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Through The Night Of Doubt And Sorrow
Author: B. S. Ingemann Appears in 326 hymnals Lyrics: 1 Thro the night of doubt and sorrow
Onward goes the pilgrim band,
Singing songs of expectation,
Marching to the Promised Land.
Clear before us, thro the darkness,
Gleams and burns the guiding light.
Brother clasps the hand of brother,
Stepping fearless through the night.
2 One the light of God’s own presence,
O’er His ransomed people shed,
Chasing far the gloom and terror,
Bright'ning all the path we tread:
One the object of our journey,
One the faith which never tires,
One the earnest looking forward,
One the hope our God inspires.
3 One the strain that lips of thousands
Lift as from the heart of one;
One the conflict, one the peril,
One the march in God begun:
One the gladness of rejoicing
On the far eternal shore,
Where the One Almighty Father
Reigns in love for evermore.
4 Onward therefore, pilgrim brothers?
Onward, with the cross our aid!
Bear its shame, and fight its battle,
Till we rest beneath its shade!
Soon shall come the great awaking,
Soon, the rending of the tomb,
Then the scatt'ring of all shadows,
And the end of toil and gloom.
Topics: The Church Used With Tune: [Through the night of doubt and sorrow]
Through The Night Of Doubt And Sorrow
RUSTINGTON
Meter: 8.7.8.7 D Appears in 84 hymnals Composer and/or Arranger: C. H. H. Parry, 1848-1918 Tune Key: G Major Incipit: 11432 17511 65453 Used With Text: Through the night of doubt and sorrow
RUSTINGTON
Through The Night Of Doubt And Sorrow
Author: B. S. Ingemann Hymnal: Hymnal for Church and Home #143 (1927) Lyrics: 1 Thro the night of doubt and sorrow
Onward goes the pilgrim band,
Singing songs of expectation,
Marching to the Promised Land.
Clear before us, thro the darkness,
Gleams and burns the guiding light.
Brother clasps the hand of brother,
Stepping fearless through the night.
2 One the light of God’s own presence,
O’er His ransomed people shed,
Chasing far the gloom and terror,
Bright'ning all the path we tread:
One the object of our journey,
One the faith which never tires,
One the earnest looking forward,
One the hope our God inspires.
3 One the strain that lips of thousands
Lift as from the heart of one;
One the conflict, one the peril,
One the march in God begun:
One the gladness of rejoicing
On the far eternal shore,
Where the One Almighty Father
Reigns in love for evermore.
4 Onward therefore, pilgrim brothers?
Onward, with the cross our aid!
Bear its shame, and fight its battle,
Till we rest beneath its shade!
Soon shall come the great awaking,
Soon, the rending of the tomb,
Then the scatt'ring of all shadows,
And the end of toil and gloom.
Topics: The Church Languages: English Tune Title: [Through the night of doubt and sorrow]
Through The Night Of Doubt And Sorrow
Through The Night Of Doubt And Sorrow
Author: B. S. Ingemann Hymnal: Hymnal for Church and Home (2nd ed.) #143 (1928) Lyrics: 1 Through the night of doubt and sorrow
Onward goes the pilgrim band,
Singing songs of expectation,
Marching to the Promised Land.
Clear before us, through the darkness
Gleams and burns the guiding light,
Brother clasps the hand of brother,
Stepping fearless through the night.
2 One the light of God’s own presence,
O’er His ransomed people shed,
Chasing far the gloom and terror,
Bright'ning all the path we tread:
One the object of our journey,
One the faith which never tires,
One the earnest looking forward,
One the hope our God inspires.
3 One the strain that lips of thousands
Lift as from the heart of one;
One the conflict, one the peril,
One the march in God begun:
One the gladness of rejoicing
On the far eternal shore,
Where the One Almighty Father
Reigns in love for evermore.
4 Onward therefore, pilgrim brothers!
Onward, with the cross our aid!
Bear its shame, and fight its battle,
Till we rest beneath its shade!
Soon shall come the great awaking,
Soon, the rending of the tomb,
Then the scatt'ring of all shadows,
And the end of toil and gloom.
Topics: The Church Languages: English Tune Title: [Through the night of doubt and sorrow]
Through The Night Of Doubt And Sorrow
Through the night of doubt and sorrow
Author: Rev. S. Baring-Gould; Bernhard S. Ingeman Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #521a (1894) Meter: 8.7 D Lyrics: 1 Through the night of doubt and sorrow
Onward goes the pilgrim band,
Singing songs of expectation,
Marching to the promised land;
Clear before us through the darkness
Gleams and burns the guiding light:
Brother clasps the hand of brother,
Stepping fearless through the night.
2 One, the light of God's own presence,
O'er His ransomed people shed,
Chasing far the gloom and terror,
Brightening all the path we tread;
One, the object of our journey,
One, the faith which never tires,
One, the earnest looking forward,
One, the hope our God inspires;
3 One, the strain that lips of thousands
Lift as from the heart of one;
One the conflict, one the peril,
One, the march in God begun;
One, the gladness of rejoicing
On the far eternal shore,
Where the One Almighty Father
Reigns in love for evermore.
4 Onward, therefore, pilgrim brothers!
Onward, with the Cross our aid!
Bear its shame, and fight its battle,
Till we rest beneath its shade!
Soon shall come the great awaking;
Soon the rending of the tomb;
Then, the scattering of all shadows,
And the end of toil and gloom!
Amen. Topics: Lay Helpers; Parochial Missions; Church Militant; Hope; Progress Languages: English Tune Title: [Through the night of doubt and sorrow]
Through the night of doubt and sorrow
S. Baring-Gould
1834 - 1924 Person Name: Sabine Baring-Gould Translator of "Through the night of doubt and sorrow" in The Hymnal Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning."
His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs.
--John Julian, Dictionary of Hymnology (1907)
==================
Baring-Gould, S., p. 114, i. Other hymns in common use are:—
1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874.
2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881.
3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
S. Baring-Gould
C. Hubert H. Parry
1848 - 1918 Person Name: Charles H. H. Parry Composer of "RUSTINGTON" in Anglican Hymns Old and New (Rev. and Enl.) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
John Stainer
1840 - 1901 Person Name: John Stainer, 1840-1901 Composer of "ALL FOR JESUS" in Complete Mission Praise
John Stainer
