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Text Identifier:"^thy_word_sheds_light_upon_my_path$"

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Your Word Sheds Light upon My Path

Meter: 8.8.8.8 Appears in 12 hymnals Lyrics: 1 Your word sheds light upon my path; a shining lamp, it guides my feet; your righteous judgments to observe, my solemn vow I now repeat. 2 Severe affliction, LORD, is mine; send help according to your word. Accept my sacrifice of praise and make me know your judgments, LORD. 3 In constant danger is my life, your righteous law I'll not forget. I have not from your precepts strayed, despite the snares the wicked set. 4 Your precepts are my heritage; they daily make my heart rejoice. To keep your statutes faithfully shall ever be my willing choice. Topics: Law of God; Obedience; Pilgrimage and Guidance Scripture: Psalm 119:105-112 Used With Tune: CANONBURY Text Sources: The Psalter, 1912, alt.; mod.

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FEDERAL STREET

Meter: 8.8.8.8 Appears in 677 hymnals Composer and/or Arranger: Henry K. Oliver Tune Key: E Flat Major Incipit: 33343 55434 44334 Used With Text: Your Word Sheds Light upon My Path
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CANONBURY

Meter: 8.8.8.8 Appears in 640 hymnals Composer and/or Arranger: Robert Schumann; Dale Grotenhuis Tune Key: G Major or modal Incipit: 53334 32123 56712 Used With Text: Your Word Sheds Light upon My Path
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ROCKINGHAM

Meter: 8.8.8.8 Appears in 533 hymnals Composer and/or Arranger: Edward Miller, 1731-1807 Tune Key: E Flat Major Incipit: 13421 35655 17655 Used With Text: Thy Word Sheds Light upon My Path

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Published text-tune combinations (hymns) from specific hymnals
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Thy Word Sheds Light upon My Path

Author: Anonymous Hymnal: Hymns for Youth #49 (1966) Meter: 8.8.8.8 Lyrics: 1. Thy Word sheds light upon my path; A shining light, it guides my feet; Thy righteous judgments to observe My solemn vow I now repeat. 2. In my distress I plead with thee, Send help according to thy Word; Accept my sacrifice of praise And make me know thy judgments, Lord. 3. In danger oft and nigh to death, I find thy law my steadfast aid. The wicked seek my overthrow, Yet from thy truth I have not strayed. 4. Thy precepts are my heritage, For daily they my heart rejoice; To keep thy statutes faithfully Shall ever be my willing choice. Scripture: Psalm 119:105-112 Languages: English Tune Title: ROCKINGHAM
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Thy Word Sheds Light upon My Path

Hymnal: Psalms and Hymns to the Living God #119N (2023) Meter: 8.8.8.8 Lyrics: 1 Thy word sheds light upon my path; a shining light, it guides my feet; Thy righteous judgments to observe my solemn vow I now repeat. 2 In my distress I plead with Thee, send help according to Thy Word; accept my sacrifice of praise and make me know Thy judgments, LORD. 3 In danger oft and nigh to death, Thy law remembered is my aid. the wicked seek my overthrow, yet from Thy truth I have not strayed. 4 Thy precepts are my heritage, for daily they my heart rejoice; to keep Thy statutes faithfully shall ever be my willing choice. Topics: Instruction Scripture: Psalm 119:105-112 Languages: English Tune Title: DISTRESS
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Thy Word Sheds Light Upon My Path

Hymnal: Hymns to the Living God #242 (2017) Meter: 8.8.8.8 Lyrics: 1 Thy Word sheds light upon my path; a shining light, it guides my feet; Thy righteous judgments to observe, my solemn vow I now repeat. 2 In my distress I plead with Thee, send help according to Thy Word; accept my sacrifice of praise and make me know Thy judgments, LORD. 3 In danger oft and nigh to death, Thy law remembered is my aid. The wicked seek my overthrow, yet from Thy truth I have not strayed. 4 Thy precepts are my heritage, for daily they my heart rejoice; to keep Thy statutes faithfully shall ever be my willing choice. Topics: God's Word Scripture: Psalm 119:105-112 Languages: English Tune Title: REPENTANCE

People

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Authors, composers, editors, etc.

Anonymous

Author of "Thy Word Sheds Light upon My Path" in Hymns for Youth In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Edward Miller

1735 - 1807 Person Name: Edward Miller, 1731-1807 Arranger of "ROCKINGHAM" in Hymns for Youth Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map. John Perry

Robert Schumann

1810 - 1856 Composer of "CANONBURY" in Trinity Psalter Hymnal Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry
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