842 - 1900 Person Name: Sullivan Arranger of "LEOMINSTER" in The Book of Praise for Sunday Schools Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman